
Jordan Rudess plays a LAVA ME 3 at the Lava Music booth during NAMM 2023 in Anaheim.
Searching for a do-it-all songwriting tool, the keyboard wizard found a perfect companion in Lava Music’s state-of-the-art acoustic with onboard effects, looping, recording, and connectivity.
The creative chase is always a challenge, and especially for songwriters and composers, for whom the time it takes to set up a loop or a recorder can be an opportunity for ideas to fade. Jordan Rudess, the keyboardist for prog-metal heroes Dream Theater, has found an elegant solution in Lava Music’s LAVA ME 3 acoustic guitar, a carbon-fiber instrument that does a lot more than picking and strumming.
Rudess had been exploring acoustic guitar as a different compositional palette, and while he loved the instrument’s urgency and intimacy, he found himself wanting more sonic options and more ways to quickly and easily share the ideas he was conjuring. His friend, the Brazilian guitar virtuoso Mateus Asato, suggested that Rudess should try the LAVA ME 3, and Rudess was immediately hooked.
At the April 2023 NAMM show in Anaheim, California, Rudess explained how the LAVA ME 3 opened his eyes to the opportunities of combining advanced technology with classic acoustic guitar design—and, more important, opened a new door to exploring and developing his original ideas.
The LAVE ME 3 comes in six eye-catching finishes that complement its futuristic design.
“The LAVA ME 3 is incredible,” Rudess says. “It’s got app-based effects—chorus, reverb, flanger, and octavers—and then you start scrolling through its upper-bout touch screen and realize ‘Wow, I can message somebody with this, or I can choose these drum loops? I can upload my files to the cloud?’ It’s pretty crazy! The more time I spend with it, the more I’m going ‘this thing is awesome!’”
In addition to its futuristic appearance—with a carbon fiber body and neck, a rounded back, a sleek headstock, and an above-the-strings soundport—and app-controllable effects, the LAVA ME 3 can also create loops and record, and has a built-in tuner. That adds up to a highly self-contained and evolutionary playing experience.
“I love the idea of having all that built into the guitar,” Rudess explains. “I don’t necessarily want to have to plug my 6-string into all that stuff. I had been thinking, ‘Why can’t those electronics be in the guitar?’ And then I found out about LAVA guitars.”
The LAVA ME 3 is really an all-in-one axe for guitarists from beginner to world-class. Premier Guitar’s John Bohlinger recently provided a close-up on the instrument in a PG Plays demo video.
Lava ME 3 Demo | PG Plays
“It’s a carbon fiber guitar, but it’s way more than that” says Bohlinger. “It’s a learning tool, a practicing tool, a writing tool, and a recorder. It comes with multi effects, it comes with loops, a tuner, and a metronome. And it comes with a mobile app where you can connect with this whole LAVA community of guitar players.”
Powered by LAVA’s proprietary HILAVA system, LAVA ME 3 makes it easy to practice, jam, and solo anywhere. Guitarists can play in a range of styles and with a wide range of sounds without having to plug into an amp, via the instrument’s built-in speaker. And since it’s constructed with carbon fiber, the guitar is more stable and durable than a typical acoustic, no matter the weather or humidity, which is a major bonus for touring pros like Rudess.
“One of the really nice things about this,” he says, “is that, because of the way that it’s built, this thing stays in tune incredibly well. I can go days without having to tune this guitar. It’s really amazing.”
At $799 street, the LAVA ME 3 is also in the price range of most guitarists. For more information on LAVA ME 3, check out Lava Music’s website.
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Few musical acts did more to put their fame and fortune to good use than punk rock icon Wayne Kramer. Known for his enduring commitment to activism, especially in justice reform, his life story embodies the defiant, DIY ethos of punk, directly inspiring generations of bands and musicians who followed. Now, fans and fellow musicians alike can attempt to emulate Kramer’s incendiary sound with the new, limited-edition pedal.
Designed before his death in February 2024, Wayne Kramer—together with friend Jimi Dunlop (Dunlop CEO) and Daredevil Pedals owner Johnny Wator —the pedal features artwork from artist and activist Shepard Fairey (Obey Clothing founder). A majority of profits from the sale of the pedal goes directly to Kramer’s charity supporting the rehabilitation of incarcerated people of all ages, genders, and backgrounds.
In honor of his close friend, Tom Morello—the innovative guitarist behind Rage Against the Machine, Audioslave, the Nightwatchman, and more—demoed the pedal, showcasing its sound and shining light on Wayne Kramer’s incredible legacy.
Tom Morello Introduces MC5 Wayne Kramer-Inspired Pedal For Charity: MXR Jail Guitar Doors Drive
"What they've tried to bake into the MXR® Jail Guitar Doors Drive distortion pedal is not just Wayne's sound but Wayne's attitude, and the grit and the rawness of Detroit and of the MC5," said Morello, one of Kramer’s best friends, during his demo of the pedal. "This is the guitar pedal that was used on the song 'Heavy Lifting' that I recorded with Wayne for the last MC5 record.
"Named after the late rocker's charity—which provides instruments and art workshops to incarcerated individuals as rehabilitation tools—the MXR® Jail Guitar Doors Drive pedal aims to capture all of the high-voltage energy of Wayne Kramer's sound. It features two uniquely voiced gain circuits cascaded together with a singular pot controlling both the output level of each circuit and the overall saturation level of the distortion.
Music makers looking to capture Kramer’s raw, fiery sound can pick up the new MXR® Jail Guitar Doors Drive pedal, exclusively on Reverb via The Official MXR Jail Guitar Doors Drive Reverb Shop for $199, here: https://reverb.com/shop/the-official-mxr-jail-guitar-doors-reverb-shop.
PG contributor Tom Butwin reveals his favorite songwriting secret weapon: the partial capo. Watch how the Shubb C7 and C8 can simulate alternate tunings without retuning your guitar—and spark fresh creative ideas instantly.
Shubb C8b Partial Capo for Drop-D Tuning - Brass
The C8 covers five of the six strings, leaving either the low E or high E string open, depending on how it's positioned.
- Standard setup: Placed on the 2nd fret while leaving the low E string open, it simulates Drop D-style sounds—except you're still in standard tuning (key of E). You get that big, droning bass feel without retuning.
- Reverse setup: Flipping the capo allows the high E string to ring, giving you shimmering drones and new melodic options across familiar chord shapes.
- A flexible tool that lets you simulate alternate tunings and create rich sonic textures—all while keeping your guitar in standard tuning.
Shubb C7b Partial Capo for DADGAD Tuning - Brass
The C7 covers three of the six strings—either D, G, and B or A, D, and G—depending on how it's flipped.
- Typical setup (D, G, B): Creates an open A chord shape at the 2nd fret without needing your fingers. This frees you up for new voicings and droning notes in the key of A.
- Reversed setup (A, D, G): Gets you close to a DADGAD-style tuning vibe, but still keeps you in standard tuning—great for modal, spacious textures often found in folk or cinematic guitar parts.
Use it alone or stack it with the C8 for wild, layered effects and truly out-of-the-box inspiration.
PRS Guitars celebrates 40 years with the limited edition McCarty SC56. Featuring vintage-inspired design and modern innovations, this single-cutaway guitar pays tribute to Ted McCarty and his impact on the industry. With only 400 pieces available, this instrument is a must-have for collectors and performers alike.
PRS Guitars today announced the 40th Anniversary McCarty SC56 Limited Edition. With a classic PRS single-cutaway body shape and carefully chosen specifications, the McCarty SC56 is both a tribute to tradition and a reliable tool for the modern performer. Only 400 pieces will be made.
“The SC56, signifying Singlecut and 1956, model is our most recent tribute to my late mentor Ted McCarty and his impact on the guitar industry. We started with our take on a classic late ‘50s singlecut body. 1956 marks the year that Ted first had guitars made with his newly coined 'humbucker' pickups. It also happens to be the year I was born. Bringing vintage design into the modern era, we loaded this model with our McCarty III pickups, meticulously designed to deliver warm, clear, vintage tone with exceptional note separation and dynamics,” said PRS Guitars Founder & Managing General Partner, Paul Reed Smith.
Anchored by a maple top and mahogany back, the 24.594” scale length and 22-fret Pattern Vintage neck work with Phase III non-locking tuners and PRS two-piece bridge to promote its musical sustain. The PRS McCarty III pickups are controlled by a simple layout — two volume controls, two tone controls, and a three-way toggle on the upper bout.
Single-cutaway guitars are known to be heavier than their double-cutaway counterparts. The McCarty SC56 Limited Edition design incorporates weight-relief, decreasing the weight of the guitar by about 2/3 of a pound, while maintaining several points of attachment between the guitar top and back to eliminate the “hollow” sound of the cavities and promote tone transfer.
With appointments like binding on the fretboard, classic bird inlays, and a vintage-inspired nitrocellulose finish, the 40th Anniversary McCarty SC56 Limited Edition blends heritage and innovation into a timeless instrument.
PRS Guitars continues its schedule of launching new products each month in 2025.
For more information, please visit prsguitars.com.
40th Anniversary McCarty SC56 Limited Edition | Demo | PRS Guitars - YouTube
The Future Impact V4 is an incredibly versatile pedal with an exceptional range of sounds. In addition to producing synthesizer sounds such as basses, leads and pads, it can function as an octaver, chorus, flanger, phaser, distortion, envelope filter, traditional wah-wah, tremolo, reverb, etc., and even has a built-in tuner. It can potentially replace an entire pedalboard of dedicated single-effect pedals.
The very powerful signal processor of the Future Impact V4 is able to replicate the various oscillator, filter, amplifier and envelope generator blocks found in classic synthesizers. In addition, it contains signal processing blocks more traditionally used for processing the sound of an instrument such as a harmonizer block and audio effects such as chorus, distortion and EQ. These architectures complement each other in a very flexible way.
Setting the standard for the bass guitar synth pedals since 2015, together with an enthusiastic community and long line of great artists, the Future Impact V4 is the guitar synth platform for the next decade.