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GALLERY: Hard Rock Collection’s Iconic Axes, Part 2

Pieces of rock history owned by Jimi Hendrix, John Entwistle, Dave Mustaine, Ted Nugent, Steve Vai, Scotty Moore, and more.

Chris Squire's Triple-Neck Wal Bass
60s gave way to 70s and rock music sought to fulfill its full artistic promise, progressive rock was born. The undisputed kings of this scene were the English group Yes. As one of the few prog bands that actually made hit singles, Yes brought a level of musicianship to the mainstream that's rarely been equaled. Bassist/songwriter Chris Squire was the band's driving force and one of the most influential players ever. For someone of his ability, a regular instrument just wouldn't do, so he picked up this insane triple-neck Wal from Yes keyboardist Rick Wakeman's pal Roger Newell. Though most players wouldn't even know how to tune the thing, Squire regularly wrestled the beast into artful submission. The middle neck is a standard fretted 4-string, the lower neck is fretless, and the top neck was originally intended to be like a Telecaster, but Chris strung it with three octave pairs. It's currently on display at the Hard Rock Cafe in Bucharest, Romania.

Analog modulation guided by a digital brain willing to get weird.

Fun, fluid operation. Capable of vintage-thick textures at heavier gain settings. High headroom for accommodating other effects.

MIDI required to access more than one preset—which you’ll probably long for, given the breadth of voices.

$369

Kernom Elipse

kernom.com

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If you love modulation—and lots of it—you can eat up a lot of pedalboard space fast. Modulation effects can be super-idiosyncratic and specialized, which leads to keeping many around, particularly if you favor the analog domain. TheKernom Elipse multi-modulator is pretty big and, at a glance, might not seem the best solution for real estate scarcity. Yet the Elipse is only about 1 1/4" wider than two standard-sized Boss pedals side by side. And by combining an analog signal path with digital control, it makes impressive, efficient use of its size—stuffing fine-sounding harmonic tremolo, phaser, rotary-style, chorus, vibrato, flanger, and Uni-Vibe-style effects into a single hefty enclosure. Many of the effects can also be blended and morphed into one another using a rotary control aptly called “mood.” The Elipse, most certainly, has many of those.

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An easy guide to re-anchoring a loose tuning machine, restoring a “lost” input jack, refinishing dinged frets, and staunching a dinged surface. Result: no repair fees!

Unleash your inner metal icon with the Jackson Lee Malia LM-87, a high-performance shred-ready axe designed in collaboration with Bring Me The Horizon guitarist Lee Malia. Featuring custom Jackson signature pickups, a fast D-profile neck, and a TOM-style bridge for rock-solid stability, this signature model is a must-have for commanding metal tone and smooth playability.

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The Tone King Imperial Preamp Pedal delivers legendary vintage American tube tone with modern control. Featuring two channels mirroring '50s tweed and '60s blackface tones, built-in zero watt poweramp, stereo convolution spring reverb and tremolo, and low-latency impulse response technology. MIDI programmable with up to 128 presets for instant recall.

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