In my guitar shop, players often ask about how to improve the tone in a Tele neck pickup. Here are several ways to address it, including a pickup wiring that removes the tone load in the neck pickup’s switching phase, resulting in a slight high-end boost.
Hello and welcome back to Mod Garage. This month, we’ll continue our “no tone control” journey from last month [“Mod Garage: The Scott Henderson S-Style Wiring”] with a cool mod for your Telecaster. Something I hear a lot in the shop is that people aren’t happy with the tone of the neck pickup in their Telecaster. It’s often described as muffled, colorless, lifeless, or similar. Why is this? It’s usually a mixture of three things:
1. The physical location of the neck pickup. You have the same issue on every electric guitar, no matter if it’s a Telecaster, a Stratocaster, a Les Paul, or whatever else. The neck pickup has the warmest tone of them, which is the physical nature of the beast.
2. A standard Telecaster neck pickup has a closed metal cover that’s attached to the pickup’s ground to add some shielding. Because the cover is closed, a good portion of high end will be drained to ground because of eddy currents, even with a thin German silver metal cover.
3. Interestingly, the neck pickup of a Telecaster is often adjusted way too low from the strings for whatever reason. Some players told me that they hit the metal cover with their plectrum, so they adjusted it deeper to get it physically out of the way.
So, let’s see what can be done to address the above problems regarding a Telecaster neck pickup.
Physical location: We can’t outsmart physics and we can’t change the location of the neck pickup inside a Telecaster, so there is nothing we can do here.
Metal cover: We have several possibilities to enhance the tone of the neck pickup. One option is to simply replace the metal cover, which will change the tone noticeably, similar to how moving a carpet or rug away from your amp changes the sound. On the other hand, you lose the shielding abilities of the metal cover. A good compromise is an open-frame pickup cover in the shape of a rectangle with an open top, to break eddy currents. This will enhance the tone while still providing some shielding.
Another solution would be to swap the pickup with a Stratocaster pickup or whatever pickup you like best. But this is not as easy as it sounds. Other pickups have other dimensions, and you will need to reroute the pickup cavity in the body as well as the opening in the pickguard to make them fit. There are a lot of replacement pickguards available that already have such routings for a Strat pickup, so this is not really a problem. A good compromise is a replacement pickup in a Telecaster neck pickup size that offers a different construction under the hood, like the Lollar Royal T Neck that is a Stratocaster-style neck pickup in a Telecaster shape. These are 1:1 ratio replacement pickups, so you don’t have to struggle with new pickguards and routing the Telecaster’s body.
"One option is to simply replace the metal cover, which will change the tone noticeably, similar to how moving a carpet or rug away from your amp changes the sound."
Pickup height: This is super easy to solve: Simply adjust the pickup closer to the strings. The closer the pickup is to the strings, the more high end and volume it will have. We measure the pickup height from the top of the pickup magnet to the bottom of the string while the string is pressed in the last fret with the guitar in playing position. A good starting point for a Telecaster neck pickup is 3.5 mm (9/64") on the low E string and 3.0 mm (1/8") on the high E string. Start with this and listen to what happens when you change the pickup-height adjustment until you find the tone you like best.
I recommend adjusting pickup height first and hear if this does the trick for you. If not, continue with swapping pickup covers or pickups.
As you can see, there are many ways to address the muffled tone of a Telecaster neck pickup if you don’t like it. Here’s another weapon of choice you could try that lies somewhere between the aforementioned strategies. Maybe you adjusted your standard Telecaster neck pickup correctly and now you’re close to being happy with the sound, but it’s still a tad too warm and round for your taste.
Chances are good that this can be solved inside the wiring. Usually, Telecaster players are happy to have a tone control for the bridge pickup that can sound very shrill and ice-picky without one, depending on your playing style and type of bridge pickup. But only a few players really use the tone control for the neck pickup. So how about a wiring with the tone control only affecting the bridge pickup? This way you will get rid of the load of the tone pot (usually 250k) plus the tone cap. Maybe this will give you the tad more high end you’re looking for, so give it a try.
The good news is that you don’t need to change the standard 3-way pickup selector switch like we did on the Stratocaster last month. This is mostly because a regular Tele only has a single master tone control, so we’re happy with the two switching stages of the standard switch you already have in there.
With this wiring, illustrated in Fig. 1, you will end up with these three settings:
1. Bridge pickup with volume and tone control
2. Bridge + neck pickup in parallel with volume for both pickups and tone control only for the bridge pickup
3. Neck pickup with only volume control
To further enhance this wiring, you can use a no-load pot for the tone control. This way you’ll also be able to engage the bridge pickup without tone control if this is an option you want.
That’s it for this round! Next month, we’ll continue with some Danelectro wirings, so stay tuned.
Until then ... keep on modding!- Mod Garage: The Ricky King Stratocaster Wiring ›
- Mod Garage: Swap That Tone Knob for a Warmth Control ›
- Mod Garage: The Scott Henderson S-Style Wiring ›
PG contributor Tom Butwin takes a deep dive into LR Baggs' HiFi Duet system.
LR Baggs HiFi Duet High-fidelity Pickup and Microphone Mixing System
HiFi Duet Mic/Pickup System"When a guitar is “the one,” you know it. It feels right in your hands and delivers the sounds you hear in your head. It becomes your faithful companion, musical soulmate, and muse. It helps you express your artistic vision. We designed the Les Paul Studio to be precisely the type of guitar: the perfect musical companion, the guitar you won’t be able to put down. The one guitar you’ll be able to rely on every time and will find yourself reaching for again and again. For years, the Les Paul Studio has been the choice of countless guitarists who appreciate the combination of the essential Les Paul features–humbucking pickups, a glued-in, set neck, and a mahogany body with a maple cap–at an accessible price and without some of the flashier and more costly cosmetic features of higher-end Les Paul models."
Now, the Les Paul Studio has been reimagined. It features an Ultra-Modern weight-relieved mahogany body, making it lighter and more comfortable to play, no matter how long the gig or jam session runs. The carved, plain maple cap adds brightness and definition to the overall tone and combines perfectly with the warmth and midrange punch from the mahogany body for that legendary Les Paul sound that has been featured on countless hit recordings and on concert stages worldwide. The glued-in mahogany neck provides rock-solid coupling between the neck and body for increased resonance and sustain. The neck features a traditional heel and a fast-playing SlimTaper profile, and it is capped with an abound rosewood fretboard that is equipped with acrylic trapezoid inlays and 22 medium jumbo frets. The 12” fretboard radius makes both rhythm chording and lead string bending equally effortless, andyou’re going to love how this instrument feels in your hands. The Vintage Deluxe tuners with Keystone buttons add to the guitar’s classic visual appeal, and together with the fully adjustable aluminum Nashville Tune-O-Matic bridge, lightweight aluminum Stop Bar tailpiece, andGraph Tech® nut, help to keep the tuning stability nice and solid so you can spend more time playing and less time tuning. The Gibson Les Paul Studio is offered in an Ebony, BlueberryBurst, Wine Red, and CherrySunburst gloss nitrocellulose lacquer finishes and arrives with an included soft-shell guitar case.
It packs a pair of Gibson’s Burstbucker Pro pickups and a three-way pickup selector switch that allows you to use either pickup individually or run them together. Each of the two pickups is wired to its own volume control, so you can blend the sound from the pickups together in any amount you choose. Each volume control is equipped with a push/pull switch for coil tapping, giving you two different sounds from each pickup, and each pickup also has its own individual tone control for even more sonic options. The endless tonal possibilities, exceptional sustain, resonance, and comfortable playability make the Les Paul Studio the one guitar you can rely on for any musical genre or scenario.
For more information, please visit gibson.com.
Introducing the Reimagined Gibson Les Paul Studio - YouTube
The two pedals mark the debut of the company’s new Street Series, aimed at bringing boutique tone to the gigging musician at affordable prices.
The Phat Machine
The Phat Machine is designed to deliver the tone and responsiveness of a vintage germanium fuzz with improved temperature stability with no weird powering issues. Loaded with both a germanium and a silicon transistor, the Phat Machine offers the warmth and cleanup of a germanium fuzz but with the bite of a silicon pedal. It utilizes classic Volume and Fuzz control knobs, as well as a four-position Thickness control to dial-in any guitar and amp combo. Also included is a Bias trim pot and a Kill switch that allows battery lovers to shut off the battery without pulling the input cord.
Silk Worm Deluxe Overdrive
The Silk Worm Deluxe -- along with its standard Volume/Gain/Tone controls -- has a Bottom trim pot to dial in "just the right amount of thud with no mud at all: it’s felt more than heard." It also offers a Studio/Stage diode switch that allows you to select three levels of compression.
Both pedals offer the following features:
- 9-volt operation via standard DC external supply or internal battery compartment
- True bypass switching with LED indicator
- Pedalboard-friendly top mount jacks
- Rugged, tour-ready construction and super durable powder coated finish
- Made in the USA
Static Effectors’ Street Series pedals carry a street price of $149 each. They are available at select retailers and can also be purchased directly from the Static Effectors online store at www.staticeffectors.com.
So, you want to chase the riches and glories of being a mid-level guitar YouTuber. Rhett and Zach have some reality checks.
This outing of Dipped In Tone kicks off with an exciting update from Zach Broyles’ camp: He’s opening a brick-and-mortar guitar shop in Nashville, called High Voltage Guitars. Opening on October 8, the store will carry gear from Two-Rock, Divided By 13, Dr. Z, Castedosa, Fano, Novo, and of course Mythos Pedals. Zach hints that there might be some handwired JHS pedals from Josh Scott himself, too, and Rhett reveals that he plans to consign some of his guitars at the shop.
The business side of Zach’s new venture brings them to a key piece of today’s episode: Rhett and Zach aren’t running charities. They do what they do to make money; guitars, gear, podcasting, and content creation are their literal jobs. And they’re not as glamorous and breezy as most armchair commentators might guess.
Want to do what Rhett and Zach do? Welcome to the club. The guitar-influencer field is what one might call “oversaturated” at the moment, and it’s difficult to break out—but not impossible. As our hosts explain, it requires putting in 60-hour work weeks, a diverse skillset, a knack for catching people’s attention, and a certain level of genuineness. Rhett knows this path well, and he has hard-earned advice for staying true to oneself while building a following in the gear world.
Tune in to learn why Rhett thinks Fretboard Summit, a three-day guitar festival organized by Fretboard Journal, blows NAMM out of the water and builds legitimate connections between guitarists, and catch the duo dipping a Dick Dale-inspired, all-Fender rig.