Death from Above 1979’s Jesse Keeler
Death from Above 1979 bassist/synth player Jesse Keeler gets the dirty portion of his infamously aggressive bass tones from two solid-state amps, so his pedalboard is relatively straightforward. (Interestingly, when Keeler switches to synth during a show, he routes his Roland Juno-60 through many of the same pedals and into his bass amps.) The bass signal hits the pedalboard via a Dunlop wah, then goes into an MXR M80 Bass D.I.+ that sends only sub frequencies to the venue’s front-of-house engineer. From there, the signal goes to an MXR 10-Band EQ (to add guitar-like midrange), an MXR Carbon Copy Analog Delay, and then a Morley A/B switcher that selects between the bass signal coming from the Carbon Copy or direct feed from the Juno-60 synth inputs. Whichever instrument is being fed into the Morley is then sent to an Ibanez CS9 Stereo Chorus, which sends a feed to each of Keeler’s amps. The CS9’s left (mono) output feeds an old Peavey Super Festival 800B, while the right output sends the signal to an Electro-Harmonix Micro POG, a Dunlop Kerry King KFK Q Zone, and finally an Acoustic 450B head.