Speaker Geeks: Wiring Up a 4x12 Cab
Sometimes one cab just ain’t enough.
Photo by C.J Sutton

When it comes to moving air, it’s hard to beat a 100-watt head driving a full stack. Here’s how to manage the series-parallel wiring at the heart of this classic configuration.

If you’re like me, chances are you’ve had the opportunity to play through a 100-watt tube amp and a 4x12 cabinet. Perhaps you’ve had the opportunity to play through three 100-watt amps driving three 4x12s at the same time. It’s awesome! Once you start playing through multiple cabs, odds are good someone will ask you if you need “all that equipment,” smiling smugly like it was the first time you’d ever heard that before.

My answer is always a very confident “yes,” usually followed by some quip about how I actually need more. At one point, I owned six 4x12 cabinets. (I’m currently down to just two.) As Steven Fryette pointed out in his recent Speaker Geeks article, the size and shape of the cabinet has a great effect on a speaker’s performance. That said, I became so infatuated with how nicely the standard-sized 30"x30" boxes stack together to build a wall, I grabbed anything I could get my hands on. I came to that outrageous number of 4x12 cabs because I bought them used or empty, and then filled them with my own speakers and wiring.

Maybe you want to build a wall of cabs yourself and take the upgrade route like I did. Maybe you need some help with wiring said cabs. I am here to offer my guidance, grasshopper.

A typical 4x12 cabinet is rated at 16 ohms. The conventional wiring is called series-parallel, and the speakers themselves are each 16 ohms. Fig. 1 shows how to connect four 16-ohm speakers in a series-parallel configuration. This is your classic 4x12 schematic. Red is positive (+) and black is negative (-).

Fig. 1 — Image courtesy of Weber Speakers

The 4x12 cabinet is sometimes referred to as a half-stack, and players routinely connect two of them to a single amp to create a full stack. A 4x12 cab is typically 16 ohms, so when you connect two of them together in parallel, the total load becomes 8 ohms. Most amplifiers on the planet can run an 8-ohm load, so this is desirable. I should mention that, for some reason, many venues aren’t happy when you show up with a full stack.

Note: Some 4x12s have an 8-ohm rating and contain a quartet of 8-ohm speakers. This is still series-parallel wiring, so following this diagram will still work.

Always be sure your amp head is set to the total load. So, for example, if you have two 16-ohm cabs for an 8-ohm total, then set your amp to 8 ohms. You could also use two 8-ohm cabinets for a 4-ohm total load. In that case, just set your head to 4 ohms.

You never want to connect cabinets of different impedances because an amp does weird stuff when it sees a mismatch. If you were to connect a 16-ohm cab and an 8-ohm cab to a head, then you would have a 5 1/3 repeating-ohm total load, but the 8-ohm cab will get twice the power of the 16-ohm cab, which doesn’t sound awesome. If you have differing impedances, use separate heads for each cab and simply set them to their respective cab’s impedance. That will sound awesome.

A faithful recreation of the Germanium Mosrite Fuzzrite with a modern twist.

Read MoreShow less

Kenny Greenberg with his main axe, a vintage Gretsch 6118 Double Anniversary that he found at Gruhn Guitars in Nashville for a mere $600. “It had the original pickups, but the finish had been taken off and the headstock had been repaired. So, it’s a great example of a ‘player’s vintage instrument,’” he says.

On his solo debut, the Nashville session wizard discovers his own musical personality in a soundtrack for a movie that wasn’t, with stops in Africa and Mississippi hill country.

Kenny Greenberg has been Nashville’s secret weapon for decades. He’s the guitarist many insiders credit with giving the Nashville sound the rock ’n’ roll edge that’s become de rigueur for big country records since the ’90s. It’s the sound that, in many ways, delivered country music from its roots to sporting events.

Read MoreShow less
Andy Wood on Eric Johnson's "Cliffs of Dover" | Hooked

The hot picker recalls receiving a mix CD of must-know guitarists and the Grammy-winning track was the one that "hit him like a ton of bricks."

Read MoreShow less