Marcus King reveals Rick Rubin produced album, Mood Swings, and 2024 headlining tour.
Mood Swings is set to bereleased on April 5 via American/Republic Records. In support of this new album, King also announced his 2024 headlining tour across North America and Europe produced by Live Nation and FPC Live!, in addition to dates supporting Chris Stapleton. More information available on https://www.marcuskingofficial.com/.
Combining elements of modern pop, R&B, aughts hip hop, piano driven classic rock and the warm production and symphonic instrumentation of classic era soul, R&B and jazz. Previously released song “F*ck My Life Up Again” is a considerable departure stadium sized rock, with strings that accent over a smoky jazz beat, while his soulful delivery booms, “Come f*ck my life up again, don’t deserve to live without pain.” A guitar solo “played backwards” channels stark confusion offset by the unshakable hook. On “Hero,” his croon rises over acoustic guitar towards a fluttering crescendo. The same naked emotion defines “Delilah” where over piano led pop rock and innovative tracks such as “Inglewood Motel (Halestorm)” are an alt R&B masterpiece. The album closes with “Cadillac,” steeped in psychedelic symphonic soul it is an arresting tale of dark desires and suicidal ideation.
Tracklist
- Mood Swings
- F*ck My Life Up Again
- Soul It Screams
- Save Me
- Hero
- Delilah
- Inglewood Motel (Halestorm)
- This Far Gone
- Bipolar Love
- Me Or Tennessee
- Cadillac
Legendary producer Rick Rubin who has worked with everyone from Adele to Johnny Cash, was instantly drawn to King’s guitar playing, singular voice and songwriting, and after witnessing a King live performance, one day randomly cold-called him to float the idea of working together.
Rick Rubin stated, “I love the way listening to this album makes me feel. I can’t think of another project quite like this one. Marcus’s playing and singing are from another planet.”
The pair secretly holed up for sessions in Italy and Malibu during the promotion of King’s critically acclaimed album, Young Blood. The result is King’s most sonically astute and personal album to date and a landmark moment for Marcus who for the first time lets his voice take center stage. “There was no hiding behind the guitar at all,” he grins. His smoldering country soul vocal, part Al Green, Bobby Womack, Marvin Gaye, Adele and Chris Stapleton, is set to establish him as one of the greatest vocalists of our time, no longer in the shadow of his own guitar greatness.
Marcus King didn’t plan on making his new album Mood Swings.
He didn’t even plan on living much longer before he started working on it. Heartache, addiction, and mental health brought him to the brink and during a North American tour, Marcus had designs to drink himself to death. He admits, “I had an escape route already decided for myself and a backup if that didn’t work.”
Around the same time, King went into Dan Auerbach studio and despite his mental health, drinking and substance abuse reaching untenable limits, he was able to create the critically acclaimed album Young Blood. There is consequently an ocean of depth to King’s lyrics. Mood Swings once again takes us back to that dark period of King’s life where he was on the brink, firmly believing that he was destined to die young, most likely at his own hand. Despite its often bleak subject matter, Mood Swings is an album with a message of hope. Rubin helped King find a new personal and sonic approach and instead of crumbling under the weight of his anxiety, Rubin inspired him to shift his perspective. “He helped me view mental health as a writing partner in a way,” recalls Marcus. “I’ve learned it can give me that creative spark.”
2024 World Tour Dates
March 7, 2024 - Love Rocks NYC - New York, NY
March 9, 2024 - The Capitol Theatre - Port Chester, NY
April 6, 2024 – U.S. Bank Stadium - Minneapolis, MN w/ Chris Stapleton
April 13, 2024 – 10 Annual Major Rager - Augusta, GA
April 19, 2024 - Moon Crush “Pink Moon” Festival - Miramar Beach, FL
May 06, 2024 - The Moore Theater - Seattle, WA
May 07, 2024 - Crystal Ballroom - Portland, OR
May 08, 2024 - Crystal Ballroom - Portland, OR
May 10, 2024 - The Masonic - San Francisco, CA
May 11, 2024 - Grand Sierra Ballroom - Reno, NV
May 14, 2024 - The Wiltern - Los Angeles, CA
May 15, 2024 - The Van Buren - Phoenix, AZ
May 17, 2024 - The Complex - Salt Lake City, UT
May 18, 2024 - Fillmore Auditorium - Denver, CO
May 22, 2024 - The Monument - Rapid City, SD w/ Chris Stapleton
May 24, 2024 - Denny Sanford PREMIER Center - Sioux Falls, SD w/ Chris Stapleton
May 25, 2024 - Harrah’s Stir Cove - Council Bluffs, IA
May 26, 2024 - EPIC Event Center - Green Bay, WI*
May 29, 2024 - The Pageant - St Louis, MO
May 30, 2024 - GLC Live at 20 Monroe - Grand Rapids, MI
May 31, 2024 - Blossom Music Center - Cleveland OH w/ Chris Stapleton
June 01, 2024 - Railbird Festival - Lexington, KY
June 02, 2024 - Salt Shed - Chicago, IL
June 04, 2024 - College Street Music Hall - New Haven, CT*
June 06, 2024 - Freedom Mortgage Pavilion - Philadelphia, PA w/ Chris Stapleton
June 07, 2024 - Jiffy Lube Live - Bristow, VA w/ Chris Stapleton
June 08, 2024 - Landmark Theatre - Syracuse, NY
June 10, 2024 - Ruby Amphitheater - Morgantown, WV*
June 12, 2024 - T-Mobile Center - Kansas City, MO w/ Chris Stapleton
June 13, 2024 - Thunder Ridge Nature Arena - Ridgefield, MO w/ Chris Stapleton
June 14, 2024 - The Criterion - Oklahoma City, OK
June 15, 2024 - Globe Life Field - Arlington, TX w/ Chris Stapleton
July 11, 2024 - Darien Lake Amphitheater - Darien Center, NY w/ Chris Stapleton
July 12, 2024 - The Pavilion at Star Lake - Pittsburgh, PA w/ Chris Stapleton
July 13, 2024 - Palace Theatre - Albany, NY
July 16, 2024 - Egyptian Room - Indianapolis, IN
July 18, 2024 - Huntington Center - Toledo, OH w/ Chris Stapleton
July 19, 2024 - Schottenstein Center - Columbus, OH w/ Chris Stapleton
July 20, 2024 - The Fillmore Detroit - Detroit, MI
September 04, 2024 - Orpheum - Vancouver, BC
September 06, 2024 - Grey Eagle Event Center - Calgary, AB
September 07, 2024 - Midway Music Hall - Edmonton, AB
September 09, 2024 - Burton Cummings Theatre - Winnipeg, MB
September 13, 2024 - Massey Hall - Toronto, ON
September 14, 2024 - London Music Hall - London, ON
September 17, 2024 - Kemba Live! - Columbus, OH
September 19, 2024 - Warner Theatre - Washington, D.C.
September 20, 2024 - Warner Theatre - Washington, D.C.
September 21, 2024 - The Ritz - Raleigh, NC
September 24, 2024 - Avondale Brewing - Birmingham, AL
September 26, 2024 - Riverside Theater - Milwaukee, WI
September 28, 2024 - The Sylvee, Madison, WI
September 29, 2024 - Vibrant Music Hall - Des Moines, IA
October 07, 2024 - Roxian Theatre - Pittsburgh, PA
October 09, 2024 - State Theatre - Portland, ME
October 11, 2024 - House of Blues Boston - Boston, MA
October 12, 2024 - The Fillmore - Philadelphia, PA
October 13, 2024 - Brooklyn Paramount – Brooklyn, NY
October 17, 2024 - La Riviera - Madrid, Spain
October 18, 2024 - Sala Apolo - Barcelona, Spain
October 20, 2024 - Fabrique Milano - Milan, Italy
October 21, 2024 - Komplex 457 - Zurich, Switzerland
October 23, 2024 – Le Transbordeur – Lyon, France
October 25, 2024 - Essigfabrik - Cologne, Germany
October 27, 2024 - Markthalle - Hamburg, Germany
October 28, 2024 - De Roma - Antwerp, Belgium
October 29, 2024 - AFAS Live - Amsterdam, Netherlands
October 31, 2024 - Metropol - Berlin, Germany
November 01, 2024 – The Grey Hall - Copenhagen, Denmark
November 03, 2024 - Bataclan - Paris, France
November 05, 2024 - Eventim Apollo - London, UK
November 06, 2024 - Albert Hall - Manchester, UK
November 07, 2024 - Barrowland Ballroom - Glasgow, UK
November 09, 2024 - O2 Institute - Birmingham, UK
November 10, 2024 - The Great Hall - Cardiff, UK
November 12, 2024 - Olympia - Dublin, Ireland
*No Citi Presale
- Gibson Reveals Marcus King Signature 1962 ES-345 ›
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- Marcus King’s Gibson Guitars and Pedalboard - Premier Guitar ›
Day 4 of Stompboxtober brings a chance to win a pedal from TWA: The Chemical-Z! Don’t miss out—enter now and return tomorrow for more!
TWA CHEMICAL-Z
Roy Z signature overdrive pedal designed by TubeScreamer creator Susumu Tamura. Inspired by Maxon OD808, OD808X, and APEX808 circuits, Chemical-Z features the "Magic" IC used in APEX808 for less compression & more even frequency response than a standard 808. Increased output level. Two footswitch-selectable clipping modes - normal & hot.
Many listeners and musicians can tell if a bass player is really a guitarist in disguise. Here’s how you can brush up on your bass chops.
Was bass your first instrument, or did you start out on guitar? Some of the world’s best bass players started off as guitar players, sometimes by chance. When Stuart Sutcliffe—originally a guitarist himself—left the Beatles in 1961, bass duties fell to rhythm guitarist Paul McCartney, who fully adopted the role and soon became one of the undeniable bass greats.
Since there are so many more guitarists than bassists—think of it as a supply and demand issue—odds are that if you’re a guitarist, you’ve at least dabbled in bass or have picked up the instrument to fill in or facilitate a home recording.
But there’s a difference between a guitarist who plays bass and one who becomes a bass player. Part of what’s different is how you approach the music, but part of it is attitude.
Many listeners and musicians can tell if a bass player is really a guitarist in disguise. They simply play differently than someone who spends most of their musical time embodying the low end. But if you’re really trying to put down some bass, you don’t want to sound like a bass tourist. Real bassists think differently about the rhythm, the groove, and the harmony happening in each moment.
And who knows … if you, as a guitarist, thoroughly adopt the bassist mindset, you might just find your true calling on the mightiest of instruments. Now, I’m not exactly recruiting, but if you have the interest, the aptitude, and—perhaps most of all—the necessity, here are some ways you can be less like a guitarist who plays bass, and more like a bona fide bass player.
Start by playing fewer notes. Yes, everybody can see that you’ve practiced your scales. But at least until you get locked in rhythmically, use your ears more than your fingers and get a sense of how your bass parts mesh with the other musical elements. You are the glue that holds everything together. Recognize that you’re at the intersection of rhythm and harmony, and you’ll realize foundation beats flash every time.“If Larry Graham, one of the baddest bassists there has ever been, could stick to the same note throughout Sly & the Family Stone’s ‘Everyday People,’ then you too can deliver a repetitive figure when it’s called for.”
Focus on that kick drum. Make sure you’re locked in with the drummer. That doesn’t mean you have to play a note with every kick, but there should be some synchronicity. You and the drummer should be working together to create the rhythmic drive. Laying down a solid bass line is no time for expressive rubato phrasing. Lock it up—and have fun with it.
Don’t sleep on the snare. What does it feel like to leave a perfect hole for the snare drum’s hits on two and four? What if you just leave space for half of them? Try locking the ends of your notes to the snare’s backbeat. This is just one of the ways to create a rhythmic feel together with the drummer, so you produce a pocket that everyone else can groove to.
Relish your newfound harmonic power. Move that major chord root down a third, and now you have a minor 7 chord. Play the fifth under a IV chord and you have a IV/V (“four over five,” which fancy folks sometimes call an 11 chord). The point is to realize that the bottom note defines the harmony. Sting put it like this: “It’s not a C chord until I play a C. You can change harmony very subtly but very effectively as a bass player. That’s one of the great privileges of our role and why I love playing bass. I enjoy the sound of it, I enjoy its harmonic power, and it’s a sort of subtle heroism.”
Embrace the ostinato. If the song calls for playing the same motif over and over, don’t think of it as boring. Think of it as hypnotic, tension-building, relentless, and an exercise in restraint. Countless James Brown songs bear this out, but my current favorite example is the bass line on the Pointer Sisters’ swampy cover of Allen Toussaint “Yes We Can Can,” which was played by Richard Greene of the Hoodoo Rhythm Devils, aka Dexter C. Plates. Think about it: If Larry Graham, one of the baddest bassists there has ever been, could stick to the same note throughout Sly & the Family Stone’s “Everyday People,” then you too can deliver a repetitive figure when it’s called for.
Be supportive. Though you may stretch out from time to time, your main job is to support the song and your fellow musicians. Consider how you can make your bandmates sound better using your phrasing, your dynamics, and note choices. For example, you could gradually raise the energy during guitar solos. Keep that supportive mindset when you’re offstage, too. Some guitarists have an attitude of competitiveness and even scrutiny when checking out other players, but bassists tend to offer mutual support and encouragement. Share those good vibes with enthusiasm.
And finally, give and take criticism with ease. This one’s for all musicians: Humility and a sense of helpfulness can go a long way. Ideally, everyone should be working toward the common goal of what’s good for the song. As the bass player, you might find yourself leading the way.Fuchs Audio introduces the ODH Hybrid amp, featuring a True High Voltage all-tube preamp and Ice Power module for high-powered tones in a compact size. With D-Style overdrive, Spin reverb, and versatile controls, the ODH offers exceptional tone shaping and flexibility at an affordable price point.
Fuchs Audio has introduced their latest amp the ODH © Hybrid. Assembled in USA.
Featuring an ODS-style all-tube preamp, operating at True High Voltage into a fan-cooled Ice power module, the ODH brings high-powered clean and overdrive tones to an extremely compact size and a truly affordable price point.
Like the Fuchs ODS amps, the ODH clean preamp features 3-position brite switch, amid-boost switch, an EQ switch, high, mid and low controls. The clean preamp drives theoverdrive section in D-Style fashion. The OD channel has an input gain and outputmaster with an overdrive tone control. This ensures perfect tuning of both the clean andoverdrive channels. A unique tube limiter circuit controls the Ice Power module input.Any signal clipping is (intentionally) non-linear so it responds just like a real tube amp.
The ODH includes a two-way footswitch for channels and gain boost. A 30-second mute timer ensures the tubes are warmed up before the power amp goes live. The ODH features our lush and warm Spin reverb. A subsonic filter eliminates out-of-band low frequencies which would normally waste amplifier power, which assures tons of clean headroom. The amp also features Accent and Depth controls, allowing contouring of the high and low response of the power amp section, to match speakers, cabinets andenvironments. The ODH features a front panel fully buffered series effects loop and aline out jack, allowing for home recording or feeding a slave amp. A three-position muteswitch mutes the amp, the line out or mute neither.
Built on the same solid steel chassis platform as the Fuchs FB series bass amps, the amps feature a steel chassis and aluminum front and rear panels, Alpha potentiometers, ceramic tube sockets, high-grade circuit boards and Neutrik jacks. The ICE power amp is 150 watts into 8 ohms and 300 watts into 4 ohms, and nearly 500 watts into 2.65 ohms (4 and8 ohms in parallel) and operates on universal AC voltage, so it’s fully globallycompatible. The chassis is fan-cooled to ensure hours of cool operation under any circumstances. The all-tube preamp uses dual-selected 12AX7 tubes and a 6AL5 limiter tube.
MAP: $ 1,299
For more information, please visit fuchsaudiotechnology.com.
Jackson Guitars announces its first female signature artist model, the Pro Series Signature Diamond Rowe guitar.
“I‘m so excited about this new venture with the Jackson family. This is a historic collaboration - as I am the first female in the history of Jackson with a signature guitar and the first female African American signature Jackson artist. I feel so honored to have now joined such an elite group of players that are a part of this club. Many who have inspired me along this journey to get here. It’s truly humbling.” says Diamond.
Diamond Rowe is the co-founder and lead guitarist for the metal/hard rock band Tetrarch. Since co-founding the band in high school, Tetrarch has become one of the most talked about up-and-coming bands in the world - with several press outlets such as Metal Hammer, Kerrang, Revolver, Guitar World and many others boldly naming Diamond Rowe the world’s next guitar hero. Tetrarch has connected with many fans while performing on some of the world's biggest stages garnering spots alongside several of the heavy music world’s biggest names such as Guns N’ Roses, Slipknot, Lamb of God, Disturbed, Avenged Sevenfold, Sevendust, Rob Zombie, Trivium, and many many others. The Jackson Pro Series Signature Diamond Rowe DR12MG EVTN6 is based on Jackson’s single-cut Monarkh platform and is a premium guitar designed for progressive metal players seeking precision and accuracy.
Crafted in partnership with Diamond, this model boasts a 25.5 “ scale, Monarkh-styled nyatoh body draped with a gorgeous poplar burl top, three-piece nyatoh set-neck with graphite reinforcement, and 12˝ radius bound ebony fingerboard with 24 jumbo frets. The black chrome-covered active EMG® 81/85 humbucking bridge and neck pickups, three-way toggle switch, single volume control, and tone control provide a range of tonal options. The Evertune® bridge ensures excellent tuning stability, while the Dark Rose finish with a new custom 3+3 color-matched Jackson headstock and black hardware looks simply stunning.
To showcase the Pro Plus Signature Diamond Rowe DR12MG EVTN6, Diamond shares her journey as a guitarist, delving into the inspiration behind her unique design specifications and the influential artists who shaped her sound within a captivating demo video. This video prominently features powerful performances of Tetrarch’s latest release, “Live Not Fantasize,” and “I’m Not Right” showcasing the DR12MG EVTN6’s unparalleled tonal versatility and performance capabilities.
MSRP $1699.99
For more information, please visit jacksonguitars.com.