Our new columnist bares his family’s roots in guitar-building, going back to 1928 and his grandfather, who made instruments for Segovia and many others.
I’ve had the honor and blessing of growing up as a luthier’s apprentice. My entire life, being around instruments and music was the norm, and creating with my hands was equally a joy as playing hide-and-seek or baseball in the street. I’ve never known a world absent of artists or craftsmanship. In fact, many of us who’ve grown up the children of immigrants have had similar experiences, from watching our mothers and grandmothers create amazing traditional meals from raw ingredients to our fathers and grandfathers building what was necessary for shelter or creature comforts. My grandfather would often remind me, “If you can’t make it with your own hands, you probably do not need it.”
It was this patriarch who built the foundation that shaped my father’s future, my future, and the potential future for my two daughters. Porfirio Delgado Flores and Candelario Delgado Flores started our family business in 1928 in Torreón, Coahuila, México. The two brothers, although orphaned at a young age, stayed close to one another and played music together. My grandfather, Porfirio, or “Pilo,” as those close to him would call him, was a craftsman. Mainly starting out as a furniture maker, he would later get requests for repairing instruments, and then be encouraged to build one for a town fair or “faria”. He and his brother, “Candelas,” started a journey out of opportunity and passion.
In the mid-1930s, the business moved to Ciudad Juárez, Chihuahua, México, just 10 minutes from the México/United States border. In 1944, my father was born in an El Paso hospital, but registered and raised in Ciudad Juarez and baptized in the guitar shop. My grandfather named him after his brother, Candelario.
“My grandfather would often remind me, ‘If you can’t make it with your own hands, you probably do not need it.’”
Seeing greater opportunity, Pilo and Candelas left their families behind and made their way to California and opened a shop in the Boyle Heights neighborhood of Los Angeles in 1948. Their guitars were already gaining notoriety in other countries, and this move helped them garner a clientele, including Theodore Bikel, Narciso Yepez, Celedonio Romero, and Andres Segovia. While concert classical guitarists were commissioning instruments from them, they also had musicians from multiple genres seeking other types of traditional stringed instruments.
My father came to the States in the late 1950s and built his first guitar by the age of 14. After his time in the Army, he made his way back to the shop and helped take the business to new levels and reach even more clients—Arlo Guthrie, José Feliciano, Charo, Burl Ives, the Kingston Trio, and some high schoolers who formed a band called Los Lobos, to name a few.
I was born and raised in Los Angeles. The youngest of three children, I stuck like glue to my father. I started playing classical guitar at 5, I started repairing guitars by age 7, and I built my first guitar when I was 12—a requinto romántico that I still have. Everyone called me “Candelitas.” I apprenticed under my father and grandfather and would spend time in the shop every day after school in middle school, and most Saturdays and summers in high school. My father also raised us boxing, and he trained the Los Angeles Police Department’s boxing team.
In December of 1996, I lost my father to cancer. He battled it for three years and even helped the L.A.P.D. win a championship in November 1996, just one month before. My father was and continues to be the greatest man I’ve ever known, and I miss him every day.
In 2005, my wife Julie and I made the move to Nashville. I started over, but quickly made a name for our business. We are very involved in our community and work with music education around the United States. I was also blessed with two daughters who have beaten my record. My oldest, Ava, built her first instrument and completed it just two weeks after her 10th birthday. My youngest, Lila, is nine and in the final steps of her debut instrument. We also moved my mother to Tennessee two years ago, and she, along with my wife and daughters, are all involved in our family business.
Delgado Guitars continues to make instruments using the old-world, hand-crafted methods taught to me by my father and grandfather. We still make over 45 different types of string instruments, and I hope to share some of those with you in the articles to come.
Nineties-style high-gain heaviness that can be surgically tailored with a powerful EQ.
Excellent variations on high-gain modern distortion tones. Powerful EQ.
Not many low- or mid-gain sounds here.
$199
JHS Hard Drive
jhspedals.com
JHS makes many great and varied overdrive stomps. Their Pack Rat is a staple on one of my boards, and I can personally attest to the quality of their builds. The new Hard Drive has been in the works since as far back as 2016, when Josh Scott and his staff were finishing off workdays by jamming on ’90s hard rock riffs.
During these sessions, Scott’s go-to pedal was the Ibanez SM7 Smash Box. He realized that JHS had never offered anything along those lines, conferred with his then lead engineer, Cliff Smith, and the wheels were set in motion. Over several years of design, the Hard Drive evolved from an SM7 homage to a unique, original circuit.
JHS’ Hardest to Date
The Hard Drive’s control panel is streamlined, consisting of knobs for volume, mid frequency, drive, bass, middle, and treble. Driven by cascading gain stages, the Hard Drive can cop a wide range of modern distorted tones. Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end on muted power chords. Nudging the drive up very slightly transforms the Hard Drive into a roaring Marshall JCM 900. And if you bring the drive all the way up, you’re in for all out chaos. Even with an amp set just louder than bedroom levels, the Hard Drive, with its volume at just 11 o’clock, is very loud and in-your-face. You don’t have to work hard to imagine how this could sound and feel like multiple stacks raging at Madison Square Garden in the context of a recorded track.
Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end.
Zoning the Frequencies
Unlike some heavy pedals that concern themselves with mega-gain and little else, the Hard Drive’s EQ controls are very effective and powerful. Moving the treble knob from 11 o’clock to 1 o’clock changes the pedal’s tone and response characteristics completely, opening up and transforming the naturally relatively dark sound of my Fender Super Sonic amp. Turning the treble knob all the way off with the bass and mid knobs at noon gives me a vocal lead tone that’s creamy, warm, and still immediate and responsive.
The middle and mid frequency controls work in tandem. The mid control itself works as a cut or boost. The mid frequency control, however, lets you choose the specific frequency you cut or boost. I found these controls invaluable for sculpting tones that could leverage the copious gain without being abrasive. Meanwhile, adding more high midrange lends clarity to complex chords.
The Verdict
The Hard Drive is an unapologetically heavy pedal—if you’re looking for a dirt box that can double as a clean boost, well, the Hard Drive is not that. It’s meant to slay with gain, and it performs this task well and with a vengeance. There are countless dirt boxes on the market that deliver hot rodded, ’80s-style brown sound. Fewer cater to the subsequent generations of high-gain players that used the ’80s as a mere jumping-off point. The Hard Drive is very much voiced for this strain of heavy music. If that’s your jam, the Hard Drive is hard to beat.
Tailored for Yngwie Malmsteen's signature sound, the MXR Yngwie Malmsteen Overdrive is designd to offer simple controls for maximum impact.
Working closely alongside Yngwie, the MXR design team created a circuit that delivers clarity, expressive dynamics, and rich harmonics—all perfectly tailored for his light-speed arpeggios, expressive vibrato, and big, bold riffs. The control setup is simple, with just Level and Gain knobs.
"Want to sound like Yngwie? Crank both knobs to the max."
“This pedal is the culmination of 45+ years developing a sound that’s perfect in every possible way,” Yngwie says. “I present to you: the MXR Yngwie Malmsteen Overdrive. Prepare to be amazed.”
MXR Yngwie Malmsteen Overdrive highlights:
- Perfectly tailored for Yngwie Malmsteen's signature sound and style
- Simple control setup tuned for maximum impact
- Boost every nuance with superior clarity, expressive dynamics, and rich harmonics
- Dig into light-speed arpeggios, expressive vibrato, and big, bold riffs
The MXR Yngwie Malmsteen Overdrive is available now at $129.99 street/$185.70 MSRP from your favorite retailer.
For more information, please visit jimdunlop.com.
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.