The Nashville-based rockers are on a tear with their Neil Young-meets-Tom Petty jams. Find out what vibey gear, classic combos, and boutique stomps power their stage shows.

PG’s Chris Kies hangs with The Wild Feathers’ Ricky Young, Taylor Burns (above right), Daniel Donato, and Joel King before their sold-out Ryman gig to chat about beat-up Gibson acoustics, road-worn hollowbodies, dreamy Telecasters, and rugged pawnshop basses.

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The emotional wallop of the acoustic guitar sometimes flies under the radar. Even if you mostly play electric, here are some things to consider about unplugging.

I have a love-hate relationship with acoustic guitars. My infatuation with the 6-string really blasted off with the Ventures. That’s the sound I wanted, and the way to get it was powered by electricity. Before I’d even held a guitar, I knew I wanted a Mosrite, which I was sure was made of fiberglass like the surfboards the Beach Boys, Surfaris, and the Challengers rode in their off time. Bristling with space-age switchgear and chrome-plated hardware, those solidbody hotrod guitars were the fighter jets of my musical dreams. I didn’t even know what those old-timey round-hole guitars were called. As the singing cowboys Roy Rogers and Gene Autrey strummed off into the sunset, the pace of technology pushed the look and sound of the electric guitar (and bass) into the limelight and into my heart. Imagine my disappointment when I had to begin my guitar tutelage on a rented Gibson “student” acoustic. At least it sort of looked like the ones the Beatles occasionally played. Even so, I couldn’t wait to trade it in.

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Megadeth founder teams up with Gibson for his first acoustic guitar in the Dave Mustaine Collection.

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Jazz virtuoso Lionel Loueke joins us in contemplating who we’d put at the helm while making the album of a lifetime. Plus, musical obsessions!

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