Legendary Rush guitarist Alex Lifeson and Epiphone present the new Alex Lifeson Epiphone Les Paul Standard Axcess electric guitar. Created by Alex Lifeson and the luthiers at Epiphone in Nashville, TN, the Alex Lifeson Epiphone Les Paul Standard Axcess is now available worldwide on: www.epiphone.com.
Through an extensive collaboration between Alex and Gibson, Epiphone pushed the boundaries of the classic Les Paul to create the exclusive Alex Lifeson Les Paul Standard Axcess. The guitar includes a pair of powerful Epiphone pickups - the Pro Bucker 3 bridge pickup and the Ceramic Pro neck pickup. It also includes coil-splitting options via the push-pull volume controls and a Graph Tech Ghost Floyd Rose system. Together these features give the player access to both traditional magnetic humbucker tones as well as the Ghost's realistic acoustic tones. For added flexibility, you can blend acoustic and magnetic voices to create a rich layered sound and then route them through either a traditional mono jack or use two cables to access the individual magnetic and piezo outputs.
Video Featuring Two New Song Snippets
"The introduction of the Epiphone Alex Lifeson Axcess model based on my Gibson Les Paul Axcess model has all the same attributes and characteristics that I desired so much when we originally designed it," says Alex Lifeson, Rush guitarist. "The look, the sound, the playability and the utility--it's all there for the player-at any level. I'm very proud of this guitar."
"We have been honored to have Alex as part of our family for decades," says Elizabeth Heidt, Vice President of Cultural Influence. "He is an incredible, iconic artist, innovator, philanthropist, and an inspiration to so many. We are excited to partner with him on the Epiphone Axcess and to celebrate this collaboration with his fans around the world."
The Alex Lifeson Les Paul Standard Axcess
To mark the occasion of his collaboration with Epiphone and the release of the new Alex Lifeson Epiphone Les Paul Standard Axcess guitar, Lifeson is proud to debut two brand new songs titled "Kabul Blues" and "Spy House." Fans can get a first listen to "Kabul Blues" and "Spy House" in the new interview with Alex Lifeson, Here, and listen to the songs in their entirety exclusively via AlexLifeson.com. These two instrumental songs mark the first new music from Alex Lifeson in close to a decade.
More on the Epiphone Alex Lifeson Les Paul Axcess
In his work with Rush, Alex Lifeson has redefined the boundaries of progressive rock guitar, with playing that soars beyond the drama and the bluster to reveal truly stunning virtuosity that has been praised and admired by fans—and players—of all stripes. Created through extensive work with Alex Lifeson and Gibson™, Epiphone's Alex Lifeson Les Paul Axcess Standard similarly redefines the boundaries of the classic Les Paul™ in an accessible package. This guitar carries all of the traditional tones that have made the Les Paul legendary, along with unprecedented levels of sonic and performance versatility. The Alex Lifeson Les Paul Axcess Standard carries powerful Epiphone Ceramic Pro neck and ProBucker 3 bridge pickups with coil-splitting options via their push-pull volume controls and a Graph Tech Ghost Floyd Rose system that not only provides the world's most efficient vibrato but is also loaded with Ghost piezo bridge saddles. Access traditional magnetic humbucker tones, mix it up with coil-split options, tap the Ghost's realistic acoustic tones, or blend acoustic and magnetic voices — the sky's the limit from this sonic chameleon, whose sound-shifting depths are virtually limitless. You can route it all through a traditional mono jack or use two cables for individual magnetic and piezo outputs. All this and the Alex Lifeson Les Paul Axcess Standard still presents that timeless Les Paul look that has remained a classic for more than 60 years. An EpiLite™ case is also included.
Price: $899
epiphone.com
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Diamond Pedals Dark Cloud
True to the Diamond design ethos of our dBBD’s hybrid analog architecture, Dark Cloud unlocks a new frontier in delay technology which was once deemed unobtainable by standard BBD circuit.
Powered by an embedded system, the Dark Cloud seamlessly blends input and output signals, crafting Tape, Harmonic, and Reverse delays with the organic warmth of analog companding and the meticulous precision of digital control.
Where analog warmth meets digital precision, the Dark Cloud redefines delay effects to create a pedal like no other
But by gosh, if delay—and its sister effect, reverb—haven’t always been perfect for the music I like to write and play. Which brings us to the Fishman EchoBack Mini Delay. The EchoBack, along with the standard delay controls of level, time, and repeats—as well as a tap tempo—has a toggle to alternate between analog, tape, and digital-delay voices.
I hooked up my Washburn Bella Tono Elegante to my Blues Junior to give the EchoBack a test run. We love a medium delay—my usual preference for delay settings is to have both level and repeats at 1 o’clock, and time at 11 o’clock. With the analog voice switched on, I heard some pillowy warmth in the processed signal, as well as a familiar degradation with each repeat—until their wake gave way to a gentle, distant, crinkly ticking. Staying on analog and adjusting delay time down to 8 o’clock and repeats to about 11:30, some cozy slapback enveloped my rendition of Johnny Marr’s part to “Back to the Old House,” conjuring up thoughts of Elvis trapped in a small chamber, but in a good way. It sounded indubitably authentic. The one drawback of analog delay for me, generally, is that its roundness can feel a bit under water at times.
Switching over to tape, that pillowy warmth evaporated, and in its place came a very clear replication of my tone—but with just a bit of the highs shaved off the top. With the settings at the medium-length mode listed above, I could see the empty, glass hall the pedal sent my sound bouncing down. I heard several pronounced pings of repeats before the signal fully faded out. On slapback settings (time at 8 o’clock, repeats at 11:30), rather than Elvis, I heard something more along the lines of a honky-tonk mic in a glass bottle. Still relatively crystalline, which actually was not my favorite. I like a bit more crinkle—so maybe analog is my bag....“That pillowy warmth evaporated, and in its place came a very clear, pristine replication of my tone—but with just a bit of the highs shaved off the top.”
Next up, digital. Here we have the brightest voice, and as expected, the most faithful repeats. They ping just a few times before shifting to a smooth, single undulating wave. When putting its slapback hat on, I found that the effect was a bit less alluring than I’d observed for the analog and tape voices. This is where the digital delay felt a little too sterile, with the cleanly preserved signal feeling a bit unnatural.
All in all, I dig the EchoBack for its replications of analog and tape voices, and ultimately, lean towards tape. While it’s nice having the digital delay there as an option, it feels a bit too clean when meddling with time of any given length. Nonetheless, this is surely a handy stomp for any acoustic player looking to venture into the land of live effects, or for those who are already there.
