One of the most effective—and least invasive—ways to mod a guitar is to swap out the pickups. Wanna experiment with a ’bucker in the bridge? Leave the router at home. We’ve rounded up 10 options that range from affordable and effective to boutique and beyond.
DiMarzio Super Distortion T
This single-coil-sized version of the company’s legendary Super Distortion is aimed at T-style players who want the thick sound of a ’bucker in the bridge. It has a pronounced low-mid response with a roll-off on the high end.
$99 street
Seymour Duncan STL-3 Quarter Pound
Centered around a set of alnico 5 magnets, this high-output single-coil crosses into P-90 territory. You can also get a tapped neck variation that allows for both vintage- and high-output sounds within a single set.
$89 street
TV Jones Starwood Tele Bridge
Introduced in 2016, this T-style pickup features the guts of the company’s T-Armond pickup, but with a little more juice. Like many of the pickups on this list, it’s a straight drop-in replacement for standard-sized pickups.
$120 street
Mojo Tone ’52 Quiet Coil
With less than 10 components in a single pickup, Mojotone made these designs very simple. They use their “Quiet Coil” technology to get rid of the hum without batteries or stacked coils. The pickups are also scatterwound for more sensitivity and clarity.
$98 street
Fender Ultra Noiseless Vintage Telecaster
These stacked-coil setups aim to capture the classic sound and sparkle of vintage Tele pickups. They use alnico 5 magnets, Polysol-coated wire, and flat, non-beveled pole pieces. The neck pickup measure about 11k resistance and the bridge comes in around 10k.
$199/set street
Lollar Special T Bridge
Jason Lollar is a bona fide pickup genius, and his take on the classic ’50s Tele sound is represented here with a pronounced mid and bass response along with a smoother top end. Described as slightly hotter than a vintage Broadcaster pickup, the bridge comes in at 8.0k.
$125 street
Fishman Greg Koch Gristle Tone
Wisconsin’s most gristly guitarist teamed up with Fishman to create an entire T-style setup based on their Fluence technology. Each set includes both pickups, a control plate, and an output-jack cup with a USB charging input. With the push of a button, you can easily go between “blackguard” and “whiteguard” tones.
$359/set street
Ron Ellis 52T Bridge
Ellis might be one of the most in-demand pickup designers around today—and the going rate for his offerings bear that out. This particular flavor goes after the “blackguard” tones of classic Tele pickers such as Vince Gill and Brent Mason.
$375 street
Lindy Fralin Steel Pole 42
Described as a cross between a T-style pickup and a P-90, this design houses a ceramic magnet and adjustable steel pole pieces. Sonically, it has a mid-forward tone that offers a faster breakup when playing with distortion.
$115 street
EMG RT
Hate the hum? These active pickups aim to balance the punch and clarity of vintage Tele pickups with the modern convenience of quiet. It uses alnico magnets and a custom winding to increase bandwith and fullness of tone.
$89 street
Designed and crafted by SeymourDuncan’s VP of Engineering Kevin Beller, these Jazzmaster pickups employ a patent-pending triple-coil system. With two outer coils canceling hum while an inner coil captures the unmistakable Jazzmaster sound, they offer pure, authentic vintage tone with plenty of punch and warmth, but with absolutely no hum.
Plus, the visible Alnico 5 pole pieces maintain the classic Jazzmaster look, so you get hum-free sound with an unaltered, vintage feel.
Enjoy the classic offset sound with a warm, punchy Jazzmaster neck tone and a bright and tight Jazzmaster® bridge sound with plenty of snap. Our Vintage Jazzmaster Silencer pickups are a drop-in replacement for any Jazzmaster®-sized pickups. Perfect for surf-inspired riffs, shimmering indie textures, modern pedal-driven explorations, and more, the Seymour Duncan Vintage Jazzmaster® Silencer pickups maintain bold presence without interference—just pure sonic clarity.
The Vintage Jazzmaster Silencer is a noiseless pickup that retains the bright, punchy neck tone and tight, snappy bridge sound that defines the Jazzmaster. Clean or overdriven, the Vintage Jazzmaster Silencer's vintage-voiced tone is perfect for shimmering indie textures, surf-inspired riffs, and modern pedal-driven explorations. No more hum holding you back—just the pure, classic Jazzmaster® tone you love.
The Hot Jazzmaster Silencer neck pickup has a crisp, full-bodied tone, adding extra warmth in the low end, while the bridge pickup brings sharp definition and sustain for solos that cut through any mix. Designed as a drop-in replacement for any Jazzmaster-sized pickups, this noiseless set lets you dive into gritty surf riffs, glimmering melodies, grungy fuzzed-out rock, reverb-drenched shoegaze, and beyond. With boosted output and zero hum, it’s everything you love about the Jazzmaster, amped up.
The Hot Jazzmaster Silencer pickups offer iconic Jazzmaster tone with powerful output and zero hum. Their patent-pending triple-coil design cuts unwanted noise while enhancing the rich, gritty Jazzmaster sound. Enjoy clear, punchy highs and warm, solid lows, perfect for distortion or clean tones. Get the classic Jazzmaster sound with boosted output—without the hum.
Kirk Hammett’s Top Three Guitars (Yes, Greeny Is One of Them)
Photo courtesy of The Collection: Kirk Hammett, Gibson Publishing
In a lavish new coffee table book from Gibson, The Collection: Kirk Hammett, Metallica’s lead guitarist shares some of his most spectacular vintage instruments and the stories that go with them, as well as his love of Hawaii.
There’s a good chance that if you’re a guitar fan, you’ve seen Nathaniel Murphy’s gear demos—either on his Instagram account, where he goes by @zeppelinbarnatra, or on the Chicago Music Exchange page. His solo arrangements of classic tunes display his next-level technique and knack for clever arranging, and he makes our jaws drop every time he posts. When we learned that the Irish guitarist is a huge fan of U2’s The Edge, we knew he had to be our expert for this episode.
Together with Nathaniel, we’re decoding our favorite eras of the Edge’s tones—from his early Memory Man days through his expanding delay rack rig, into his 1990s Achtung Baby sounds, and all the way through to his Sphere rig. How does he get those amazing delay tones? And what are those cool picks he uses?
