The Pretenders are back with today’s premiere of the optimistically charged new single, “Let The Sun Come In,” available now via Rhino Records – the band’s return to Warner Music Group after more than two decades having first been signed to Sire Records in America by the legendary Seymour Stein.
Marked by the electrifying impulsiveness and attitude that has long defined founder Chrissie Hynde’s eternal spirit, “Let The Sun Come In” heralds the eagerly awaited arrival of The Pretenders’ new studio album, Relentless, arriving everywhere on Friday, September 1. Pre-orders – including digital download, baby pink vinyl, black vinyl, and CD – are available now.
“I enjoy seeing the various meanings and origins of a word,” says Chrissie Hynde of the album’s title. “And I liked the definition: ‘showing no abatement of intensity.’ So when it came to an album title, it seemed fitting. You know…to keep doing it. I think anyone in a band is constantly questioning if they should keep going. It starts as a youthful pursuit and eventually, it makes you wonder, why am I doing this? It’s the life of the artist. You never retire. You become relentless.”
Pretenders - Let The Sun Come In (Official Audio)
Official audio for Let The Sun Come In, taken from Pretenders' brand new album 'Relentless'.Pre-order the album 'Relentless' here: https://Pretenders.lnk.to/...Produced by multiple Grammy Award-nominee David Wrench (Courtney Barnett, David Byrne) at the famed Battery Studios in Willesden, North West London, Relentless marks the second consecutive full-length songwriting collaboration by Hynde and Pretenders guitarist James Walbourne following 2020’s acclaimed Hate For Sale. The two are joined on the album’s twelve tracks by what Hynde has dubbed “The Pretenders Collective,” including Kris Sonne (drums), Chris Hill (double bass), Dave Page (bass), and Carwyn Ellis (keyboards and guitars). In addition, Relentless features a landmark collaboration with Academy Award-nominated composer Jonny Greenwood (Radiohead, The Smile), who provides the string arrangement and conducted the 12 Ensemble for the album’s stunning closing track, “I Think About You Daily.”
“I met Jonny a couple of times and we’re obviously big fans of him because he’s done some incredible music over the years,” Hynde says. “I saw him at the Phantom Thread premiere where the film was running on screen with a live orchestra playing. And we spoke afterward and he expressed an interest in doing something one day. I was thrilled and very surprised. So when we had the idea of getting strings on ‘I Think About You Daily,’ he was first choice. Legend!”
The Pretenders will introduce Relentless to fans around the world with an equally uncompromising international live schedule, including intimate headline dates, top-billed festival appearances, and a massive EU/UK stadium run supporting Guns N’ Roses. Dates begin tomorrow, May 12, with a much-anticipated headline performance at Brighton, England’s The Great Escape followed by a sold-out tour of clubs and small venues across the UK and Ireland. Further highlights include a very special festival appearance as direct support to Foo Fighters at the upcoming Ohana Festival, curated by Eddie Vedder and set for October 1 at Doheny State Beach in Dana Point, CA. Additional dates will be announced. For updates, please visit thepretenders.com.
2020’s Hate For Sale proved yet another triumph for The Pretenders, with Q Magazine hailing the LP as “up there with the best of the early Pretenders albums.” “The New Wave greats haven't sounded this raw and real since the early Eighties,” agreed Rolling Stone, while The Guardian praised the album for “tight songs that prance insouciantly from genre to genre, scattering wisdom and swagger in their wake.”
Tracklist:
- Losing My Sense Of Taste
- A Love
- Domestic Silence
- The Copa
- Promise Of Love
- Merry Widow
- Let The Sun Come In
- Look Away
- Your House Is On Fire
- Just Let It Go
- Vainglorious
- I Think About You Daily
The Pretenders 2023 Tour Dates
MAY
12 – Brighton, UK – The Great Escape *
13 – Nottingham, UK – Rescue Rooms (SOLD OUT)
14 – Cambridge, UK – MASH (SOLD OUT)
16 – Frome, UK – Cheese & Grain (SOLD OUT)
17 – Stoke, UK – The Sugarmill (SOLD OUT)
19 – Limerick, Ireland – Dolans (SOLD OUT)
20 – Core, Ireland – Cypress Avenue (SOLD OUT)
21 – Dublin, Ireland - Olympia Theatre
23 – Belfast, UK – Limelight (SOLD OUT)
25 – Stornoway, UK – Midnight Sun Weekender *
28 – Derbyshire, UK – Bearded Theory *
30- Antwerp, Belgium – De Roma
31- Antwerp, Belgium – De Roma
JUNE
9 – Madrid, Spain - Estadio Cívitas Metropolitano †
11 – Oxfordshire, UK – KITE Festival *
12 – Vigo, Spain - Estadio Abanca Balaídos †
16 – Vitoria-Gasteiz, Spain – Azkena Festival *
17 – Kent, UK – Black Deer Festival of Americana *
27 – Glasgow, UK – Bellahouston Park †
30 – London, UK – BST Hyde Park †
JULY
3 – Frankfurt, Germany – Deutsche Bank Park †
5 – Bern, Switzerland – BERNEXPO †
8 – Rome, Italy – Circo Massimo †
11 – Weert, Netherlands - Evenemententerrein †
OCTOBER
1 – Dana Point, CA – OHANA Festival *
* Festival Appearance
† w/ Guns N’ Roses
- Chrissie Hynde: If It Gets Polite—Game Over ›
- My Biggest Gear Regret ›
- Quintessential Rock Rigs by Decade ›
![Whores Rig Rundown [2024]](https://www.premierguitar.com/media-library/youtube.jpg?id=55366029&width=1245&height=700&quality=85&coordinates=0%2C0%2C0%2C0)
Since forming in 2010, Atlanta noise rockers Whores had only released one LP, 2016’s Gold.—until this year. Eight long years later, their new full-length, WAR., dropped in April, and Whores celebrated by tearing across the country and blasting audiences with their maelstrom of massive, sledge-hammering rock ’n’ roll.
The day after their gig at Cobra Nashville, Whores frontman Christian Lembach, dressed in his Nashville best, met up with PG’s Chris Kies at Eastside Music Supply to run through his brutal road rig.
Brought to you by D’Addario.Earthy Esquire
When vocalist and guitarist Christian Lembach got sober over 20 years ago, he bought a Fender Telecaster off of a friend, then picked up an Esquire shortly after. That original Esquire stays home, but he brings this pine-body Earth Guitars Esquire out on the road. (It’s the lightest he’s ever played.) It’s loaded with a German-made reproduction of Schecter’s F520T pickup—aka the “Walk of Life” pickup intended to reproduce Mark Knopfler’s sound. (Lembach buys them in batches of five at a time to make sure he’s got plenty of backups.)
It’s equipped with a 3-way selector switch. At right, it bypasses the tone circuit; in the middle position, it’s a regular bridge-pickup configuration, with volume and tone activated; and at left, the tone is bypassed again, but an extra capacitor adds a bass boost.
Lembach installed six brass saddles in lieu of the traditional 3-saddle bridge. He often plays barre chords higher up the neck, and the six saddles allow for more accurate intonation.
All of Lembach’s guitars are tuned to drop C, and he plays with D’Addario Duralin .70 mm picks. They’re strung with heavy D’Addario NYXL sets, .013–.056 with a wound G. The 30-foot Bullet Cable coil cable attenuates some of the guitar’s top end.
Tuned-Up Tele
Lembach had this black Fender Telecaster—the one he bought from his friend—modified to his preferred Esquire specs, with a single bridge pickup and the same 3-way selector configuration as his other weapon. He prefers the 6-saddle bridge to this rusty 3-saddle version, but this one holds a special place in his heart all the same.
Favor From Furlan
When John Furlan of Furlan Guitars reached out to Lembach about building him a custom guitar, it was an easy sell. The two worked together on this beauty, based on a non-reverse Gibson Firebird body with a Fender-style scale length, roasted maple neck, and rosewood fretboard.
It’s got a bridge and locking tuners from Hipshot, and it’s loaded with Greenville Beauty Parlor P-90s. A typical Gibson-style toggle switches between neck, bridge, and both configurations, while another Esquire-style 3-way switch on the lower bout handles Lembach’s preferred bridge-pickup wirings: no tone, tone and volume, or bass boost.
No Logo
Lembach stays loyal to his twin Marshall Super Leads, with taped-over logos—an aesthetic Lembach picked up from Nirvana. A tech in Atlanta figured out that the one on the left is a 1973, which runs at eight ohms, or half power (Lembach removed two of the power tubes), into a 16-ohm cabinet. The power drop allows Lembach to coax feedback at lower volumes. The original preamp tubes from Yugoslavia—no longer a country, mind you—are still working in the amp.
The one on the right is a reissue 1959SLP from 2002 or 2003, which Lembach finds brighter than his vintage model. He goes into the lower-input second channel to dampen the edge.
Both amps run through Marshall JCM800 cabinets with Celestion G12T-75s.
Christian Lembach's Board
A Loop-Master Pedals Clean/Dirty Effects Switcher manages Lembach’s signal. Its A loop is used for verses, bridges, intros, and outros, and has the majority of the pedals in it. The first thing in the A loop is the ZVEX Fuzz Factory made specially for the band, followed by a Devi Ever Soda Meiser, Beetronics Swarm, Keeley Nova Wah, Spiral Electric FX Yellow Spiral, Boss NF-1, and Alexander Pedals Radical II Delay.
The B loop has a clone of the Electro-Harmonix Green Russian Big Muff, an EHX POG, and a ZVEX Super Hard On. The A loop is already pretty loud; B somehow gets even louder. An EHX Superego+ is a new addition that Lembach’s planning to integrate.
A CIOKS DC10 powers the board, and a Lehle device under the board cleans up unwanted hum and noise.
Orangewood Juniper Live Acoustic Guitar
- Equipped with a high-output rail pickup (Alnico 5)
- Vintage-inspired design: trapeze tailpiece, double-bound body, 3-ply pickguard, and a cupcake knob
- Grover open-gear tuners for reliable performanceReinforced non-scalloped X bracing
- Headstock truss rod access, allowing for neck relief and adjustment
- Light gauge flatwound strings for added tonal textures