Learn how these Arkansas rockers move beyond a wall of dark and heavy doom with various modulations, delays, and deep ’verbs to weave their own complex sonic architecture.

Speaking of King Crimson and John Wetton, this white MIM Fender P bass caught Joe Rowland’s eye one day on eBay while he was supposed to be working. (Wetton used an early ‘70s P bass for King Crimson and Uriah Heep.) Both basses are laced up with chunky Stringjoy .065–.140 strings.

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