The new models are the Steelaire Rackmount and Steelaire Pro.
Costa Mesa, CA (June 20, 2014) -- Portable, powerful, and professional are the hallmarks of Quilter Labs’ new additions to the Steelaire amplifier lineup. Quilter Labs is proud to announce the Steelaire Rackmount, and the Steelaire Pro amplifiers rounding out their catalog of high quality professional Steelaire amplifiers. Sporting a whopping 200 watts (with an additional 200 watts of headroom) the Steelaire Rackmount is the solution for the player who wants big power and portability for their existing speakers. Utilizing an active switchmode power supply, under-voltage or "dirty AC" no longer pose an issue. The player will get good clean consistent tone no matter what the venue throws at you. The Steelaire Pro is a system designed for the Pro player who needs both rack-mountable power and the ability to separate the head from the cabinet for isolation-booth recording. The Steelaire Pro is aimed at the pro level player who needs the most flexible solutions for stage and studio. Great for putting the amplifier in a recording isolation booth while maintaining the controls outside the booth, the Steelaire Pro is quickly becoming a standard for pro level recording. Utilizing Quilter’s patent pending technology, the Steelaire Pro and Steelaire Rackmount deliver the same tube-like qualities as all Quilter products without the drawbacks of classic technology. Already on stage and in the studio with Robert Randolph, Ward Williams (Randy Houser), Tim Sergent (Dierks Bentley), Greg Liesz (Clapton, John Mayer) and more, they are quickly becoming the norm in high power professional amplification.
Steelaire Rackmount Specs:
- Portable: 2RU, 7.7” (19.6cm) deep, 7.2 lbs (3.3kg)
- Powerful: 200 watts (400 watts of internal headroom for maximum voltage swing)
- Dual inputs: Supports multiple instruments or buffered pedal loop
- Input mode selector: Selects Ch1, Mute, Ch2, or Ch 1+2
- 4-band EQ: Bass (100 Hz), Low Mid (500 Hz), High Mid (2kHz), Treble (5kHz)
- Limiter: Fully adjustable from clean to dirty
- Tremolo: Adjustable depth and rate
- Reverb: Adjustable depth, dwell, and tone
- Master: Adjusts output power from 0 to 200 watts
- Dual speaker outputs: 1/4", 2 to 16 ohms
- Remote control connection: Accepts RJ45 cable (Cat 5,6,7,etc.)
- Effects loop: Send, Return, and 9 volt DC out, 200 mA max
- Direct Out: 600 ohm, isolated, balanced, 300 mV peak
- Available accessories: Floor mount or leg mount 6 way remote controller
Steelaire Pro Specs:
- Pro Cabinet with head:35 lbs (16kg), 23 x 21 x 10.5 in (48.4 x 53.4 x 26.7cm)
- Rack Mount head: 7.2 lbs (3.3kg), 2RU, 3.5 x 19 x 7.7 in (8.9 x 48.2 x 19.6cm)
- Powerful: 200 watts (400 watts of internal headroom for maximum voltage swing)
- Dual inputs: Supports multiple instruments or buffered pedal loop
- Input mode selector:Selects Ch1, Mute, Ch2, or Ch 1+2
- 4 Band Active EQ: Bass(100 Hz), Low Mid(500 Hz), High Mid(2kHz), Treble(5kHz)
- Limiter: Fully adjustable from clean to dirty
- Tremolo: Adjustable depth and rate
- Reverb: Adjustable depth, dwell, and tone
- Master: Adjusts output power from 0 to 200 watts
- Dual speaker outputs: 1/4", 2 to 16 ohms
- Remote control connection: Accepts RJ45 cable (Cat 5,6,7,etc.)
- Effects loop: Send, Return, and 9 volt DC out, 200 mA max
- Direct Out: 600 ohm, isolated, balanced, 300 mV peak
- Available accessories: Floor mount or leg mount 6-way remote controller with cable, tilt back legs, and freeballistic nylon cover.
“The Steelaire Pro evidences our commitment to the steel guitar community and any guitarist looking for a big, powerful 15” speaker without the crushing weight.” Says company CEO Chris Parks. “The Steelaire Rackmount is quite simply the most powerful, and full featured Rackmount head in our lineup. It is quickly becoming a standard for players everywhere.”
The Steelaire Rackmount and Steelaire Pro are available for immediate shipment and can be ordered through Quilter’s extensive dealer network.
Suggested retail price: Steelaire Rackmount ($999.00) Steelaire Pro ($1,799.00) USD.
For more information:
Quilter Labs
It’s Day 26 of Stompboxtober! Today’s pedal from MXR could be yours—enter now and return tomorrow for more!
MXR M309 Joshua Ambient Echo Pedal
The MXR Joshua Ambient Echo is your ticket to iconic sonic sanctuaries, featuring a foundation of carefully concocted tones and textures, highly customizable delay, and other features to help you craft soundscapes worthy of tonal trips out of the ’60s and ’70s and ethereal ambience from the ’80s.
This pedal requires 9 volts (300mA) and can be powered by the Dunlop ECB003 9-volt adapter or the MXR Iso-Brick Pro, Iso-Brick, and Mini Iso-Brick power supplies. This pedal cannot be powered by a battery.
Vintage-style reverb, tremolo, and vibrato sounds abound in a 3-in-1 stomp that might be the only box you need.
Pickups are more than magnets and coils. When you’re thinking about how they sound, consider all of the many elements that go into creating their tone.
Pickups, by definition, are magnetic microphones that lay under guitar strings. These devices are a fundamental piece of our musical instrument industry and, rightfully, get a lot of serious attention from guitarists/musicians. PRS has spent an inordinate amount of time, research, and engineering on these devices. They are complicated equations—a combination of magnetic materials, magnetic manufacturing/engineering methods, magnetic strength, physical dimensions and layout, coil winding for turning magnetic fields into electrical signals, coil-wire gauge and wire coating (type and thickness), wax potting to prevent howling and squealing (wax type and amount), electrostatic and magnetic hum protection in the form of pickup covers and cover material, cabling for attaching the pickup to the electronic controls of the instrument, pot values, and capacitor values and types.
The magic is in the interactive nature of all these factors … and then some. (This list is for passive pickups and does not include many aspects of active pickups.) Sometimes I see pickups boiled down to only a few factors, and I do not think that is a sophisticated enough view of these complicated and potentially beautiful-sounding devices.
As an example, it is thought that most players have an idea of the sound that humbucking pickups with alnico 4 magnets that are wound to 7.8k make. They’re historically associated with PAF humbuckers, but those qualities don’t fully explain what gives those pickups character. For example, if the pickup’s wire is standard-size 42 gauge, at 5,000 turns the pickup would have a resistance of about 7.5k. If you use 42-gauge wire that is undersized (which is a common inconsistency) and 4,800 turns, the pickup would still be around 7.5k. Because of the wire diameter and different number of turns, the pickups would sound different even though it’s the same magnet and same resistance. The wire matters; 7.5k is just the resistance of both coils. Just as wire diameter varies, alnico 4 purchased from four manufacturers sounds four different ways, so you have to compensate for that in other design areas as well.
If you think about the sound of a Strat, there is a “whistle note” (or you can think of it as a “ping note”) in every note you play. Think about playing on the neck pickup on a Strat; you can hear that whistle sound in every note. The pickup without a load is resonating at about 11k and at about 15 dB. Fifteen decibels is a lot. Imagine adding 15 dB of 11k (high treble) to your vocal at a gig! The potentiometers on a Strat, and those are 250k (which is a fairly low value for a volume and tone control), calm down how loud the whistle note is. When these single-coil pickups are built well, this whistle note can be very musical. Just think of Robbie Blunt playing “Big Log” on Robert Plant’s 1983 album The Principle of Moments. For us at PRS, getting the whistle note to be the right frequency and the right volume is very important. It is believed, for good reason, that an old PAF pickup can sound very much like a single-coil Strat pickup. That is because of the frequency and volume of the whistle note coming out of these vintage pickups.
“In the end, it’s really simple. Do you like the sound of the pickup? Will it do the job that you’re looking for the instrument to do?”
In the end, it’s really simple. Do you like the sound of the pickup? Will it do the job that you’re looking for the instrument to do? When David Grissom worked with us on our DGT pickups, he spent almost a year on them, and at the end of the process, he was adjusting the coil wire by 25 turns at a time until it was exactly where he wanted it. And that’s only the amount of turns. We also evaluated the magnetic type, strength, etc. I bring up all these parameters to give you an idea of how complicated it is to get all the specifications to dance well together. I like what’s going on pickup-wise at PRS and believe that our 2025 offering is gonna turn some heads. Normally, I don’t bring up what we do at PRS in these articles, but this time I think it’s worth mentioning, so stay tuned.
Consider all the types of pickups out there: humbuckers, covered humbuckers, P-90s, Strat single-coils, Tele single-coils, Gretsch Filter’Trons, Jazzmaster, P Bass, Jazz Bass, no-hum single-coils, and mini-humbuckers that make single-coil sounds. Within each one of these types, there can be scores of variations. How to choose? Simply try a pickup and see if you like it!
The Keeley ZOMA combines two of iconic amp effects—tremolo and reverb—into one pedal.
Key Features of the ZOMA
● Intuitive Control Layout: Three large knobs give you full control over Reverb Level, Tremolo Rate,and Depth
● Easy Access to Alternate Controls: Adjust Reverb Decay, Reverb Tone, and Tremolo Volume withsimple alt-controls.
● Instant Effect Order Switching: Customize your signal path. Position tremolos after reverb for avintage, black-panel tone or place harmonic tremolo before reverb for a dirty, swampy sound.
● True Bypass or Buffered Trails: Choose the setting that best suits your rig.
Three Reverb and Tremolo Modes:
● SS – Spring Reverb & Sine Tremolo: Classic spring reverb paired with a sine wave tremolo for that timelessblack-panel amp tone.
● PH – Plate Reverb & Harmonic Tremolo: Smooth, bright plate reverb combined with swampy harmonictremolo.
● PV – Plate Reverb & Pitch Vibrato: Achieve a vocal-like vibrato with ethereal plate reverb.
Reverb: Sounds & Controls
● Spring Reverb: Authentic tube amp spring reverb that captures every detail of vintage sound.
● Plate Reverb: Bright and smooth, recreating the lush tones of vibrating metal plates.
● Reverb Decay: Adjust the decay time using the REVERB/ALT SWITCH while turning the Level knob.
● Reverb Tone: Modify the tone of your reverb using the REVERB/ALT SWITCH while turning the Rate knob.
Tremolo: Sounds & Controls
● Sine Wave/Volume Tremolo: Adjusts the volume of the signal up and down with smooth sine wavemodulation.
● Harmonic Tremolo: Replicates classic tube-amp harmonic tremolo, creating a phaser-like effect withphase-split filtering.
● Pitch Vibrato: Delivers pitch bending effects that let you control how far and how fast notes shift.
● Alt-Control Tremolo Boost Volume: Adjust the boost volume by holding the REVERB/ALT footswitch whileturning the Depth knob.
The ZOMA is built with artfully designed circuitry and housed in a proprietary angled aluminum enclosure, ensuring both simplicity and durability. Like all Keeley pedals, it’s proudly designed and manufactured in the USA.
ZOMA Stereo Reverb and Tremolo
The first sound effects built into amplifiers were tremolo and reverb. Keeley’s legendary reverbs are paired with their sultry, vocal-like tremolos to give you an unreal sonic experience.