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Top 10 Hooked Videos of 2021

Paul Gilbert on Zep, Samantha Fish on Tom Petty, Marty Friedman on Sabbath, and more players share stories of how and when the guitar rocked their worlds.


10. Destroy Boys' Violet Mayugba on Fugazi's "Furniture"

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How a fateful ride to school opened this riot grrrl punker's eyes to a life beyond the power chord.


9. Sammy Boller on Ozzy Osbourne's "Crazy Train"

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The instrumental phenom "blames" Randy Rhoads' pyrotechnics and the iconic music video for sparking his move to electric guitar.

8. Alex Skolnick on Van Halen's "I'm the One"

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Testament's shredder recollects how EVH's swinging, sneering ripper redirected him down the path of a hard-rock lead guitarist.


7. Imogen Clark on Led Zeppelin's "Over the Hills and Far Away"

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The Aussie indie rocker connects how being raised on a healthy diet of Zep—including her father performing in a cover band—influenced her to combine gentle folk stylings with the need to rock.


6. Fat Mike on RKL's "Blocked Out"

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NOFX 's comedic leader and low-end anchor recalls the ripping bass line that motivated him to be a better player.


5. Myles Kennedy on Led Zeppelin's "Whole Lotta Love"

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Find out why Jimmy Page's playing saved the Alter Bridge frontman and Slash collaborator from a life of selling shoes like Al Bundy.


4. My Chemical Romance's Frank Iero on Black Flag's "Rise Above"

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The MCR rocker remembers being sucked into Greg Ginn's diagonal riffs from a friend's mixtape and retells creeping out the punk-rock legend.


3. Samantha Fish on Tom Petty & the Heartbreakers' "American Girl"

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The blues-rock star revisits the American storyteller's song that spoke to her as budding songwriter and showed her the magic of layering and mixing memorable guitar parts.


2. Marty Friedman on Black Sabbath's "Into the Void"

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The former Megadeth lead guitarist and shredmeister remembers being dumbstruck by Tony Iommi's imposing sound.


1. Paul Gilbert on Led Zeppelin's "Heartbreaker"

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The Mr. Big shred hero vividly recalls "the best day of his guitar existence" and illustrates how the whole body needs to work in unison to match Pagey's vibrato.


Fall Out Boy Rig Rundown [2024]
Fall Out Boy Rig Rundown with Patrick Stump, Joe Trohman & Pete Wentz Guitar & Bass Gear Tour

The string-section trio for the iconic Chicago pop-punk band has gone digital, but Patrick Stump, Joe Trohman, and Pete Wentz still aren’t afraid to get weird—and sometimes, downright dangerous.

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Amazon Prime Day is here (July 16-17). Whether you're a veteran player or just picking up your first guitar, these are some bargains you don't want to miss. Check out more deals here! https://amzn.to/3LskPRV

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Gibson’s Theodore model

PRS Guitars and Ted McCarty family drop “Theodore” trademark objection, and Gibson agrees to drop opposition to PRS’s “594” and “Silver Sky Nebula” trademarks and trademark applications.

PRS Guitars yesterday announced that it has withdrawn its objection to Gibson’s registration of the “Theodore” trademark. In a press release, PRS stated it continues to hold dear and protect its long-standing agreement with Ted McCarty and the McCarty family regarding the exclusive rights to the “McCarty” trademark and to McCarty’s name and persona, first developed directly with Ted himself more than 25 years ago. After a series of private negotiations, Gibson has also agreed to drop its opposition to PRS’s “594” and “Silver Sky Nebula” trademarks and trademark applications.

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A technicolor swirl of distortion, drive, boost, and ferocious fuzz.

Summons a wealth of engaging, and often unique, boost, drive, distortion, and fuzz tones that deviate from common templates. Interactive controls.

Finding just-right tones, while rewarding, might demand patience from less assured and experienced drive-pedal users. Tone control could be more nuanced.

$199

Danelectro Nichols 1966
danelectro.com

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The Danelectro Nichols 1966, in spite of its simplicity, feels and sounds like a stompbox people will use in about a million different ways. Its creator, Steve Ridinger, who built the first version as an industrious Angeleno teen in 1966, modestly calls the China-made Nichols 1966 a cross between a fuzz and a distortion. And, at many settings, it is most certainly that.

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