Situated in the heart of downtown Atlanta, this three-day festival included acts like the Kills, My Morning Jacket, Eagles of Death Metal, Deftones, At the Drive-In, Explosions in the Sky, and more.

Bloc Party’s Justin Harris

When he joined the Bloc Party in 2015, Harris inherited two basses that were integral to the band’s earlier recordings, but he’s seen here using a 1976 Fender Precision Bass that he had stolen from him 15 years ago in Portland, Oregon. He ran across an acquaintance that was selling the bass and realized it was his because of the matching serial number and he had swapped out the original pickguard for this faux tortoiseshell one.

This rare English Tonemaster was made circa 1957.

The Valco-produced English Tonemaster is a rare, lap-steel-inspired gem from the 1950s—when genres and guitar design were fluid.

The 1950s were a peculiar time for the electric guitar. Innovators, designers, and tinkerers were pushing the boundaries of the instrument, while musicians were experimenting with various playing techniques and sounds. There was an evolution of sorts (or de-evolution, depending on your slant) from solidbody “sit-down” guitars, like pedal and lap steels, to “stand-up” or “upright” solidbody electrics. If you look at an early Fender catalog—let’s say from 1953—you’ll see the Telecaster (and Esquire), the Precision Bass, and then a whole bunch of steel guitars. There was a shift underway, and many manufacturers began to blur the lines of what a guitar should look, sound, and play like.

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PRS Guitars and John Mayer officially announce the PRS SE Silver Sky, an affordable version of the original with PRS trademark bird inlays and three single-coil pickups.

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