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Rig Rundown: Exodus' Gary Holt [2015]

The thrash-metal legend keeps things simple with signature ESP guitars, and a mix of analog and digital gear.

For this tour, Holt is using a Kemper Profiler with patches based on his vintage modded Marshall head, which doesn’t come out on the road. Also in the rack is a Marshall 9200 power amp that feeds a no-name 4x12 cabinet with Celestion Vintage 30 speakers.

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This wonky Zim-Gar was one of many guitars sold by importer Gar-Zim Musical Instruments, operated by Larry Zimmerman and his wife.

The 1960s were strange days indeed for import guitars, like this cleaver-friendly Zim-Gar electric.

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In line with the MOOER’s recent expansion on the MSC range, the company is excited to announce the new MSC50 Pro, an Alder-bodied electric guitar with gloss finish, available in the new Magic Crystal color.

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The Oceans Abyss expands on Electro-Harmonix’s highly acclaimed reverb technology to deliver a truly immersive effects workstation. The pedal is centered around dual reverb engines that are independently programmable with full-stereo algorithms including Hall, Spring, Shimmer and more. Place these reverbs into a customizable signal path with additional FX blocks like Delay, Chorus, Tremolo, or Bit Crusher for a completely unique soundscape building experience.

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Our columnist’s silver-panel Fender Bandmaster.

How this longstanding, classic tube amp design evolved from its introduction in 1953.

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