Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

Rig Rundown: Gary Clark Jr. & Eric Zapata [2019]

Rig Rundown - Gary Clark Jr. & Eric Zapata [2019]

Gary Clark Jr.’s longtime tech Dave Holman met with Premier Guitar’s John Bohlinger before their three-night sold-out run at Nashville’s Ryman Auditorium for a look at Gary Clark Jr.’s simple, yet stellar, setup. Later, JB met with King Zapata (above right) who showed off how he uses his complex rig for layering deep soundscapes.

When Gary Clark Jr. took over the scene with his debut Warner release, Blak and Blu, he did it armed with this 2007 Epiphone Casino packed with the stock P-90s. “Red” stays strung with D’Addario Chromes (.011–.014–.018p–.028–.038–.049).

This ’90s Ibanez Blazer, a gift from Gary Clark Jr.’s mother, is where it all started. The Blazer stays strung with D’Addario Custom Nickel Roundwounds.

Gary Clark Jr. worked with Gibson to help create a Gibson GCJ Flying V prototypes. Clark carries two of them on the road and both rock a trio of Gibson Custom Shop P-90s and D’Addario .011–.049 strings.

Here is Gary Clark Jr.’s second V prototype.

In 2017 Gibson built Gary Clark Jr. this signature SG with Gibson Custom shop P-90s.

Gary Clark Jr. has long been associated with the Fender Vibro-King. Currently, he tours with a 2012 65-watt head version that sports a 100-watt transformer with modded bias points on the back of the amp.

The Vibro-King feeds a Fender 2x10 closed back cab loaded with Fender 10” speakers.

Depending on the venue, Gary Clark Jr. will often add this 2013 Fender Princeton at low volume in rooms when the big amp loses tone from lack of volume.

Gary Clark Jr.’s pedalboard is run entirely through the effects loop of the Vibro-King, so his guitar plugs straight into the front of his amp. Down front he has a TC Electronic PolyTune 2 Noir, Fulltone Octafuzz, Function f(x) The Cannon Dual Fuzz, Strymon Flint, Dunlop Gary Clark Jr. Cry Baby Wah, Function f(x) Clusterfuzz, and a Hermida Audio Zendrive.

This yellow sparkle number is Eric Zapata’s go-to on every gig. It’s a Moollon S-style axe based on vintage ’60s Stratocaster specs. He outfitted it with Don Mare pickups with the bridge pickup reversed. Zapata strings it up with D’Addario EXL115 Nickel Wound strings (.011–.049).

Eric Zapata’s other Moollon is this lefty Esquire-style axe.

For something a bit different, King Zapata plays this 1959 Supro Belmont made by National Valco. The pickup looks like a humbucker but it's actually a hot 9K single-coil. This vintage beauty features a Brazilian rosewood fretboard, solid mahogany body, and a maple neck.

Eric Zapata uses a dual-amp setup where both amps run into a single cab via a Radial Headbone VT. On the bottom is an Amplified Nation Steel String Singer, which was based on a Dumble Steel String Singer S/N #005. It contains four 6550 tubes running at a staggering 150 watts. The power section is articulate, punchy, and stays clean at extreme levels of volume. It also has a cathode follower driver tube, which is an additional 12AT7 located in the power section. The cathode follower adds output with extremely low distortion.

On top is a custom built Royal JPP100. The Royal and the Steel String run into what started out as a Marshall JTM45 4x12 cab, but he converted it to a 2x15 loaded with Electro-Voice 15L speakers.

Eric Zapata combines pedals to create spacious, ethereal effects. On the floor, from amp to guitar, Zapata runs a Carl Martin Headroom Reverb, ’70s MXR Loop Selector, ’90s Electro-Harmonix Deluxe Memory Man, ’80s Ibanez Analog Delay D-80, Sonus Halo Vibe, Hughes & Kettner Rotosphere, a ’60s Vox 847 Wah, a ’70s Shin-Ei 8tr Fuzz that was rehoused by Analog Man, and a Scott McKeon germanium fuzz. Other than some proprietary power solutions, a Voodoo Lab PP2 supplies the juice. Zapata’s pedalboard was built by Mason Marangella at Vertex Effects.

On top of Zapata’s rack sits a ’70s Roland Space Echo Tape Delay.

American Stage Cables:https://www.daddario.com/AmericanStageRR

Andy Powers has been working with electric guitars his whole life, and he’s been slowly collecting all the ideas that could go into his own “solo project,” waiting for the right time to strike.

His work as designer, guitar conceptualist, and CEO of Taylor Guitars is well-established. But when he set out to create the electric guitar he’d been dreaming about his whole life, this master luthier needed to set himself apart.

Great design starts with an idea, a concept, some groundbreaking thought to do something. Maybe that comes from a revelation or an epiphany, appearing to its creator in one fell swoop, intact and ready to be brought into the real world. Or maybe it’s a germ that sets off a slow-drip process that takes years to coalesce into a clear vision. And once it’s formed, the journey from idea to the real world is just as open-ended, with any number of obstacles getting in the way of making things happen.

Read MoreShow less

An all-analog ’60s-inspired tremolo marries harmonic and optical circuits that can be used independently or blended to generate phasey, throbbing magic.

Spans practical, convincing vintage trem tones and the utterly weird. Hefty build quality.

Big footprint. Can’t switch order of effects.

$299

Jackson Audio Silvertone Twin Trem
jackson.audio

4.5
4.5
4
4.5

Almost any effect can be used subliminally or to extremes. But tremolo is a little extra special when employed at its weirder limits. Unlike reverb or delay, for instance, which approximate phenomena heard in the natural world, tremolo from anything other than an amp or pedal tends to occur in the realm of altered states—suggesting the sexy, subterranean, and dreamy. Such moods can be conjured with any single tremolo. Put two together, though, and the simply sensual can be surreal. Modify this equation by mating two distinctly different tremolo types, and the possible sound pictures increase manifold.

Read MoreShow less

Bonnaroo announces its 2025 lineup featuring Luke Combs, Hozier, Queens of the Stone Age, Avril Lavigne, and more.

Read MoreShow less
Chat Pile's Luther Manhole and Stin Rig Rundown​
- YouTube

The fast-rising Okies use solid-state amp heads, baritone guitars, and a bit of Peavey magic to bring their nightmare-rock to life.

Read MoreShow less