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Rig Rundown: The Doobie Brothers

The guitarists from one of classic rock’s most enduring hitmakers walk us through how they combine old-school custom axes with some of the latest technology.

His pedals out front onstage include a Boss RT-20 Rotary Ensemble, a Boss CH-1 Super Chorus, TC Electronic Flashback Delay, Electro-Harmonix Micro POG, Pedalworx Doobie Double Drive. Simmons has one tuner for electric and another for acoustic: a Boss TU-2 Chromatic Tuner and a Peterson StroboFlip. Everything is powered by a single Voodoo Lab Pedal Power 2 Plus.

Special thanks to tech Chris Ledbetter.

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Paul Reed Smith shows John Bohlinger how to detect the grain in a guitar-body blank, in a scene from PG’s PRS Factory Tour video.

Paul Reed Smith says being a guitar builder requires code-cracking, historical perspective, and an eclectic knowledge base. Mostly, it asks that we remain perpetual students and remain willing to become teachers.

I love to learn, and I don’t enjoy history kicking my ass. In other words, if my instrument-making predecessors—Ted McCarty, Leo Fender, Christian Martin, John Heiss, Antonio de Torres, G.B. Guadagnini, and Antonio Stradivari, to name a few—made an instrument that took my breath away when I played it, and it sounded better than what I had made, I wanted to know not just what they had done, but what they understood that I didn’t understand yet. And because it was clear to me that these masters understood some things that I didn’t, I would go down rabbit holes.

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Bohlinger Tests EMG's SL20 Steve Lukather Pickguard on a '90s Strat
- YouTube

PG's demo master quickly (and easily) drops in an H-S-S setup into his 1994 40th Anniversary Stratocaster that needed help. Find out what happens when gets his first taste of active pickups.

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Barry Little’s onstage rig.

How you want to sound and what makes you happy are both highly subjective. When it comes to packing and playing gear for shows, let those considerations be your guide.

I was recently corresponding with Barry Little, aPG reader from Indiana, Pennsylvania, about “the One”—that special guitar that lets us play, and even feel, better when it’s in our hands. We got talking about the gear we bring to gigs, and Barry sent me the photo that appears with this column.

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