The feel, sensitivity, and low noise floor of a studio comp in a sturdy and intuitive stomp.
Intuitive. Ultra quiet. Loads of useful extra output. Great range in controls.
Some effects may seem too subtle for comp’ newbies.
$280
API TranZformer CMP
apiaudio.com
API’s TranZformer CMP is a powerful, if sometimes subtle, tone-shaping machine. It’s also much more intuitive to use than a pedal with four knobs and three mini toggles might seem. And just like the studio compressors it’s derived from, the CMP is incredibly satisfying to use once you get in a flow and unlock its secrets.
Any player confounded or intimidated by the concept of compression and how to use it constructively would be well served by experimenting with the CMP. The effect of a nudge to a given control can often seem minor. But each knob has exceptional range and great sensitivity, so you can take a painterly approach to fine-tuning a sound: A dot of extra sustain here, a bit more output gain there, and your flat-sounding Strat becomes a whole lot richer and full of body and color. The available output is no joke either. Depending upon your amp and pickups, you can use the CMP to readily dish loads of high-headroom clean boost or make your amplifier growl with smooth intensity. Perhaps best of all, the CMP is quieter than a mouse. And if you’ve worked with lesser pedal compressors that make you pay for extra sustain and punch with an earful of hiss, you’ll be thrilled at what the CMP can achieve.
At 280 bucks, it’s not cheap for a stompbox. But the quality of the CMP, the care and execution that went into its fine control set, and its capacity to transform tones in subdued or dramatic fashion make that sum look like a relative deal.
- Recording Dojo: Understanding Compression, Pt. 2 - Premier Guitar ›
- The API Select TranZformer GTR - Premier Guitar ›
- API TranZformer GTR Review - Premier Guitar ›
Anthem Records in Canada and Rhino Records will reissue the first-ever solo albums of Rush's Alex Lifeson and Geddy Lee. Lifeson’s 1996 album Victor and Lee’s 2000 offering My Favourite Headache will be re-released on August 9, 2024.
Victor, originally released on January 9, 1996, marks Alex Lifeson’s solo debut. Lifeson took on the roles of songwriter, producer, and mixer for this album. For the first time, Victor will be available on vinyl, featuring a complete remix by Lifeson himself to enhance the audio quality. The fourth side of the album includes four instrumental tracks previously exclusive to Lifeson’s website. Guest artists include lead vocalist Edwin from I Mother Earth, Primus bassist Les Claypool, and Canadian powerhouse vocalist Lisa Dalbello. The 15-song collection is paired with striking 2024 reimagined artwork by Fantoons Animation Studios.
As a Rush Backstage exclusive, Alex Lifeson will personally autograph 1,000 lithographs to be included with the Ruby Translucent 2LPs, which are available only through the Rush Backstage web store.
Geddy Lee, My Favorite Headache
My Favourite Headache, Geddy Lee’s only solo album to date, was initially released on November 14, 2000. This reissue marks its first vinyl pressing since a limited-edition Record Store Day exclusive in 2019. The fourth side of the album features two instrumental mixes. Produced by Lee, Ben Mink, and David Leonard, the album includes contributions from Mink and drummers Matt Cameron (Soundgarden/Pearl Jam) and Jeremy Taggart (Our Lady Peace).
For more details on the Geddy Lee reissue and to preorder, visit: https://lnk.to/MyFavouriteHeadache.
Rush — bassist/keyboardist/vocalist Geddy Lee, guitarist/vocalist Alex Lifeson, and the late, great drummer/lyricist Neil Peart — maintains a massive and uniquely passionate worldwide fanbase that acknowledges and respects the band’s singular, bold, and perpetually exploratory songcraft that combines sterling musicianship, complex compositions, and distinctive lyrical flair. Rush has sold more than 30 million albums in Canada and the U.S. alone, with worldwide sales estimated at 45 million (and counting). Between Music Canada and the RIAA, Rush has been awarded 50 Gold, 30 Platinum, and 9 Multi-Platinum album distinctions (and counting). Rush has also had 5 Top 10 Billboard Canada Albums, received 7 Grammy nominations, 10 Juno Award wins with 41 Nominations, and earned an induction into the Canadian Music Hall of Fame in 1994 and the Rock and Roll Hall of Fame in 2013. Additionally, Lee, Lifeson, and Peart were made Officers of the Order of Canada on May 9, 1996.
For more information, visit: https://www.rush.com
The new Jimi Hendrix documentary chronicles the conceptualization and construction of the legendary musician’s recording studio in Manhattan that opened less than a month before his untimely death in 1970. Watch the trailer now.
Abramorama has recently acquired global theatrical distribution rights from Experience Hendrix, L.L.C., and will be premiering it on August 9 at Quad Cinema, less than a half mile from the still fully-operational Electric Lady Studios.
Jimi Hendrix - Electric Lady Studios: A Jimi Hendrix Vision (Documentary Trailer)
“The construction of Electric Lady [Studios] was a nightmare,” recalls award-winning producer/engineer and longtime Jimi Hendrix collaborator Eddie Kramer in the trailer. “We were always running out of money. Poor Jimi had to go back out on the road, make some money, come back, then we could pay the crew . . . Late in ’69 we just hit a wall financially and the place just shut down. He borrows against the future royalties and we’re off to the races . . . [Jimi] would say to me, ‘Hey man, I want some of that purple on the wall, and green over there!’ We would start laughing about it. It was fun. We could make an atmosphere that he felt comfortable in and that he was able to direct and say, ‘This is what I want.’”
Electric Lady Studios: A Jimi Hendrix Vision recounts the creation of the studio, rising from the rubble of a bankrupt Manhattan nightclub to becoming a state-of-the-art recording facility inspired by Hendrix’s desire for a permanent studio. Electric Lady Studios was the first-ever artist-owned commercial recording studio. Hendrix had first envisioned creating an experiential nightclub. He was inspired by the short-lived Greenwich Village nightspot Cerebrum whose patrons donned flowing robes and were inundated by flashing lights, spectral images and swirling sound. Hendrix so enjoyed the Cerebrum experience that he asked its architect John Storyk to work with him and his manager Michael Jeffery. Hendrix and Jeffery wanted to transform what had once been the Generation Club into ‘an electric studio of participation’. Shortly after acquiring the Generation Club lease however, Hendrix was steered from building a nightclub to creating a commercial recording studio.
Directed by John McDermott and produced by Janie Hendrix, George Scott and McDermott, the film features exclusive interviews with Steve Winwood (who joined Hendrix on the first night of recording at the new studio), Experience bassist Billy Cox and original Electric Lady staff members who helped Hendrix realize his dream. The documentary includes never-before-seen footage and photos as well as track breakdowns of Hendrix classics such as “Freedom,” “Angel” and “Dolly Dagger” by Eddie Kramer.
The documentary explains in depth that while Jimi Hendrix’s death robbed the public of so much potential music, the continued success of his recording studio provides a lasting legacy beyond his own music. John Lennon, The Clash, AC/DC, Chic, David Bowie, Stevie Wonder, Lady Gaga, Beyoncé and hundreds more made records at Electric Lady Studios, which speaks to one of Jimi’s lasting achievements in an industry that has radically changed over the course of the last half century.
PG contributor Tom Butwin dives into the Rivolta Sferata, part of the exciting new Forma series. Designed by Dennis Fano and crafted in Korea, the Sferata stands out with its lightweight simaruba wood construction and set-neck design for incredible playability.
The "Sandblasted" SE Series features a swamp ash top with a unique sandblasted finish in five color options.
This limited edition is built on the CE platform and pairs a swamp ash top and mahogany back with a 24-fret, 25” scale length bolt-on maple neck and rosewood fretboard. The Swamp Ash tops have been “sandblasted” to accentuate the wood’s inherent figure and are then grain-filled in one of five colors: Sandblasted Blue, Green, Purple, Red, or White.
“We have done runs with this treatment before, but this is the first time we are offering it at scale worldwide. I really fell in love with these guitars after watching the sandblasting process in person. It’s transformational. But, these guitars are more than just eye-candy – they take a ton of care to make, and they are made to be played,” said Jack Higginbotham, PRS Guitars COO.
For more information, please visit prsguitars.com.