Be it for intonation issues, functionality, aesthetics, or something else, a bridge upgrade can be a quick cure for what’s ailing your Tele-style axe. Here, we’ve rounded up 10 options for this easy DIY mod.
g-gotoh.comfullcontacthardware.comcallahamguitars.comVintage Bridgeplate
Also available in an American Standard version, this bridge is made of the same spec’d material as the original but is slightly thicker to make it less prone to unwanted squeal.
Modern Bridge for Tele
This beefier version of a traditional Tele bridge features a solid-brass baseplate and six completely adjustable saddles for fine-tuning string height, radius, and intonation.
FCH Tele
This direct coupling system features the company’s “eCAM” saddle design, which eliminates unwanted space between the bottom of the saddle and the top of the plate.
Maverick
If a tremolo is in order, the Maverick features the company’s “Blade” technology for clarity, sustain, and stability, and V-Tone vintage-style brass saddles.
Adjustable Compensated Bridge
A locking pivot screw in the center of each unplated brass saddle on this 3-saddle design allows for precision string-intonation adjustment.
M4
The M4’s baseplate is CNC water-cut from stainless non-ferrous steel, while the solid-brass saddles feature the company’s unique hard-chrome-plating not found on other bridges.
Vintage T
Crafted with thicker, specially treated steel for an 80-percent increase in rigidity, this bridge design is intended to dramatically increase sustain, volume, and note separation.
Steel Replacement Bridge
Designed with vintage-bridge specs, these replacement units have a stamped-steel baseplate and brass saddles like the originals, but feature higher quality finish work.
TL Bridge
This bridge’s lightweight aluminum body and raw-brass saddle construction is intended to provide warm and bell-like tone transfer from strings to the body of a guitar.
Telecaster Retrofit Bridge
Available with different saddle configuration and mount styles, these laser-cut, stainless-steel bridges are non-magnetic for more transparent tone in the bridge pickup position.
Revv G3 Purple Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
The Revv G3 revolutionized high gain pedals in 2018 with its tube-like response & tight, clear high gain tones. Suddenly the same boutique tones used by metal artists & producers worldwide were available to anyone in a compact pedal. Now the G3 returns with a new V2 circuit revision that raises the bar again.
If 3 Were 6
With six times the controls found on the 1 and 2 versions (if you discount the original’s on/off slider switch,) the LPB-3’s control complement offers pre-gain, boost, mid freq, bass, treble, and mid knobs, with a center detent on the latter three so you can find the midpoint easily. A mini-toggle labeled “max” selects between 20 dB and 33 dB of maximum gain, and another labeled “Q” flips the resonance of the mid EQ between high and low. Obviously, this represents a significant expansion of the LPB’s capabilities.
More than just a booster with a passive tone, the LPB-3 boasts a genuine active EQ stage plus parametric midrange section, comprising the two knobs with shaded legends, mid freq and mid level. The gain stages have also been reimagined to include a pre-gain stage before the EQ, which enables up to 20 dB of input gain. The boost stage that follows the EQ is essentially a level control with gain to allow for up to 33 dB of gain through the LPB-3 when the “max” mini toggle is set to 33dB
A slider switch accessible inside the pedal selects between buffered or true bypass for the hard-latch footswitch. An AC adapter is included, which supplies 200mA of DC at 9.6 volts to the center-negative power input, and EHX specifies that nothing supplying less than 120mA or more than 12 volts should be used. There’s no space for an internal battery.
Power-Boosted
The LPB-3 reveals boatloads of range that betters many linear boosts on the market. There’s lots of tone-shaping power here. Uncolored boost is available when you want it, and the preamp gain knob colors and fattens your signal as you crank it up—even before you tap into the massive flexibility in the EQ stage.
“The preamp gain knob colors and fattens your signal as you crank it up—even before you tap into the massive flexibility in the EQ stage.”
I found the two mid controls work best when used judiciously, and my guitars and amps preferred subtle changes pretty close to the midpoint on each. However, there are still tremendous variations in your mid boost (or scoop, for that matter) within just 15 or 20 percent range in either direction from the center detent. Pushing the boost and pre-gain too far, particularly with the 33 dB setting engaged, can lead to some harsh sounds, but they are easy to avoid and might even be desirable for some users that like to work at more creative extremes.
The Verdict
The new LPB-3 has much, much more range than its predecessors, providing flexible preamp, boost, and overdrive sounds that can be reshaped in significant ways via the powerful EQ. It gives precise tone-tuning flexibility to sticklers that like to match a guitar and amp to a song in a very precise way, but also opens up more radical paths for experimentalists. That it does all this at a $129 price is beyond reasonable.
Electro-Harmonix Lpb-3 Linear Power Booster & Eq Effect Pedal Silver And Blue
