Fat tones from a sweet niche where Les Paul, Gretsch, and Telecaster share the limelight.
Copious, unexpected tones. Cool, useful bass contour control. Very nice build quality. Excellent value.
Reverend Flatroc Bigsby
If you only pay casual attention to Reverend guitars, it’s easy to overlook how different their instruments can be. Some of that may be due to the way Reverends look. There are longstanding styling themes and strong family likenesses among models that can make differentiation a challenge for uninitiated guitar spotters. For instance, the Flatroc reviewed here has more or less the same body as the Charger, Buckshot, and Double Agent OG (which has an entirely different body than the more Jazzmaster-like Double Agent W). If you don’t have an experienced Reverend enthusiast at your side, it can all be a bit mind bending.
Dig deeper though, and the Reverend world yields many surprises. And few Reverends typify the company’s we-go-our-own-way sound and aesthetic quite like the newly resurrected, Korea-built Flatroc with Retroblast humbuckers and a Bigsby. There are many reasons to assume that the Flatroc is an homage to Gretsch. The Bigsby and pickups (at least outwardly) hint at that styling direction. But the Flatroc sounds and feels, at many turns, more like a Les Paul. And the wealth of unique tones made possible by the clean-to-nasty Retroblast pickups and the powerful bass contour control mean the Flatroc covers the sonic range of several guitars. Indeed, this Flatroc is a compelling option if you have the same-old-solidbody blues.
Days of Future Blasts
Reverend’s Retroblast humbuckers, which look like a cross between a Gretsch Filter’Tron and a Rickenbacker Hi-Gain, are the heart of the new Flatroc. Reverend calls the Retroblasts mini humbuckers, and they are certainly that in the sense that they are smaller than PAF-style pickups. But where mini humbuckers of the Gibson variety are colored by an almost single-coil-like snap that could be a Stratocaster on steroids, Retroblasts sound and feel much more muscular, with a pleasantly compressed, big-cat-growl tonality and the capacity for volume-attenuated clean tones that align much more with a PAF.
While the PAF-ness of the Retroblasts is easy to hear, the Reverend bridge pickup is technically a bit hotter at 11k ohms than the average vintage-style PAF, which tends to be closer to the 7-9k ohm range. The Reverend pickup also uses alnico 5 magnets, which tend to be a touch livelier and punchier. The neck Retroblast’s 6.5k ohms is more in line with vintage PAF specs, but still uses the punchier alnico 5 magnet.
Burly Bass to Sweet and Smooth
If the Retroblasts were stuffed in some econo-punk version of the Flatroc without tone or volume controls, they would still be impressive and very colorful pickups. But they are made infinitely more flexible for the bass contour knob, which seems especially well suited for these units. The bass contour is a simple filter control, but it’s super effective. And it’s hard to imagine why more manufacturers don’t embrace some version of it—especially when situated in its easy-access location on the upper bout.
The control has expansive range, and in the bridge position alone you can move from beefy PAF-style tones and approximations of a Fender Wide Range’s big, bright colors, to thick, concise Rickenbacker Hi-Gain chime, Stratocaster zing, and even the charmingly thin tones of ’60s budget electrics.
In the bridge position alone you can move from beefy PAF-style tones and approximations of a Fender Wide Range’s big, bright colors, to thick, concise Rickenbacker Hi-Gain chime, Stratocaster zing, and even the charmingly thin output tones of ’60s budget electrics.
The bass contour isn’t just a powerful guitar tone shaping tool. It can also totally recast the personality of your overdrive, distortion, and fuzz boxes in ways simple volume and tone controls do not. Using just the neck pickup and the bass contour control, the output from a Supro amp-inspired overdrive readily moved between molasses-thick and mammoth-coat wooly to bright and hyper-articulate without any adjustment from the guitar volume or tone knobs.
Tone options are so copious in the Flatroc that it can be hard to find a perfectly balanced relationships between volume, tone, and bass contour knobs at first. But practice makes perfect, and ultimately the control setup is intuitive, fun, and almost painterly in its capacity to subtly shift tone shades over the course of an extended solo or in between song sections.
The Flatroc shares at least one other attribute with a Les Paul: Between the korina body and Bigsby hardware, it’s heavy—only a pound or so less than a Les Paul—so it’s worth investing the time in a few sessions with the guitar to make sure it isn’t a couple pounds too weighty. With mass, though, comes a sense that this an exceptionally solid and well-built guitar. It’s highly tuning-stable—especially for a Bigsby-quipped instrument—thanks to the top-notch setup and Reverend Pin-Lock locking tuners. The build quality verges on perfect, too. The transparent white-over-korina finish reveals just a hint of grain in the fashion of a late-’50s ash Telecaster—a classy and subtly luxurious look. And everything from the fretwork to the neck joint lend the feeling of an operation where cutting corners is an absolute no-no.
Even if you think you’ve got Reverend guitars figured out, you should not underestimate how unique the Flatroc Bigsby sounds and feels. The impressive pickups and controls fill unique tone niches that lurk between Gretsch, Les Paul, and Rickenbacker sounds—putting everything from low-octane indie jangle to corpulent, smoky sounds of doom at your fingertips. Creating and re-shaping tones feels effortless, inspiring, and exciting. It’s one of the most tuning-stable Bigsby-equipped guitars I’ve ever played. Factor in the extra-expressive potential of the vibrato, plus the guitar’s intrinsic, inviting balance, and it adds up to a reliable, stable, performance-centric instrument that can soar in live situations and reward meandering creative spirits in pursuit of new songs and sounds.
- Reverend Six Gun HPP Review - Premier Guitar ›
- Reverend Descent H90 Baritone Review - Premier Guitar ›
- Reverend Mike Watt Wattplower Review - Premier Guitar ›
Kick off the holiday season by shopping for the guitar player in your life at Guitar Center! Now through December 24th 2022, save on exclusive instruments, accessories, apparel, and more with hundreds of items at their lowest prices of the year.
We’ve compiled this year’s best deals in the 2022 Holiday Gift Guide presented by Guitar Center.
Looking for a compact, “noiseless” way to plug in and play guitar? Check out the brand-new Gibson Digital Amp, available only in the Gibson App.
The new Gibson App simplifies the learning process and brings guitar playing to life for the current and next generation of guitarists in a modern, comprehensive, and intuitive way. The Gibson App is the place to take your guitar playing to the next level. New to the Gibson App is the Gibson Digital Amp, the ultimate starting amplifier for beginners and a flexible amp on-the-go for intermediate players and pros to get their sound anywhere. The Gibson Digital Amp is an accessible amplifier for both acoustic and electric guitars, and is currently available for Apple/iOS users--an Android version will debut next year.
Use the Gibson Digital Amp’s jamming guide to get started and transform your sound with built-in effects and pedals, jam to backing tracks, or use it in lessons and songs. The Gibson Digital Amp only requires your phone, and wired headphones for the best playing experience, no cables are needed. The amp features 3 acoustic mic presets, 4 electric amp presets, and 6 effects pedals.
The Gibson Digital Amp is the ultimate starting amplifier for beginners and a flexible amp on-the-go for intermediates and pros.
The Gibson App uses a unique two-way, interactive platform to teach guitar students how to do everything from playing their first note to shredding loads of songs. The Gibson App features interactive lessons with thousands of lessons and songs. Learn the songs step-by-step with video tutorials from superstar artists and pro guitarists in the “Gibson App Guide.” The Gibson App also includes the new Digital Amp, a built-in tuner, a metronome, Gibson TV, and new songs are added every week. New Gibson App Guides are added regularly and include Tommy “Spaceman” Thayer’s favorite iconic KISS guitar solos, Richie Faulkner’s (Judas Priest) “Guide to Metal,” Jared James Nichols’ “Guide to Blues,” CELISSE’s “Guide to Songwriting,” and more.
The Gibson App uses “audio augmented reality” to provide dynamic feedback to students as they learn and play. As you pluck a note or strum a chord, the Gibson App listens to your guitar and gives you real-time feedback on your playing. It also gives students a more contextual learning experience: Instead of learning chords and scales in a vacuum, you’re able to practice on a scrolling tablature that lets you hear how you sound with the backing of a virtual band. That means you can load up “Hurt” by Johnny Cash, “Brown Eyed Girl” by Van Morrison, “American Girl" by Tom Petty, “Nothing Else Matters” by Metallica, “Where is My Mind" by Pixies, “Country Roads” by John Denver, “I Hate Myself For Loving You" by Joan Jett, “Heaven” by Kane Brown, “Shape Of You” by Ed Sheeran, “Killer Queen” by Queen,“ Sweet Child O’ Mine,” by Guns ‘N Roses, “Run to the Hills” by Iron Maiden, “Roxanne” by The Police, and “Don’t Stop Believin’” by Journey, “Smells Like Teen Spirit” and “The Man Who Sold the World” by Nirvana, “Are You Gonna Go My Way” by Lenny Kravitz, and “Don't Look Back In Anger” by Oasis and hundreds more songs in a wide range of genres, to see how your play matches up with such seminal tracks.
As you’re playing, the Gibson App gives you feedback on timing and tone, ensuring that students are getting active input on how their play is developing. The Gibson App appeals to players of all levels, it’s not just for beginners looking to learn a few chords; the app can assist seasoned guitarists who are working their way through difficult riffs, want to learn their favorite songs, or polish their advanced techniques.
Players can also challenge themselves by speeding up or slowing the tabs. Like having a full-time guitar teacher, the Gibson App keeps track of all your progress and adjusts lesson plans accordingly. The Gibson App released a “backing track mode” which supports both lesson and song playback without headphones, so users can self-select what works best for their current environment. And that’s not all: the Gibson App also packs in a fully-featured digital tuner for guitar first-timers, there’s even a detailed lesson on how to tune your instrument, a multi-function metronome, players can connect to free one-on-one consultations with Gibson’s Virtual Guitar Tech team, and to direct links to the Gibson, Epiphone, and Kramer online stores for easy shopping for guitars, gear, apparel, and accessories.
Learn Guitar With The Gibson App
The Gibson App is more than a pocket-sized guitar teacher, it’s loaded with an archive of exclusive content and original programming from its premium and accessible award-winning online network, Gibson TV, featuring music icons telling their best guitar stories, with more episodes and installments added regularly. Users can watch Black Sabbath’s Tony Iommi share insights and tales from his decades-long career on the series “Icons,” dive into Joe Bonamassa’s assortment of legendary Les Paul guitars on “The Collection,” or see how Gibson’s iconic instruments are made in their Nashville factory from body to binding on “The Process.” There’s even a series called “The Scene” that focuses on backstage stories from hallowed music venues from coast to coast like The Troubadour and Grand Ole Opry.
The Gibson App free version features a few lessons a day; the premium version of the Gibson App offers full access and a 14-day free trial, then costs $19.99/£16.49 monthly or $119.99/£98.99 yearly.
For more information, please visit gibson.com.
This pickup captures the clear, bell-like single-coil chime of a classic P-90 when played clean and retains the tight mids and articulate low-end vintage growl and smooth sustain saturation when pushed into overdrive.
Belltone Guitars, as part of their Custom-Select System curated offering of pickups, has partnered McNelly pickups to create a one-of-a-kind retro-vibe P-90 pickup in the standard Filtertron size format. This pickup captures the clear, bell-like single-coil chime of a classic P-90 when played clean and retains the tight mids and articulate low-end vintage growl, and smooth sustain saturation when pushed into overdrive.
The McNelly P-90 Foil-Coil comes housed in a ‘raw’ nickel outer casing with a dull nickel foil face with metal mount screw gromets to complete the ‘new-vintage’ aesthetic, making it a perfect choice for your signature Belltone custom build. Available exclusively through Belltone Guitars.
Check out the Custom-Select System belltoneguitars.com to preview the McNelly P-90 Foil-Trons and all our standard and selectable components available to create your own signature Belltone. Then visit the Dream Lab on our website and select either model B-Classic ONE with its top binding or B-Classic TWO with its arm and body contours select your body color from our wide range of offerings, select your neck profile of either standard ‘C’ or thicker ’59 Round Back and either Maple or Rosewood fingerboard followed by your tuners, pickguard, and strings. Finally, review our curated custom-designed, and unique pickup selection to locate the McNelly P-90 Foil-Trons to complete your signature build.
Builds start at just over $2,300.00 with a custom case and shipping included.
For more information, please visit belltoneguitars.com.
McNelly P 90 Foil Tron video Sep27
Belltone P-90 Foil-Tron Pickup
DiMarzio, Inc. announces the Relentless P (DP299), the Relentless J Bridge (DP301), Relentless J Neck (DP300), and the Relentless J Pair (DP302) for 4 string basses.
DiMarzio, Inc. announces the release of the Relentless P (DP299), the Relentless J Bridge (DP301), Relentless J Neck (DP300), and the Relentless J Pair (DP302) for 4 string basses. The new Relentless P and Relentless J series pickups feature the Relentless cover designed in collaboration with Billy Sheehan.
As with the Relentless pickups, we removed all the hard edges from the standard P Bass and standard J Basspickups, and added an arch to the top of the pickups to bring the sensing coils and pole pieces closer to the strings. These improvements increase the dynamic range and make active circuitry unnecessary.
The Relentless P and Relentless J pickups incorporate Neodymium magnets and produce 70 percent more output than traditional passive pickups, and they’re dead quiet due to the incorporation of metal covers and foil-shielded cables. To dial in (or fine-tune) the individual string output, the Relentless P and Relentless J include eight adjustable pole pieces. These pickups also have a broad magnetic field so you can even bend notes without volume dropout.
DiMarzio’s extra shielding makes the Relentless P and Relentless J better for both recording and stage performances. We’ve mounted them onto robust .09375” thick circuit board base plates to eliminate the annoying protruding mounting screws — ultimately creating a more comfortable and consistent foundation to rest your fingers on.
The new Relentless P steps beyond the traditional P-Bass sound and can only be described as massive. It has more of everything: more volume, beefier lows, a growling midrange, and crispy highs with better individual string definition.
The Relentless J incorporates a new invention, (patent pending) parallelogram-shaped coils, offering an expanded mid-range punch, snappy highs, precise lows, and a new dimension to the sound of the Relentless series pickups.
Relentless P and Relentless J pickups will breathe new life into any bass, increase playability, and work well for any style of music from Motown to metal.
DiMarzio’s Relentless P, Relentless J Bridge, Relentless J Neck, and Relentless J pair are made in the U.S.A. and may now be ordered for immediate delivery.
Suggested List Price for the Relentless P is $169.00 (MAP $119.99).
Suggested List Price for the Relentless J Bridge and Relentless J neck is $155.00 (MAP $109.99).
Suggested List Price for the Relentless J Pair is $296.00 (MAP 209.99).
For more information, please visit our website at dimarzio.com.