Affordable modulated analog delay in miniature.
An excellent sounding and affordable passport to the universe of modulated analog delay that also respects tradition.
Micro size is a blessing and, for some, perhaps a small curse.
$179
Pigtronix Constellator
pigtronix.com
Despite the spacey name, the Constellator isn't the most out-of-this-world contraption made by Pigtronix. For that prize, I would submit the Mothership 2 Analog Synthesizer, which is raving madness in a box. Madness is relative though, and the Constellator is possessed with a more warm-hearted insanity. And while this analog delay does playfully cross the line into modulation in two ways, it has more of a star- (or maybe shoe-) gazing vibe that's warm and old-school in tone, but looks beyond the orbit of conventional delay.
Little Dreamer
Modulated delay isn't new, of course, but it's harder to find in a stompbox this compact and affordable. The Constellator is tucked into a small, solid metal box that measures 1 1/2" x 1 3/4" x 3 3/4" and offers a maximum delay time of 600 ms. It's got your basic 1/4" in-and-out-mono jack set and requires a 9V DC barrel-type power supply. Needless to say, there is zero space for a battery option. There are four dials atop the Constellator: time, mix, mod, and repeats. The additional control is a push button just below those dials marked "feel"—a subtly vibey little function we'll get to in a bit.
When I investigate a new analog delay, I always pull out one of my favorite dinosaurs for comparison: the Analog Delay MXR made between 1976 and 1984. The MXR's characterful nature is, in part, ascribed to the use of MN3005 bucket brigade delay chips, the same chip at the heart of this Pigtronix stomp. The Constellator's time, mix, and repeat dials correspond with the big green MXR's delay, mix, and regen. And tonally, the little Pigtronix compares extremely well, providing the same warmth and richness as the MXR. With the repeats cranked, the Constellator also produces the familiar oscillating feedback trails that I love and prize for their Forbidden Planet quality.
All Mod, No Cons
Per usual, I plugged guitars with single-coil, humbucking, and gold-foil pickups into the Constellator, and used my Carr Vincent amp with the EQ straight up. I was extremely impressed with this little device's big embrace.
The controls had more range than my beloved MXR and performed flawlessly in traditional applications. The Constellator handles slapback duties like a champ. With more modulation, the repeats took on a sweet vibrating sound— imagine Scotty Moore's Echosonic with a slight hangover, and you'll get the idea. Spacier emissions were equally pleasing, and with time, mix, repeat, and mod controls at 3, 3, noon, and noon respectively, the Pigtronix moved into Magnatone turf and got dizzier as the mod dial went up. But I really enjoyed the more extreme settings, where notes seemed to warp and degrade as they hung and faded in the air. Punching in the feel button made this sound even weirder. The feel function is essentially a chorus, but it really accents the colors and degradation in the repeat trails, sounding, at times, like analog tape that has been stretched. Even so, clarity and definition remain in every picked or echoed note. This truly is a lovely sounding pedal.
There are a few snakes in the garden. The dials are quite tiny, and close enough to each other that I can just slip my thumb between them, which means adjustments on the fly require focus. There are grooves in the sides of each dial to make gripping them easier, but those of us with big paws may still be slightly challenged to make precise adjustments. Also, the feel button is so close to the mod and repeat dials that I accidentally popped it on with my big-ass thumb several times while making adjustments.
The Verdict
The Pigtronix Constellator is a mighty mite of an analog delay, with warm sounds that equal much pricier pedals. And the mod and feel controls take tones into infinity and beyond. But while its small size is an asset for the pedalboard space-challenged, that's also a slight issue for those of us who buy our gloves at Thornton Melon's Tall & Fat Stores. If that issue isn't a problem for you, the Constellator could become a valued tool for drawing your own map of the sonic stars.
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PG contributor Tom Butwin takes a deep dive into LR Baggs' HiFi Duet system.
LR Baggs HiFi Duet High-fidelity Pickup and Microphone Mixing System
HiFi Duet Mic/Pickup System"When a guitar is “the one,” you know it. It feels right in your hands and delivers the sounds you hear in your head. It becomes your faithful companion, musical soulmate, and muse. It helps you express your artistic vision. We designed the Les Paul Studio to be precisely the type of guitar: the perfect musical companion, the guitar you won’t be able to put down. The one guitar you’ll be able to rely on every time and will find yourself reaching for again and again. For years, the Les Paul Studio has been the choice of countless guitarists who appreciate the combination of the essential Les Paul features–humbucking pickups, a glued-in, set neck, and a mahogany body with a maple cap–at an accessible price and without some of the flashier and more costly cosmetic features of higher-end Les Paul models."
Now, the Les Paul Studio has been reimagined. It features an Ultra-Modern weight-relieved mahogany body, making it lighter and more comfortable to play, no matter how long the gig or jam session runs. The carved, plain maple cap adds brightness and definition to the overall tone and combines perfectly with the warmth and midrange punch from the mahogany body for that legendary Les Paul sound that has been featured on countless hit recordings and on concert stages worldwide. The glued-in mahogany neck provides rock-solid coupling between the neck and body for increased resonance and sustain. The neck features a traditional heel and a fast-playing SlimTaper profile, and it is capped with an abound rosewood fretboard that is equipped with acrylic trapezoid inlays and 22 medium jumbo frets. The 12” fretboard radius makes both rhythm chording and lead string bending equally effortless, andyou’re going to love how this instrument feels in your hands. The Vintage Deluxe tuners with Keystone buttons add to the guitar’s classic visual appeal, and together with the fully adjustable aluminum Nashville Tune-O-Matic bridge, lightweight aluminum Stop Bar tailpiece, andGraph Tech® nut, help to keep the tuning stability nice and solid so you can spend more time playing and less time tuning. The Gibson Les Paul Studio is offered in an Ebony, BlueberryBurst, Wine Red, and CherrySunburst gloss nitrocellulose lacquer finishes and arrives with an included soft-shell guitar case.
It packs a pair of Gibson’s Burstbucker Pro pickups and a three-way pickup selector switch that allows you to use either pickup individually or run them together. Each of the two pickups is wired to its own volume control, so you can blend the sound from the pickups together in any amount you choose. Each volume control is equipped with a push/pull switch for coil tapping, giving you two different sounds from each pickup, and each pickup also has its own individual tone control for even more sonic options. The endless tonal possibilities, exceptional sustain, resonance, and comfortable playability make the Les Paul Studio the one guitar you can rely on for any musical genre or scenario.
For more information, please visit gibson.com.
Introducing the Reimagined Gibson Les Paul Studio - YouTube
The two pedals mark the debut of the company’s new Street Series, aimed at bringing boutique tone to the gigging musician at affordable prices.
The Phat Machine
The Phat Machine is designed to deliver the tone and responsiveness of a vintage germanium fuzz with improved temperature stability with no weird powering issues. Loaded with both a germanium and a silicon transistor, the Phat Machine offers the warmth and cleanup of a germanium fuzz but with the bite of a silicon pedal. It utilizes classic Volume and Fuzz control knobs, as well as a four-position Thickness control to dial-in any guitar and amp combo. Also included is a Bias trim pot and a Kill switch that allows battery lovers to shut off the battery without pulling the input cord.
Silk Worm Deluxe Overdrive
The Silk Worm Deluxe -- along with its standard Volume/Gain/Tone controls -- has a Bottom trim pot to dial in "just the right amount of thud with no mud at all: it’s felt more than heard." It also offers a Studio/Stage diode switch that allows you to select three levels of compression.
Both pedals offer the following features:
- 9-volt operation via standard DC external supply or internal battery compartment
- True bypass switching with LED indicator
- Pedalboard-friendly top mount jacks
- Rugged, tour-ready construction and super durable powder coated finish
- Made in the USA
Static Effectors’ Street Series pedals carry a street price of $149 each. They are available at select retailers and can also be purchased directly from the Static Effectors online store at www.staticeffectors.com.
So, you want to chase the riches and glories of being a mid-level guitar YouTuber. Rhett and Zach have some reality checks.
This outing of Dipped In Tone kicks off with an exciting update from Zach Broyles’ camp: He’s opening a brick-and-mortar guitar shop in Nashville, called High Voltage Guitars. Opening on October 8, the store will carry gear from Two-Rock, Divided By 13, Dr. Z, Castedosa, Fano, Novo, and of course Mythos Pedals. Zach hints that there might be some handwired JHS pedals from Josh Scott himself, too, and Rhett reveals that he plans to consign some of his guitars at the shop.
The business side of Zach’s new venture brings them to a key piece of today’s episode: Rhett and Zach aren’t running charities. They do what they do to make money; guitars, gear, podcasting, and content creation are their literal jobs. And they’re not as glamorous and breezy as most armchair commentators might guess.
Want to do what Rhett and Zach do? Welcome to the club. The guitar-influencer field is what one might call “oversaturated” at the moment, and it’s difficult to break out—but not impossible. As our hosts explain, it requires putting in 60-hour work weeks, a diverse skillset, a knack for catching people’s attention, and a certain level of genuineness. Rhett knows this path well, and he has hard-earned advice for staying true to oneself while building a following in the gear world.
Tune in to learn why Rhett thinks Fretboard Summit, a three-day guitar festival organized by Fretboard Journal, blows NAMM out of the water and builds legitimate connections between guitarists, and catch the duo dipping a Dick Dale-inspired, all-Fender rig.