Chicago’s three-day, punk-rock carnival was host to Slayer, Jawbreaker, Raconteurs, Patti Smith, Rise Against, Bob Mould, Rancid, Bikini Kill, Lucero, the Struts, and more. Here are our favorite guitar-related moments from the 15th annual gathering.

Ween

Ween’s Dean Ween

One half of the offbeat alt-rock group Ween, Dean (aka Mickey Melchiondo) pays constant tribute to his Hendrix influences by primarily rocking a Strat onstage. His Frankenstein Strat’s cavity has a ’57 route with a dowel cut in half-lengthwise and glued to the outside wall to receive the extra screw hole for a ’62 or later pickguard. It was refinished Dakota red in the early ’90s, and its neck plate dates to 1962. The guitar has a Seymour Duncan Hot Rails pickup in the bridge and Fender Lace Sensors in the middle and neck positions. The band played The Mollusk in its entirety.

Fender’s American Vintage II Series

For these new recreations, Fender focuses on the little things that make original golden-era Fenders objects of obsession.

If there’s one thing players love more than new guitars, it’s old guitars—the unique feel, the design idiosyncrasies, the quirks in finish that all came from the pre-CNC era of instrument manufacturing. These characteristics become the stuff of legend, passed on through the years via rumors and anecdotes in shops, forums, and community networks.

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The Red Sea was born out of the vision to provide complex signal routing options available to the live/performing musician, that up until now, are only found in a studio mixing environment.

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Stardust V3 was designed to capture the sound and response of 3 distinct amplifier models.

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The Sunn O))) Life Pedal circuit has been meticulously tweaked from the original and includes a third footswitch.

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