Double dip in the modulation whip with Keeley's new twin phaser.
Most effects modify the amplitude of the signal like a distortion or compressor pedal. Others modify the timing of signals like delay and reverb. Guitar phasing is achieved by blending your original signal with a frequency domain altered version of the signal. The frequency modified component can be thought of like an EQ pedal that is rhythmically adjusted. As a result, when the two signals are combined you get the instantly recognizable sound of a... phaser.
There's no better way to make your guitar sound spacey, psychedelic, or "liquid". Phasers and vibes have that instantly recognizable dreamy and other-worldly tone. The Oaxa Phaser gives you double the fun with two independent phasers. Two phasers with slightly different LFO speeds can lead to dramatic and inspiring multidimensional layers and textures. The Oaxa Phaser offers you ten stage, four stage, and uni-vibe phasing all with just three large vintage-style knobs. Alt features offer you a one-knob compressor and an additional low-end depth control. The dual phasers in Oaxa can be run in series or parallel. With true stereo processing and built on our award winning Core series platform, it's perfect for creative stereo effects loops. The Oaxa Phaser sounds so good you'll swear it's analog. It's ideal for creating swirling leads, atmospheric textures, or groovy and funky rhythms.
Versatile Phasing Options: Switch between lush 10-stage, crisp 4-stage, or vintage uni-vibe modes with just three intuitive knobs for effortless control.
True Stereo Power: Run dual phasers in series or parallel, perfect for pairing with stereo reverb and delay in your effects loop, creating expansive, studio-quality soundscapes.
Enhanced Alt Features: A one-knob compressor and low-end depth control add warmth and punch, making every note sing.
Analog Soul, Digital Precision: Built on our award-winning Core series platform, Oaxa delivers the rich, organic warmth of an analog phaser with modern reliability.
Henri and Bill Cash, the brotherly guitar duo behind Los Angeles glam-rock band Starcrawler, linked with PG’s John Bohlinger before their gig at the Pinnacle in Nashville to show off some rose-colored rock tools. Check out highlights of their dazzling setups below, and tune into our full Rig Rundown to scope the full details.
This China-made Gretsch Electromatic Double Jet has just a single TV Jones Power’Tron Plus pickup, but beneath the hood, it’s also got a Rangemaster-style treble-boost circuit (as does another 3-string Electromatic that Henri plays). Henri traced out and applied sparkle-pink paper to give the guitar its memorable finish.
This pink powerhouse is tuned to open G.
Flying Bigsby
Daniel Slusser of Slusser Guitars in San Luis Obispo, California, built this custom V-style according to Henri’s requests, borrowing from a design by Japanese builder Saraso Ju. It’s made from pine from Home Depot, bound with leather, and outfitted with a Bigsby and a Filter’Tron pickup for Gretsch groove.
Triple Threat
Cash runs his dry signal to either this Satellite Amplifiers Neutron head or Vox AC15 combo, and his effects go to the Magnatone Twilighter Stereo on the right.
Henri Cash’s Pedalboard
After a pair of Boss TU-3s and a Boss ES-8 switcher, Henri’s board has a pair of DigiTech Drops, TC Electronic Shaker, R2R Electric Preamp, Boss GE-7, MXR Carbon Copy, Way Huge Red Llama, custom “Lamb’s Head” fuzz designed by Henri and Desi Scaglione, EarthQuaker Devices Tentacle, EQD Bit Commander, and Strymon Flint. A Lehle P-Split sends his signal to either the Neutron/AC15 and the Magnatone.
Tweaked Tele
Bill’s main axe is this heavily modified Fender Noventa Tele, with a Curtis Novak P-90 and a Glaser B-bender system.
Slide Away
For slide parts, Bill uses this GFI Expo pedal steel.
Souped-Up Super
Bill plays through this modded Fender Super Reverb Reissue. The tweaks included inserting a 5E3-tweed-Deluxe-Style circuit in first channel that switches to a handwired Super Reverb-style circuit in the second channel so he can use the tweed channel on guitar and clean black-panel tone on pedal steel. It was inspired by a mod he saw Colleen Fazio did to a friend's Bassman where she changed the first and second channel to be channel switching as well.
Bill Cash’s Pedalboard
On his sprayed-painted pedalboard, Bill runs a Boss TU-3, custom “Lamb’s Head” fuzz by Henri and Desi Scaglione, Way Huge Red Llama, Way Huge Conquistador, MXR Micro Amp, DigiTech Drop, Catalinbread Belle Epoch, MXR Reverb, MXR Tremolo, EarthQuaker Devices Levitation, Electro-Harmonix C9, and a Nocturne Brain Mystery Brain.
The in-demand gunslinger brings a load of silverware to arenas across the world.
Devon Eisenbarger, session ace and touring shredder for stars including Chappell Roan and One Direction’s Zayn Malik, met up with PG’s Chris Kies at Nashville’s Bridgestone Arena before hitting the stage with Katy Perry to show off the sleek 6-string rig she’s using on Perry’s Lifetimes tour.
Eisenbarger cut her teeth on a Stratocaster, and its sonic character still feels like home. She filmed a demo for Fender using this American Professional II Strat with a coil-splitting humbucker in the bridge—the best she’s heard so far. This one and all other electrics run D’Addario strings (.010–.046).
Fiery Fiore
Eisenbarger just scored this PRS Fiore before this tour. It has a beefier, slightly more midrange-y sound than the Strat.
Silver Surfer
This Ernie Ball Music Man StingRay II, designed in collaboration with Cory Wong, was made for Eisenbarger just before this run of shows.
Saintly Signature
Eisenbarger uses this Ernie Ball Music Man St. Vincent Signature for “I Kissed a Girl.”
Taped-Up Taylor
This Taylor 814ce, wrapped in silver tape, comes out for a mid-show acoustic set.
Devon Eisenbarger’s Rack Setup
Eisenbarger runs an all-digital rig, contained in this rack backstage. The key pieces are a Radial JX42, two Shure AD4Ds, a Kemper Profiling Amplifier, and a Fractal Axe-Fx. The Kemper runs a SELAH SOUNDS pack of profiles and impulse responses.
With no onstage monitors, Eisenbarger’s signal runs only to in-ear monitors and front of house.
Tom Butwin is back with round two of Pedalmania 2025!
First, he demos the versatile Chase Bliss Brothers AM, a collaboration with Analog Man that packs the beloved King of Tone sound into a compact powerhouse. Next, experience the unique and wild sounds of Eventide's Knife Drop, a collaboration with Third Man that delivers crushing distortion and synth tones. Finally, explore the simple but effective Rock N Roll Relics Stinger Overdrive, an old-school pedal with new old stock parts that offers a wide range of usable tones—from a clean boost to searing leads.
![Devon Eisenbarger [Katy Perry] Rig Rundown](https://www.premierguitar.com/media-library/youtube.jpg?id=61774583&width=1245&height=700&quality=70&coordinates=0%2C0%2C0%2C0)
