ESP LTD Arrow
ESP Guitars hit the ground running in 2024 with the introduction of 19 new additions to the company’s popular LTD Deluxe Series.
Two new models were added to the Arrow Series with the Arrow-1000 (Dark Brown Sunburst Satin)and the Arrow-1007 Baritone EverTune (Black). Both guitars feature the beveled body and completelyunique V shape of the ESP Arrow, and both offer neck-thru-body construction, stainless steel frets, and aset of Fishman’s multi-voice Fluence Modern Humbucker pickups. The Arrow-1007 Baritone EverTune isa seven-string model at 27” baritone scale that also includes the EverTune constant tension bridge.
The SN-1 HTBaritone (Black) is another 27” baritone scale guitar that’s built with bolt-on construction. It features adense swamp ash body and a bolt-on five-piece thin u-shaped roasted maple/purple heart neck,Macassar ebony fingerboard with 24 extra-jumbo stainless steel frets, scalloped from frets 17-24.Components include a black bone nut, a Hipshot hardtail bridge with string thru body, and a multi-voiceFishman Fluence Modern Humbucker active bridge pickupA new addition to the Viper Series comes with the LTD Deluxe Viper-1000 (Vintage Black). This double-horned guitar is built at 24.75” scale with set-thru construction. It features a Macassar ebony fingerboardwith 22 extra-jumbo stainless steel frets, a TonePros TOM bridge and tailpiece, and a set of multi-voiceFishman Fluence Modern Humbucker active pickups. The XJ-1 HT (Black Blast) offers bolt-onconstruction at 25.5” scale, with a textured sandblasted Black Blast finish on its swamp ash body. Otherfeatures include a roasted maple neck, tilt-back reverse headstock, Macassar ebony fingerboard with 22extra-jumbo stainless steel frets, a Hipshot hardtail bridge with string thru body, and a Fishman FluenceOpen Core Classic bridge pickup with two voices accessible via push-pull control.Detailed information and specs on the entire LTD Deluxe Series is available on the ESP web site at www.espguitars.com.
LTD EC
ESP’s single-cutaway LTD EC Series received several new additions that include the EC-01FT, availablein Black, Olympic White, and Vintage Burst finishes. The EC-01FT is a streamlined take on the ECdesign, with a flat-top body and clean electronics layout. Features and components on the EC-01FTinclude set-thru construction at 24.75” scale, a slightly wider 43mm nut, 22 extra-jumbo stainless steelfrets, and a recessed TonePros TOM bridge with string thru body. The EC-01FT also features the Custom14, a new custom pickup designed exclusively for ESP by Seymour Duncan that is purpose-built to coverthe specific needs of the ESP player, with a push-pull control to split the coils. Other new additions to theLTD Deluxe EC Series include newly-updated EC-1000 (Black) and EC-1000 (See Thru Black Cherry)models that now feature Fishman Fluence pickups, and the EC-1007 Baritone EverTune (Black), whichis a seven-string guitar at 27” baritone scale that features an EverTune constant tension bridge.
LTD Deluxe H3
The LTD Deluxe H3-1000FR (Metallic Silver) offers set-thru construction at 25.5” scale, an extra-thinmaple neck, Macassar ebony fingerboard with 24 extra-jumbo stainless steel frets, a Floyd Rose 1000 SEdouble-locking tremolo with stainless steel screws, and a direct-mounted pickup set that includes theexclusive Seymour Duncan Custom 14 paired with a cosmetically-matching Seymour Duncan APH-1Alnico II Pro humbucker in the neck position. The new M-1001 (Charcoal Metallic Satin) provides a flat-top alder body and satin-backed, extra-thin u-shaped three-piece maple neck. Built with bolt-onconstruction at 25.5” scale, the M-1001 includes a Macassar ebony fingerboard, 24 extra-jumbo stainlesssteel frets, a Floyd Rose 1000 tremolo, and a direct-mount Fishman Fluence Modern Humbucker multi-voice active pickup.
LTD M-1007
The LTD Deluxe M-1007 Baritone (Charcoal Burst Satin) is a seven-string guitarthat features set-thru construction at 27” baritone scale, and an alder body with quilted maple top. This model also includes an extra-thin u-shaped three-piece maple neck, Macassar ebony fingerboard with 24extra-jumbo stainless steel frets, a Floyd Rose 1000 SE tremolo with stainless steel screws, and a set ofdirect-mounted multi-voice Fishman Fluence Modern Humbucker active pickups.— more —The MH-1000 EverTune (Charcoal Burst) combines design elements of ESP’s H/Horizon models, like itsarchtop body, and from the M/Mirage guitars, like its inline headstock and extra-thin u-shaped neck. Itoffers set-thru construction at 25.5” scale, a mahogany body with flamed maple top, 24 extra-jumbostainless steel frets, and the innovative EverTune constant tension bridge. Pickups on the MH-1000EverTune are Fishman’s innovative active multi-voice Fishman Fluence Modern Humbucker activepickups. The MH-1000NT (Charcoal Burst) is a similar guitar that offers a TonePros locking TOM bridgewith string thru body.ESP’s new LTD Deluxe Phoenix-1001 (Tobacco Sunburst) is a neck-thru-body guitar at 25.5” scale witha three-piece mahogany neck, a Macassar ebony fingerboard with 22 extra-jumbo stainless steel frets, aTonePros TOM locking bridge and tailpiece, and the versatile and dynamic Seymour Duncan Custom 14,a new pickup made exclusively for ESP that offers high output and extraordinary tonal balance.
SN-1000
Three new additions have ben announced in the SN Series. The SN-1000 EverTune Koa (Natural Satin)offers bolt-on construction at 25.5” scale, and features a mahogany body topped with Hawaiian Koa. Itincludes a satin-finished thin u-shaped maple neck, and a Macassar ebony fingerboard with 22 extra-jumbo stainless steel frets, and is scalloped from frets 15-22. Other features include the innovativeEverTune constant tension bridge, and a special set of pickups with an ESP-exclusive Seymour DuncanCustom 14 and a cosmetically-matching Seymour Duncan APH-1 Alnico II Pro humbucker. TheSN-1007HT Baritone (Fire Blast) provides the SN shape in a 27” baritone scale, with a sandblasted FireBlast finish on its swamp ash body, a 48mm black bone nut, a Hipshot hardtail bridge with string thrubody, and a set of multi-voice Fishman Fluence Modern Humbucker active pickups.
The SN-1 HT Baritone (Black) is another 27” baritone scale guitar that’s built with bolt-on construction. It features adense swamp ash body and a bolt-on five-piece thin u-shaped roasted maple/purple heart neck,Macassar ebony fingerboard with 24 extra-jumbo stainless steel frets, scalloped from frets 17-24.Components include a black bone nut, a Hipshot hardtail bridge with string thru body, and a multi-voiceFishman Fluence Modern Humbucker active bridge pickupA new addition to the Viper Series comes with the LTD Deluxe Viper-1000 (Vintage Black). This double-horned guitar is built at 24.75” scale with set-thru construction. It features a Macassar ebony fingerboardwith 22 extra-jumbo stainless steel frets, a TonePros TOM bridge and tailpiece, and a set of multi-voiceFishman Fluence Modern Humbucker active pickups. The XJ-1 HT (Black Blast) offers bolt-onconstruction at 25.5” scale, with a textured sandblasted Black Blast finish on its swamp ash body. Otherfeatures include a roasted maple neck, tilt-back reverse headstock, Macassar ebony fingerboard with 22extra-jumbo stainless steel frets, a Hipshot hardtail bridge with string thru body, and a Fishman FluenceOpen Core Classic bridge pickup with two voices accessible via push-pull control.
Detailed information and specs on the entire LTD Deluxe Series is available on the ESP web site at www.espguitars.com.
![Rig Rundown: Baroness' John Baizley, Gina Gleason & Nick Jost [2024]](https://www.premierguitar.com/media-library/youtube.jpg?id=53559996&width=1245&height=700&quality=85&coordinates=0%2C0%2C0%2C0)
Hard rockers Baroness were busy writing during the early days of the pandemic, sharing ideas and bits of songs over weekly video calls until they had enough for a new record. Then, after scouting for potential recording locations, they rented an Airbnb in a tiny town in New York and got to work.
The band brought all their gear along with them: They literally loaded up a U-Haul truck and left no pedal behind—a bit unnecessary in retrospect. At the end of their stay, they’d all but finished their sixth studio album, Stone, which was released in September 2023. On their recent summer tour supporting the record, the quartet played Nashville’s Basement East, where PG’s Chris Kies met up with vocalist/guitarist John Baizley, guitarist Gina Gleason, and bassist Nick Jost to get an in-depth look at their current road rigs.
Franken-backer
Baizley received this custom-built Rickenbacker during the band’s sessions for Stone. It’s got the body and electronics of a Rick 620 but the neck of a 660 model. The Rick and Gleason’s Tele fill in the sonic gaps for each other.
I Think I Smell a Strat
Baizley’s other two primary guitars are these Fender Stratocasters. The first is an American Pro II with a tortoiseshell pickguard and HSS pickup configuration; the second is an original American Pro. The AmPro II lives in heavier tunings and takes a set of .012–.052s, but Baizley prefers both in the fourth position of the 5-way selector switch to build space around Gleason’s leads.
Tele Twins
Gleason rocks two Fender Telecasters, again from both the American Pro I and II series. She actually prefers the first iteration of the V-Mod pickups for their aggression and grit in live contexts, while the V-Mod IIs make for a smoother recording weapon. One stays in D-standard tuning while the other is in C standard with a dropped A#. Gleason strings them with .009–.046s and .010–.046s, respectively, and the whole band loves D’Addario NYXL sets.
So Bass-ic
Bassist Nick Jost is a Fender man, too, with a Precision Bass and American Professional Jazz Bass that both run through his mini-but-mighty rig: A diminutive Gallien-Krueger Legacy series head powers a classic Ampeg 8x10 cabinet. He usually plays with his fingers, but when he loses a game of dice on the road, he’ll sometimes be forced into playing with a pick.
Dual Stereo
Baizley and Gleason both run stereo amp setups. Baizley changes his amp backline often; he used to run twin Roland JC-120s but just recently switched in this Fender ’68 Custom Deluxe Reverb.
Gleason keeps the Fender train rolling with a ’59 Bassman reissue and a ’68 Custom Princeton Reverb.
John Baizley’s Pedalboard
Baizley’s board is packed with staged dirt boxes and tasteful mod stomps, all held in check with a GigRig G2, Peterson StroboStomp, and Ernie Ball Volume Pedal. The crown drive jewels are a heavily modded EHX Big Muff and Crowther Double Hot Cake, but a Beetronix FX Overhive and Pro Co RAT add some sizzle, too. A Boss DD-3, DM-2W, and TR-2, EarthQuaker Devices Dispatch Master and Tentacle, MXR Phase 90 and Dyna Comp, and EHX Deluxe Memory Man handle the rest, while a DigiTech Whammy lurks for its moment to blast off.
Gina Gleason’s Pedalboard
Gleason’s favorite drive these days is the EQD Zoar, their instant-classic 2023 release. Piling on top of that are a MXR Super Badass Distortion, MXR Timmy, modded EHX Big Muff, and a touchy Philly Fuzz Infidel prototype; an Xotic SP Compressor and UAFX 1176 Studio Compressor tighten things up when needed. Three time machines—the Strymon TimeLine, EQD Space Spiral, and Boss DD-3—handle delay, and a Walrus Slo dishes out reverb. The MXR EVH Phase 90 adds some color along with another DigiTech Whammy. The Ernie Ball Volume Pedal, Peterson StroboStomp, and GigRig G2 keep Gleason’s board in line, too.
Nick Jost’s Pedalboard
Jost’s bass board, powered by an MXR Iso-Brick, is a touch more simple, with an Ernie Ball Volume Pedal and Boss TU-3 for utility duties before an Xotic Bass BB Preamp, Boss ODB-3, DOD FX69B Grunge, MXR Stereo Chorus, and Tech 21 SansAmp Bass Driver DI.
Roland Jazz Chorus-120
Fender '68 Custom Deluxe Reverb
Fender Bassman
Fender '68 Custom Princeton Reverb
Fender American Professional Telecaster
Fender American Professional Stratocaster
Fender Precision Bass
Fender American Professional Jazz Bass
Gallien-Krueger Legacy 800 Bass Amp Head
Ampeg 8x10 Cab
Tech 21 SansAmp Bass Drive DI
MXR Iso-Brick
Boss TU-3
Xotic Effects Bass BB Preamp
Boss ODB-3
MXR Stereo Chorus
Modded EHX Big Muff
Boss DD-3
MXR Dyna Comp
Pro Co RAT
MXR Phase 90
Boss TR-2
EHX Deluxe Memory Man
EarthQuaker Devices Dispatch Master
DigiTech Whammy
Boss DM-2w
EarthQuaker Devices Tentacle
Peterson StroboStomp
Beetronics Overhive
EarthQuaker Devices Zoar
MXR Timmy
MXR Super Badass Distortion
Xotic SP Compressor
MXR EVH Phase 90
UAFX 1176 Compressor
Ernie Ball Volume Pedal
D'Addario NYXL .110 Strings
Strymon TimeLine
The plexi-in-a-pedal format won’t work for players that need every amp and effect model under the sun. But if you relish Marshall tones, the Lion ’68 is a brilliant solution for tracking or gigging when the stack can’t make the trip. It offers an expansive tone palette, too. Super Bass and Super Lead models have ample headroom and reproduce the rich, underrated clean sounds of those amps as easily as they kick out Ramones walls of grind or Jimmy Page lead sizzle. The Lion ’68 exhibits lifelike dynamic response. It also reacts to gain devices as hectic as a Super-Fuzz with authenticity. The three amp models, six speaker cabs, and room ambience control offer scads of tone and dynamic variations. You can even jumper the two channels with realistic results. I still think I’d feel weird blasting MC5 riffs through a coffee house PA with the Lion ’68. But I would certainly try it in a bigger room and wouldn’t hesitate to record with this impressive plexi stand-in.
