The new arrivals include the Axiom Series, signature basses from Gary Willis and Adam Nitti, and Altstar acoustics.
Anaheim, CA (January 4, 2019) -- Ibanez Guitars recently announced a host of new models for 2019 that will be debuted at the NAMM show. Here are some highlights.
Acoustic
AC150CE
The Artwood series is the embodiment of what might be called the Ibanez āmodern approach to tradition.ā Cutting-edge woodworking technology enables Ibanezās luthiers to reproduce the sophisticated bracing techniques of one-of-a-kind instruments of yesteryear. While tradition is obviously the hallmark of the Artwood series, Ibanezās decades-long search for the ultimate in acoustic tone has contributed to design alterations that give Artwood a voice all its own. The Grand Concert body shape of the AC150CE, along with the solid Sitka Spruce top, delivers player comfort along with an enormous frequency range that offers wave after wave of shimmering highs along with tight mids and a full-bodied low end.
LIST: $599.99
Altstar Line
Ibanez is proud to introduce the Altstar series of acoustic guitars. Modeled in the image of the quintessential Rock & Roll sprit, the AltStar is an acoustic guitar with the soul of its electric cousins, not only visually, but in design as well. The idea was to build an instrument for players who may have just started playing electric guitar, but want to explore the world of acoustics but maintain a familiar feel while doing so. Every Altstar has a Spruce top, Sapele back and sides, and a Maple neck topped with a Laurel fingerboard, combining to generate a bright and present tone. The Altstar also comes equipped with an Ibanez AEQ2UT on-board preamp and an onboard tuner, making it more than capable in a live performance situation.
List: $449.99
Basses
SR500E, SR505E, SR505EL, & SR506
These feature an Okoume body which offers a warm and fat low end. The thin, sturdy and stable Jatoba/Walnut neck offers superior playability when combined with the extended neck joint, making the upper frets easily accessible. These basses are equipped with BartoliniĀ® BH2 pickups in a dual-coil style configuration with a lower resonant frequency, providing a balanced, warm response with a tighter bottom end and a fuller midrange. The Ibanez Custom Electronics 3-band EQ features a 3-way mid-frequency switch, allowing for precise tonal control (250 Hz, 450 Hz, and 700 Hz) and an EQ bypass switch for passive-only operation. When the EQ bypass is activated, the treble tone control knob becomes the global tone control for the passive circuit. The B500 bridge (B505 & B506 on 5 and 6 string) has adjustable saddles for string spacing adjustments, answering every bassistās individual string spacing demands, no matter the playing style. The saddles can be adjusted +/-1.5mm, and the neck-joint truss rod access allows for quick and easy neck adjustments. The SR Series continues to satisfy the vast needs of bass players, exciting them with the SRās smooth and fast neck, lightweight body and perfectly matched electronics.
SR500E - List: $866.65
SR505E - List: $933.32
SR505EL (Left Handed) - List: $999.99
SR506 - List: $999.99
Watch the company's video demo:
Gary Willis 20th Anniversary Signature Bass
It has been two decades since Ibanez introduced the first Gary Willis Signature bass, the GWB1, in 1999. We are extremely pleased to introduce the Gary Willis signature anniversary model, the GWB20TH, to celebrate our long and fruitful relationship. The GWB20TH is full of of Garyās signature details such as a fretless fingerboard, finger ramp and special shaped machine heads. On top of those familiar GWB features, this anniversary model is unique unto itself. The Ash top/Basswood body provides sparkling highs and a well-balanced tone. Additionally, the beautiful TQF (Tequila Sunrise Flat) finish enhances the gorgeous Ash grain.
LIST: $1,599.99
Adam Nitti ANB205 Signature 5-String Bass
Ibanez is proud to introduce Adamās stunning new signature bass, the ANB205. The ANB205 has a lightweight Swamp Ash body which produces sparkling highs and rich harmonics. The back side of the lower horn has an extra scoop, borrowed from the Ibanez SRās body shape, which enables easier access to higher fret positions without stress. The Maple neck and fretboard provide crisp, bright highs and strong upper midrange.Adam selected Bartolini 59CBJD pickups for his new signature bass. These āClassic Bassā pickups are passive designs that feature an extended and more resonant frequency range. The pickups have far more āairā and definition at the top end without sacrificing lows and low mids.
LIST: $2,666.65
Electrics
Axion Label RGA61AL-IAF
The new Axion Label series is designed for metal, but offers exciting possibilities for any adventurous players after a next-level axe. Axion Label Guitars feature forward-thinking designs in sound, playability, and looks that take your performances to new heights. Arm yourself with the Axion Label and get ready to break some new ground. The RGA61AL-IAF features a Flamed Maple top with Nyatoh body in a new stunning Indigo Aurora Burst Flat finish, giving the model an otherworldly color scheme. The Macassar Ebony fretboard provides a tight low end with quick response and the extremely rigid, super-thin and ultra-playable Nitro Wizard 5-piece Panga Panga/Walnut neck substantially increases sustain. The Sub-Zero treated frets can stand up against the hardest riffing and string-bending. The luminescent side dot inlays make it easy for players to perform on dark stages and match the dazzling luminescent Ibanez headstock logo. Bare Knuckle Aftermath pickups deliver a bright and wickedly expressive tone, transmitting a quick bottom-end response for picking and fast riffing along with a dynamic midrange and precise high-end articulation. The coil-tap switch unleashes the Aftermath pickupās full output (for a modern voice) or a lower output signal (for a vintage tone). The Gibraltar Standard II enables the optimal transfer of each stringās vibration. The GotohĀ® locking tuners provide tuning accuracy and allow for quick, efficient string changing and the Schaller S-Lock strap lock pins hold a strap securely but make it easy to put the strap on and take off quickly. The RGA61AL-IAF represents a new level performance for the modern guitarist.
LIST: $1,791.10
Watch the company's video demo:
RG5120M Prestige
The Prestige series employs a combination of cutting-edge manufacturing techniques and old-world Japanese craftsmanship. The 2019 Prestige lineup adds something new to attract the contemporary players who are always seeking something new. Develop your range, tone and technique with these new high-performance Prestige guitars. To create guitars that are truly exceptional, Ibanez carefully developed the new modern specifications of the new RG5000 series. This line features Stainless Steel frets for a bright tone, long durability and smoothness, a rigid 5-piece Maple/Wenge neck; a beautiful wood grain fretboard, Made-in-Japan Luminlay side dots and the most cutting-edge pickups.
List: $2,533.32
Watch the company's video demo:
Artcore Vibrante Series
Full of good vibes and vitality, the Artcore Vibrante brings another bold flavor to the long-established Ibanez hollow-body Artcore series. Vivid in both color and tone, the Artcore Vibrante (Spanish for Vibrant) offers a unique take on the typical semi-hollow body image. The AS63 features a standard semi-hollow body construction that generates a a warm, full tone without any feedback. The Ibanez AS63 is the most simplified model the AS series has to offer, bringing the joy of owning a quality semi-hollow guitar to everyone for an amazingly affordable price. The combination of its lively appearance, white dot inlays, and a pearloid pickguard produces a unique visual theme that ties in well with the classic body shape. The AS63 unites function and eye-grabbing looks to offer a great choice for any guitarist.
List: $482.21
Watch the company's video demo:
For more information:
Ibanez
Explore two standouts to take your Fingerstyle guitar playing to the next level! PG contributor Tom Butwin demos the Walden G270RCE and the Riversong Stylist DLX, showcasing their unique features and sound.
An all-analog ā60s-inspired tremolo marries harmonic and optical circuits that can be used independently or blended to generate phasey, throbbing magic.
Spans practical, convincing vintage trem tones and the utterly weird. Hefty build quality.
Big footprint. Canāt switch order of effects.
$299
Jackson Audio Silvertone Twin Trem
jackson.audio
Almost any effect can be used subliminally or to extremes. But tremolo is a little extra special when employed at its weirder limits. Unlike reverb or delay, for instance, which approximate phenomena heard in the natural world, tremolo from anything other than an amp or pedal tends to occur in the realm of altered statesāsuggesting the sexy, subterranean, and dreamy. Such moods can be conjured with any single tremolo. Put two together, though, and the simply sensual can be surreal. Modify this equation by mating two distinctly different tremolo types, and the possible sound pictures increase manifold.
The all-analog, U.S.-built Jackson Audio Silvertone Twin Trem accomplishes this by combining a syrupy harmonic tremoloāthe likes of which youād hear from an early-1960s brown-panel Fender ampāand an optical tremolo like that in a Silvertone 1484 Twin Twelve amp or black-panel Fender. Both effects can be used independently, but itās when the two are blended that the Twin Trem shines.
Doppelganger Effect
The Twin Tremās optical and harmonic circuits are obviously not identical twins, but each is operated via its own 3-knob array consisting of speed, depth, and a smaller volume knob that will boost or cut the output of the individual circuit. Both tremolo types modulate at speeds slower than what you hear in amplifier equivalents. I donāt have a Silvertone Twin Twelve tremolo on hand for comparison. But the slowest speed from a mid-1960s Fender optical tremolo matched the rate of the Twin Tremās optical circuit at about the midpoint of its range. At its slowest, the optical side will cycle through minimum and maximum volume in just a little under a full second, which feels molasses-slow, stretching and enhancing the ramping effect. Maximum speeds on the Twin Trem are closer to the maximum on the old Fender. But thatās still a pretty rapid modulation rate and the Twin Tremās range-y depth controls make fast modulations sound extra alien.
If youāre sensitive to such things, the dedicated volume controls are great for overcoming the perceived volume drop that goes with any tremolo. Thereās much more gain available than what you need for that purpose, and slathering on the volume gives the pulses a burly quality thatās tough but can obscure some nuance. The ability to create disparate volumes for each circuit means you can slightly foreground one tremolo type or the other, opening up an even wider tone palette and highlighting unique interrelationships between modulations.
Double Shots Make Dizzy Daze
The Twin Tremās optical tremolo side (if you open up the back you can watch the pulsing diode that activates the opto-resistor) exhibits the throbbing tendencies one associates with black-panel Fender amplifiers. In fact, the Twin Trem sounds uncannily like the old Vibrolux I used for this test, but with more speed, range, and intensity. On its own, itās a convincing stand-in for a 1960s Fender, Gibson, or Silvertone circuit.
One of the coolest things about the harmonic tremolo is how it often doesnāt sound like tremolo at all. In a harmonic tremolo circuit, high and low-frequency bands are split and volume-attenuated out of phase from each other, creating a bubblegum elasticity in the modulations. At slow speeds the harmonic tremoloās phasey attributes take center stage (clip 1). And though the modulation texture is less swirling than what a simple phaser produces, the more vowel-like pulses lend a sleepy, mysterious aura to the modulation.
Though I did not use the pedal in stereo, I did utilize the effects loop, inserting a delay between the harmonic and optical tremolo, creating a little extra wash in the harmonic tremolo sweeps (clip 2). You can go crazy with possibilities here: How about inserting a multiple-tape-head-style delay for maximum syncopated mayhem? But the most traditional application for the effects loop is to simulate the reverb-into-tremolo order found in many mid-1960s amps. Again, itās a great option when you need ā60s reverb/tremolo combo amp vibes and thereās no such animal around.Audio clip 2, which showcases the Twin Tremās effects loop, also captures the two tremolos working together. And even at this fast-twitching speed you can hear the phaser-like wash softening the front end of the harder optical pulses that are situated downstream. Some dual-trem settings can produce chaos. But the best ones are thick, eerie, and propulsive in ways that can completely transform a songās ambience.
The Verdict
The Twin Trem is just short of 300 bucks, and itās easy to rationalize such a significant expense when you consider that you get two distinct tremolo sounds that you can mix, match, and switch between very readily. Maximizing the investment probably requires a little extra thirst for the unusual. Not all combined settings are money. Some rhythmic syncopations will drive you batty, and without the benefit of digital control you can disappear down little rabbit holes trying to find an elusive, perfect subdivision between modulation tempos or replicating a texture you found the previous week. Itās also too bad that you can't switch the order of the circuits. These are very minor traps, however. In general, the Twin Trem is forgiving and easy to use. And if you get in a meditative place with the pedal, and let it do the driving from time to time, the riffs will practically write themselves.
Bonnaroo announces its 2025 lineup featuring Luke Combs, Hozier, Queens of the Stone Age, Avril Lavigne, and more.
This year features headline performances from Luke Combs on Thursday, Tyler, The Creator on Friday, Olivia Rodrigo on Saturday, and Hozier on Sunday. Further highlights include John Summit, Dom Dolla, Avril Lavigne, Glass Animals, Vampire Weekend, Justice, Queens of the Stone Age, and the first-ever Roo Residency with King Gizzard & the Lizard Wizard performing three sets over three days. In addition, Remi Wolf will lead the āInsanely Fire 1970ās Pool Partyā 2025 SuperJam, Bonnarooās legendary tradition. The complete Bonnaroo 2025 lineup is below.
Bonnaroo tickets go on sale tomorrow, Thursday, January 9 beginning at 10 am (CT) exclusively via bonnaroo.com. Guaranteed lowest-priced tickets are available during the first hour of sales, from 10 am - 11 am (CT). 2025 ticket options include 4-Day General Admission, 4-Day GA+, 4-Day VIP, and 4-Day Platinum, along with a variety of camping and parking options starting at just $25 down with a payment plan.
The 2025 festival will offer some exciting new features for Bonnaroovians, including the āCloserā RV and Primitive Camping accommodations that guarantee closer proximity to Centeroo, regardless of which day fans choose to enter The Farm. Among this yearās most exciting additions will be The Infinity Stage, a brand-new, one-of-a-kind venue ā presented in partnership with Polygon Live ā boasting spatial sound, synchronized lights, and an unprecedented three-dome, open-air design to create the worldās largest, most immersive, 360Ā° live music experience.
Bonnaroo also offers upgraded ticket types for those who prefer an elevated experience. GA+ tickets include unlimited access to the Centeroo GA+ Lounge, with relaxed seating, dedicated food for purchase, air-conditioned restrooms, and hospitality staff to assist with all festival needs; a private bar with drinks for purchase plus complimentary soft drinks; complimentary water refill station; a dedicated premium entrance lane at both gates into Centeroo, and more. VIP and Platinum guests will enjoy the same perks plus additional exclusive upgrades, including dedicated close-in and on-field viewing areas; unlimited access to VIP and Platinum Lounges; express lanes at the Festival Store, commemorative festival gifts, and so much more. To learn more about VIP and Platinum, please seehttp://www.bonnaroo.com/tickets.
A wide range of Camping & Parking options will be available in Outeroo including Primitive Car Camping, Glamping, RVs, Backstage Camping, Accessible Camping, Groop Camping, Community Camping, and more. Premium Outeroo Camping Accommodations include pre-pitched Souvenir Tents, cool and comfortable Darkroom Tents, weatherproof Luxury Bell Tents, and spacious 2-person Wood Frame Safari Tents for the ultimate Bonnaroo camping experience. Cosmic Nomads On-Site Daily Parking passes will be available for ticketholders not camping. For details on all accommodation options, please visitwww.bonnaroo.com/accommodations.
Complete Lineup
THURSDAY, JUNE 12
Luke Combs
Dom Dolla
Sammy Virji
Marcus King
Green Velvet
2hollis
Insane Clown Posse
Joey Valence & Brae
Daniel Donato's Cosmic Country
Wilderado
Max Styler
Azzecca
The Lemon Twigs
Wisp
Sofia Isella
Kitchen Dwellers
Dogs In A Pile
Die Spitz
Hey, Nothing
The Droptines
FRIDAY, JUNE 13
Tyler, the Creator
John Summit
Glass Animals
Tipper
Goose
The Red Clay Strays
Rainbow Kitten Surprise
Megadeth
Wallows
Foster the People
Slightly Stoopid
Flipturn
Of the Trees
JPEGMAFIA
Marina
Tape B
MJ Lenderman
BossMan Dlow
INZO
Levity
Mannequin Pussy
Leon Thomas
Cults
Aly & AJ
Matt Champion
Detox Unit
Rachel Chinouriri
Eater
Ginger Root
Bebe Stockwell
Effin
SATURDAY, JUNE 14
Olivia Rodrigo
Avril Lavigne
Justice
Nelly
GloRilla
Mt. Joy
RL Grime
Beabadoobee
Tyla
Jessie Murph
Modest Mouse
Gorgon City
Flatland Cavalry
Hot Mulligan
Action Bronson
Crankdat
Dope Lemon
Gigi Perez
Wave to Earth
Claptone
Jade Cicada
What So Not
DaĆ°i Freyr
Ziggy Alberts
ROSSY
Destroy Boys
The Stews
Thee Sinseers & The Altons
AHEE
SUNDAY, JUNE 15
Hozier
Vampire Weekend
Queens of the Stone Age
LSZEE
Remi Wolf
Raye
Royel Otis
Dispatch
Role Model
Barry Can't Swim
Treaty Oak Revival
Big Gigantic
Jack's Mannequin
ATLiens
Bilmuri
Saint Motel
James Arthur
Alex Warren
Zingara
Natasha Bedingfield
Alexandra Kay
Goldie Boutilier
Grace Bowers & The Hodge Podge
GorillaT
YDG
SPECIAL PERFORMANCES
King Gizzard & the Lizard Wizard Roo Residency: 3 Sets, 3 Days (Friday, Saturday and Sunday)
Remi Wolfās Insanely Fire 1970ās Pool Party Superjam (Saturday)
The fast-rising Okies use solid-state amp heads, baritone guitars, and a bit of Peavey magic to bring their nightmare-rock to life.
Oklahoma City sludge rockers Chat Pile have had a busy few years. Their 2022 LP, Godās Country, broke them internationally, and their critically acclaimed 2024 follow-up, Cool World, solidified them as one of the most exciting heavy bands of the moment. We spoke with bassist Stin and guitarist Luther Manhole about the record for our November 2024 issue.
Now, we bring you the bandās first official Rig Rundown, filmed ahead of their show at The End in Nashville last fall. Tune in to see how Stin and Luther conjure the bandās brutal soundstorms on the road.
Brought to you by DāAddario.
Bari Blast
Manholeās main machine is this baritone 6-string, an Ernie Ball Music Man BFR Axis Super Sport, finished in āstarry night.ā Luther took a tip from tourmate and Agriculture guitarist Richard Chowenhill and slapped some tape over his neck pickup near the first string to prevent it from catching on the edge of the humbucker. Itās tuned to drop A, with Ernie Ball Mammoth Slinky strings.
Quite the Quilter
Back at home, Luther and Stin lean on big vintage amps, but on the road, Luther brings out this Quilter Tone Block 202, which is plugged into an Ampeg VT-40 combo amp thatās been gutted to run just as a 4x10 cabinet. Luther digs the icier, cutting tone from the 10ā³ speakers.
Luther Manhole's Board
Manholeās board is minimalist: All he needs is a TC Electronic PolyTune, a Suhr Riot for dirt, an Electro-Harmonix Memory Boy (which is set for a wobbly chorus effect), and a TC Electronic Hall of Fame for reverbāpedals heās used for over a decade. An Acoustic PBIS08 supplies the quartet with power.
Peavey Power
Around 2007, Stin went on a hunt around Oklahoma music shops for a Peavey T-40. He finally found oneāin a total āWayneās World momentāāthat belonged to a country singer who had passed away. Since the bandās formation, this āhot and clangyā white T-40 has been Stinās tool for crafting Chat Pileās elephantine, bottom-heavy sound. He uses the 5-string Ernie Ball Slinky Cobalts (.060ā.125), omitting the .040 string, and plucks with orange Ernie Ball Everlast .73 mm picks for strong, percussive attack.
Building Blocks
Stinās signal runs to this Quilter Bass Block 802, which blasts through a Trace Elliot 4x10 redline cab with hornsāthe cab thatās been used on every Chat Pile recording to date.
Stin's Board
Stin probably thinks Manholeās board is excessive. He packs just his Boss TU-3 and a Tronographic Rusty Box, each with their own individual power supply plugged into a power bar thatās fixed to the board.