
How the Bend, Oregon, builders create slimmed-down instruments that have full-bodied sound—blending modern acoustic science with traditional craftsmanship.
While thinline acoustic guitars have been on the scene for some time, they’ve typically required a compromise between ergonomic comfort and a full-depth instrument’s warm, rich sound. Eliminating this compromise was core to the vision behind Breedlove’s new thinline guitar body shape. Our goal was to create an acoustic guitar body nearly an entire inch shallower, while retaining the full-depth tone and response guitarists expect from a Breedlove.
The story behind this modern guitar advancement combines our passion for art and acoustic innovation. It was an exercise in thoughtfully melding the application of our proprietary Sound Optimization technology with astute craftsmanship and, like any worthwhile pursuit, a lot of time, trial, and error.
Let’s dive into the technology-driven R&D process and explain the tonal benefits of our Sound Optimization process. We also encourage you to pick up one of these Breedlove Thinlines yourself to hear how the thin, ultra-light body responds to the room, coming alive in your hands. Tuck it close and give it a strum.
But first, let’s start with the advantage a thinline body offers: comfort. Thinline guitars have a shallower depth than standard body shapes. You can tuck them in close to your own body and feel more engaged with the strings. The lack of bulk and heft are also fantastic for smaller players fatigued by larger-bodied acoustics. Ultimately, you feel more connected when playing a thinline.
Breedlove craftsman Ian Cook explains, “Bringing a thinline guitar in tight is an intimate feeling that connects you with the instrument. When you can combine that with playing comfort and inspiring full-depth-like tone, you’re experiencing something special.”
MEET YOUR MAKERS: Breedlove Guitar's Ian Cook
Breedlove builder Ian Cook explains the company’s Sound Optimization process—a mix of scientific assessment and hands-on craftsmanship.
In the Beginning
Here’s how we made a guitar body thinner and maintained the desired sound. We knew we wanted to use our Concert body shape as the platform for this new design. We had already engineered it for optimal ergonomics and tonal balance. We just had to figure out how to slim it down while keeping everything, sonically, that makes it a Breedlove favorite.
First, we tested quite a few body depths to find the perfect starting point. We also had to achieve the ideal taper from the sound box’s heel block to the tail block on the lower bout. This was much more complicated than slicing inches off the body. Then came the really hard part.
Crafting the Tone
So much of an acoustic guitar’s tone comes from its size. The bigger the body, the more air that can move inside the soundbox, producing the big, billowing low end we all love. In the past, if you thinned a guitar down, you lost that tone.
Though nearly an inch thinner than our standard Concert, the Breedlove Thinline body achieves its full-size tone via specialized bracing that we fine-tuned through our Sound Optimization process. If this is the first time you’ve heard of Breedlove Sound Optimization, click this link to learn more about it. Then, watch the video below to see the process for yourself.
Breedlove Sound Optimization
See how much of Breedlove’s Sound Optimization process is based on embracing the nature of wood. Not every potential top or back makes the grade.
We built countless prototypes, fine-tuning each one until our designers and builders cracked the code, creating an acoustic guitar with the ergonomics and intimacy of a thinline body and the voice of a full-depth instrument—all of the benefits, none of the compromises.
Sounds too good to be true? Breedlove Wood Management and Product Development Manager Angela Christensen thought so, too. “The results even surprised us,” she says. “If you couldn’t see the guitar that was being played, you would never guess it had such a thin profile!”
These new guitars come in three distinctly different models, now playable at your local Breedlove dealer’s shop. Here’s a look at each one.
Premier Concert Thinline Edgeburst CE
The first Thinline in our Made in Bend Premier Series is the Premier Concert Thinline Edgeburst CE. This slimmed-down acoustic brings together solid redwood and rosewood without losing any of those woods’ articulation or bell-like projection. It also retains the Concert’s signature low-end warmth. Through Sound Optimization, we fine-tune each piece of these tonewoods for optimal frequency response, creating a guitar that sounds as captivating as it is comfortable to play.
Breedlove Premier Concert Thinline Edgeburst CE Acoustic Guitar
This articulate redwood and rosewood instrument is hand-voiced and entirely handmade in our Custom Shop, to achieve ultimate comfort and tone.
Oregon Series Concert Thinline Stormy Night
Also handcrafted in Bend, the Breedlove Oregon Concert CE in our Stormy Night finish showcases myrtlewood’s unparalleled beauty. The tonewood and Thinline Concert body shape deliver a balanced, detailed voice with a rich resonance equally suited for strumming and nuanced fingerstyle, even when plugged in via its onboard L.R. Baggs electronics.
OREGON CONCERT THINLINE STORMY NIGHT MYRTLEWOOD ACOUSTIC GUITAR
Crafted with full sustainable Oregon myrtlewood, this instrument has a finish inspired by a desert storm over an Arizona night sky—as visually striking as it is inspiring to play.
Performer Pro Performer Thinline
The Organic Pro Performer Thinline is our production thinline acoustic guitar. Although it was initially designed to accommodate players preferring a smaller instrument, we quickly realized that no one in the shop wanted to put the guitar down. It’s just so comfortable! With a solid European spruce top and solid Indian rosewood or African mahogany back and sides, this no-compromise guitar gives an intimate and ergonomic feel to a classic look and sound.
Add in Fishman Flex Plus-T electronics, and you have a pro-level, stage-ready acoustic-electric guitar you’ll want to play for hours on end. For more information on all of Breedlove’s handcrafted acoustic guitars, visit breedlovemusic.com.
See and hear Taylor’s Legacy Collection guitars played by his successor, Andy Powers.
Last year, Taylor Guitars capped its 50th Anniversary by introducing a new guitar collection celebrating the contributions of co-founders Bob Taylor and Kurt Listug to the guitar world. The Legacy Collection revives five of Bob Taylor’s classic acoustic models, curated by the legendary luthier and innovator himself. “To imagine that we’re doing guitars that harken to our past, our present and our future all at the same time,” Bob says, “I really like that.”
In developing the collection, Bob preserved the essence of his originals while integrating performance and playability upgrades introduced during his tenure as designer-in-chief. “It’s an up-to-date version of what those guitars would be,” Bob explains, “but with the same sound.”
Visually, these guitars feel classic—clean, understated and unmistakably Taylor. While Bob’s original aesthetic preferences are showcased in his Legacy models, the nod to the past runs deeper than trade dress.
From his earliest builds, Bob favored slim-profile necks because he found them easier to play. That preference set a design precedent that established Taylor’s reputation for smooth-playing, comfortable necks. Legacy models feature slim mahogany necks built with Taylor's patented New Technology (NT) design. “My first neck was a bolted-on neck but not an NT neck,” Bob says. “These are NT necks because it’s a better neck.” Introduced in 1999, the NT neck allowed for unprecedented micro-adjustability while offering a consistent, hand-friendly Taylor playing experience.
What makes this collection unique within the Taylor line is Bob’s use of his X-bracing architecture, favoring his time-tested internal voicing framework over more recent Taylor bracing innovations to evoke a distinctive tone profile. Since Andy Powers—Taylor’s current Chief Guitar Designer, President and CEO—debuted his patented V-Class bracing in 2018, V-Class has become a staple in Taylor’s premium-performance guitars. Still, Bob’s X-bracing pattern produces a richly textured sound with pleasing volume, balance and clarity that long defined the Taylor voice. All Legacy models feature LR Baggs VTC Element electronics, which Bob says “harkens back to those days.”
The team at Taylor thought the best way to demonstrate the sound of the Legacy guitars was to ask Andy Powers, Bob’s successor, to play them. A world-class luthier and musician, Andy has spent the past 14 years leading Taylor’s guitar innovation. In addition to V-Class bracing, his contributions include the Grand Pacific body style, the ultra-refined Builder’s Edition Collection, and most recently, the stunning Gold Label Collection.
Below you’ll find a series of videos that feature Powers playing each Legacy model along with information about the guitars.
Legacy 800 Series Models
First launched in 1975, the 800 Series was Taylor’s first official guitar series. Today, it remains home to some of the brand’s most acclaimed instruments, including the flagship 814ce, Builder’s Edition 814ce and new Gold Label 814e.
The Legacy 800 Series features the 810e Dreadnought and two Jumbos: the 6-string 815e and 12-string 855e. Each model serves up a refined version of the Dreadnought and Jumbo body shapes Bob inherited from Sam Radding—the original owner of the American Dream music shop where Bob and Kurt first met. “I was making my guitars in the molds that Sam had made at American Dream,” Bob recalls. “There was a Jumbo and a Dreadnought. That’s all we had.”
All three Legacy 800 Series guitars feature one of Bob’s favorite tonewood combos. Solid Indian rosewood back and sides are paired with a Sitka spruce top, yielding warm lows, clear trebles and a scooped midrange.
Aesthetic appointments include a three-ring abalone rosette, mother-of-pearl Large Diamond inlays, white binding around the body and fretboard, and Bob’s “straight-ear” peghead design. Both Jumbo models also showcase a mustache-style ebony bridge—a nod to Bob’s early Jumbo builds.
Legacy 810e
The 810 Dreadnought holds a special place in Bob Taylor’s heart. “My first 810, the one I made for myself, was a thrilling guitar for me to make,” he says. “It’s the one and only guitar I played. It didn’t matter how many guitars we made at Taylor, that’s the one I took out and played.” The Legacy 810e brings back that bold, room-filling Dreadnought voice along with the easy playability expected from a Taylor.
Taylor Guitars | Legacy 810e | Playthrough Demo
Legacy 855e
Taylor’s first 12-strings found an audience in 1970s Los Angeles. “I was making guitars that would find their way to McCabe’s in Santa Monica and Westwood Music,” Bob says, “and these guitars were easy to play. Twelve-strings were a popular sound in that music. It was a modern country/folk/rock music genre that was accepting our guitars because they were easy to play. They also liked the sound of them because our guitars were easier to record.” The Legacy 855e, with its resonant Jumbo body, slim neck and gorgeous octave sparkle, carries that tradition forward.
Taylor Guitars | Legacy 855e | Playthrough Demo
Legacy 815e
The Legacy 815e revives Taylor’s original Jumbo 6-string, delivering a big, lush sound with beautifully blooming overtones.
Legacy Grand Auditoriums
In the early 1990s, Bob Taylor heard a consistent refrain from dealers: “Not everybody wants a dreadnought guitar anymore.” Players were asking for something with comparable volume but different proportions—something more comfortable, yet still powerful. This feedback inspired Bob to design a new body style with more elegant curves, more accommodating proportions and a balanced tonal response. The result was the Grand Auditorium, which Taylor introduced in 1994 to celebrate its 20th anniversary.
Thanks to its musical versatility and easy playability, Bob’s Grand Auditorium attracted a wide variety of players. “We came into our own with our Grand Auditorium,” he says. “People were describing it as ‘all around.’ It’s a good strummer and good for fingerstyle, but it’s not totally geared toward strumming or totally geared toward fingerstyle.” Also referred to as the “Swiss-Army Knife” of guitars or the “Goldilocks” guitar, the GA quickly became a favorite among guitarists across playing styles, musical genres and different playing applications including recording and live performance. “That guitar made studio work successful,” Bob says. It gained a wider fanbase with the debut of the “ce” version, which introduced a Venetian cutaway and onboard electronics. “That became one of our hallmarks,” says Bob. “If you want to plug in your guitar, buy a Taylor.”
Today, the Grand Auditorium is Taylor’s best-selling body shape.
The Legacy Collection features two cedar-top Grand Auditoriums inspired by past favorites: the mahogany/cedar 514ce and rosewood/cedar 714ce. Both models incorporate Bob’s original X-bracing pattern for a tonal character reminiscent of their 1990s and 2000s counterparts. Shared aesthetic details include a green abalone three-ring rosette, ebony bridge pins with green abalone dots, a faux-tortoiseshell pickguard and Taylor gold tuning machines.
Taylor Guitars | Legacy 815e | Playthrough Demo
Legacy 514ce
The Legacy 514ce features solid mahogany back and sides paired with a Western Red cedar top, yielding a punchy midrange and dry, woody sonic personality that pairs beautifully with cedar’s soft-touch sensitivity and warmth. It’s a standout choice for fingerstyle players and light strummers who crave nuance and depth. Distinct visual details include faux-tortoise body and fretboard binding, black-and-white top trim, and mother-of-pearl small diamond fretboard inlays.
Taylor Guitars | Legacy 514ce | Playthrough Demo
Legacy 714ce
The Legacy 714ce also features a cedar top, this time matched with solid Indian rosewood back and sides. The result is a richly textured sound with deep lows, clear trebles and a warm, mellow response. Inspiring as it is, this specific wood pairing isn’t currently offered in any other standard Taylor model. Additional aesthetic details include green abalone dot fretboard inlays, black body and fretboard binding, and black-and-white “pinstripe” body purfling.
While the Legacy Collection spotlights Taylor’s past, newer models from the Gold Label, Builder’s Edition and Somos Collections show the company’s legacy is always evolving. Explore the Legacy Collection at taylorguitars.com or visit your local authorized Taylor dealer.
Taylor Guitars | Legacy 714ce | Playthrough Demo
Cort Guitars announces a new multi-scale, seven string guitar in the KX507 series – the KX507MS Pale Moon. The addition to the beloved series shows Cort’s efforts to continue elevating their position in the marketplace. The guitar is now available online and in local retail stores.
The double cut, mahogany body is topped with a pale moon ebony to help support the strong mid-range and low response needed on a multi scale seven string. A 5-piece maple and purple heart bolt on neck supports a 25.5” – 27” scale, macassar ebony fingerboard with a neutral fret at the 8th position for improved playability. 24 jumbo, stainless-steel frets offer maximum range with teardrop inlays and side dots for easy navigation. Measuring 2.059” (52.3mm) at the nut, this guitar is built for performance and comfort. And with the two-way adjustable truss rod and spoke nut, this guitar delivers ultimate stability in any tuning in any environment. Performance is further enhanced with a D shape neck and 16” radius.
At the core of the KX507MS Pale Moon is the Fishman® Fluence Modern humbucker set. With a ceramic magnet in the bridge, and an alnico magnet in the neck, these pickups deliver all the musicality of traditional pickups but have three unique voices. Voice 1 is a modern active, high output. Voice 2 delivers crisp, clean tones. And Voice 3 is a single coil with glassy, clear performance. To unleash the potential of these pickups, Cort uses a simple single volume, single tone, each as a push/pull control and three-way selector switch. The volume push/pull put selects between Voice 1 and Voice 2 while the tone push/pull pot selects between humbucker and single coil mode.
Finally, to provide exact intonation and tuning stability, the KX507MS is loaded with seven individual string bridges and Cort’s very own locking tuners. The bridges allow for thru body string installation to maximize sustain and vibration transfer at each string saddle. All guitars are shipped from the factory with D’Addario EXL110-7 strings.
For more information, please visit www.CortGuitars.com
MAP: $949.99 USD
Grover has introduced Grover Guitar Polish, a premium, all-natural guitar care solution designed to clean, shine, and protect your guitar’s finish. Whether you're polishing your prized axe or simply maintaining your gear, Grover Guitar Polish offers a safe, effective choice for making your guitar’s finish look its best.
Grover Guitar Polish is specially formulated to remove dirt, fingerprints, and grime while enhancing the natural luster of your guitar. The versatile polish is safe for virtually all guitars: it works on gloss, matte, and satin surfaces without causing damage or altering the finish.
Key features include:
- Non-Abrasive & Streak-Free: Grover’s formula cleans without leaving streaks, ensuring a smooth, even shine every time.
- Effortless Cleaning & Restoring Shine: The easy-to-use formula requires minimal effort, so you can keep your guitar looking its best in no time.
- Protective Layer: Leaves a thin, smooth protective layer that guards your guitar from dust, dirt, and environmental factors.
- Pleasant, Non-Toxic Scent: Enjoy the fresh, non-toxic scent while you care for your instrument, knowing you're using a safe product for both you and your guitar.
"Grover Guitar Polish combines the best of both worlds – a powerful, all-natural cleaning solution with a formula that’s gentle enough for every finish," said Cory Berger, President at Grover. "We wanted to create a product that not only restores the shine and beauty of your guitar, but also provides a layer of protection that helps maintain its finish for years to come."
Grover Guitar Polish carries a $14.95 suggested retail price. For more information visit the Grover website at grotro.com.
Noiseless pickups are lively and versatile. Coil-splitting widens color palette. Great fit and finish.
Noiseless pickups might exact slight cost in vintage Tele edge.
$1,029
Fender Player II Modified Telecaster SH
Incremental improvements yield a deeply satisfying whole in a Tele for all seasons.
As the slightly unwieldy name for this new series suggests, Fender is not averse to regular, incremental tweaks and refinements to core and legacy instruments. Some such improvements get guitar folk riled up more than others. But the refinements and overall execution in the new Player II Modified Telecaster SH are almost exclusively lovable. It’s musically flexible, stout, precision crafted, and satisfying to play. And the sturdy build, plentitude of sweet sounds, and the accessible price add up to a satisfying sum—a guitar capable of fending off competitors striving to beat Fender at their own game in the $1K price range.
The tight fit-and-finish I’m used to from Fender’s Ensenada, Mexico, factory is plain to see everywhere. In an almost black shade of purple/indigo called dusk with rosewood fretboard and black pickguard, it’s a beautiful guitar with a moody personality. Design elements that are felt rather than heard, however, reveal a sunnier disposition. The neck profile is a variation on the C profile Fender uses in scads of guitars, but the satin finish and more contoured fretboard edges make it feel extra fast and lived in.
There’s a lot that’s exciting and satisfying to hear, too. Any good Telecaster in the single-coil bridge/humbucker neck pickup configuration has a high potential for magic. So it goes here. If there is any difference in core tonality between a vintage Telecaster bridge pickup and the Player II Modified Tele bridge unit, it’s that the latter might feel a little beefy in the low-midrange and maybe just a little fuzzy along the edges where vintage Telecasters shatter glass. I heard these qualities most via a vintage Vibrolux Reverb, which made the Tele bridge pickup sound a touch bellowy. The pickups are a fantastic match for an AC15 though, and most folks will hear tones squarely, identifiably, and often delectably along the Telecaster spectrum regardless of amp pairing. The pickups are also a great match for each other—both in combinations of the bridge and humbucker and the bridge and split-coil humbucker. The possible combinations are compounded by rangey pots and a treble-bleed circuit that keeps guitar volume-attenuated settings awake with top end. If you’re keen on working with the Telecaster SH’s volume and tone controls and split-coil capabilities, it’s remarkable how many sounds you can extract from the Telecaster SH and an amp alone. With a nice overdrive and a little echo, the world is your oyster.
At a click just north of a thousand bucks, the Player II Modified Telecaster SH is in a crazy-competitive market space. But it is a guitar of real substance, and in this iteration, features meaningful enhancements in the pickups, bridge, and locking tuners that offer real value and utility.