On the sound stage with his ESP bass, getting ready to shoot another scene with Gwyneth Paltrow for the movie Country Strong.
We may all be acting, but the fact that more musicians have successfully worked in film than actors have successfully launched careers in music suggests that, of the two disciplines, music is more challenging.
In Gwyneth Paltrow's current movie, Country Strong, writer/director Shana Feste wanted as much realism as possible, so she stacked Gwyneth's band with Nashville regulars, including Jim Lauderdale on acoustic, Bucky Baxter on steel, yours truly on bass, and a few other recognizable faces in the country-music scene filling out the rest of the band. The entire gig consisted of us playing a few concerts, with the band faking it onstage to pre-recorded tracks while Paltrow sang live.
Paltrow has a compelling voice and sang really well both live and in the studio. I've worked with many major-label acts that would not have sounded nearly as good under these circumstances. During a break, I asked, "So, if you end up having a big ol' hit song from this movie, would you tour?"
She thought about it for a few beats, then smiled and said, "I really like singing, but . . . I don't know." I appreciated her hesitance, because it revealed a deeper understanding of what it means to be a musician. Paltrow's husband fronts the mega-selling band Coldplay, so she gets it. For most of us, music starts as a quaint hobby. But, like all addictions, it subtly begins to grow under your skin and eventually fuses with your identity.
But, lacking this awareness, many actors see music as a yet-to-be-exploited revenue source. They look at their trophy case and think, "A Grammy and a platinum record would look nice next to my People's Choice and Emmy. I'll just call my manager and have him arrange it." These actors have this incredible, unwavering belief that because they are successful in one area, they can do anything. This kind of self-confidence produces some interesting work.
William Shatner's 1968 album, The Transformed Man, remains one of my desert-island records. To hear him emote with immeasurable conviction, shouting "Mr. Tambourine Man" as if he is teetering on the head of a pin, madness on one side, agony on the otherāwell, that's just pure Shat. One has to admire his confidence.
Leonard Nimoy's 1968 album, the ironically titled The Way I Feel, does not connect emotionally (which is to be expected from a green-blooded Vulcan), but remains a joy to hear. His somewhat subdued performance and lackluster sales did not prevent him from making another five albums. When it comes to music, the crew of the Enterprise boldly goes where no man has gone before.
David Hasselhoff displays definite Shat-esque confidence with his music, the kind of confidence that enables a man to do a photo shoot wearing nothing but a Speedo, an open leather jacket, a thick mane of chest hair, and a "Come hither" glare. The Hoff enjoyed two No. 1 hits in Germany and just released his 17th album, A Real Good Feeling. For me, hearing the Hoff evokes a real good feeling much like hearing the Shat. Part of that feeling may be envy for their unwavering self-assurance and thick head and body hair. Check out the music of Steven Seagalāit, too, is pure Shat that will make you shiver.
But one can't really applaud the actor/musician who lacks convictionāthose of the Paris Hilton, Lindsay Lohan, and Joaquin Phoenix variety. It doesn't matter that they can't sing or rapāplenty of platinum-selling acts can't. But clearly these forays into music began with a PR team hounding the media while pounding the 'net, and then ended in damage control, redirections, and, in Joaquin's case, leaving himself an ambiguous out: If the music career works, great, he's an artist. If not, it's an edgy hoax and you're too stupid to get it.
I admire the actors who, like many of us, love playing music but don't make a big deal out of it. Gary Sinise, a long-time bass player, is a passionate supporter of American troops. He wanted to help, so he started his "Lieutenant Dan Band" and has since performed at military bases around the world. After a lifetime of playing music for fun, Jeff Bridges has started doing shows on the strength of his film Crazy Heart. Nothing heavy or ego drivenājust a dude and his friends who put their band back together. I know a couple of the guys who play in Kevin Costner's band. They say it's a fun, no-pressure, feel-good gigāoften with excellent catering.
Undeniably, showmanship usually helps a music career. When a musician works the stage, trying to connect with the audience, isn't that acting? I don't think B.B. King is honestly moved by all of his solos, but if you watch his face you'd swear every note slashes a razor across his heart.
As the bard said:
All the world's a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages.
āWilliam Shakespeare, from As You Like It
We may all be acting, but the fact that more musicians have successfully worked in film than actors have successfully launched careers in music suggests that, of the two disciplines, music is more challenging.
[Updated 8/18/21]
- Last Call: John Bohlinger on Broadway - Premier Guitar āŗ
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- Last Call: Neal Casal and the Dangerous Thing We're Afraid to Talk ... āŗ
Brent Mason is, of course, on of the most recorded guitarists in history, who helped define the sound of most ā90s country superstars. So, whether you know it or not, youāve likely heard Masonās playing.
Professional transcriber Levi Clay has done the deepest of dives into Brent Masonās hotshot licks. At one point, he undertook the massive project of transcribing and sharing one of Masonās solos every day for 85 or so days. Mason is, of course, on of the most recorded guitarists in history, who helped define the sound of most ā90s country superstars. So, whether you know it or not, youāve likely heard Masonās playing. Levi shares the insight he gleaned from digging deep, and he tells us what it was like when they shared a stage last year. Plus, Levi plays us some great examples of Masonās playing.
For the first time ever, two guitar greats, John 5 and Richie Kotzen will be heading out on the road this year. The tour will launch October 16 and run through November, hitting markets across the U.S.
Find the full tour itinerary right plus a link for tickets & VIP, including additional dates featuring John 5 only. Reserved seating tickets will go on sale Friday May 16 though a fan presale will begin today at noon local time and fans are strongly encouraged to buy early to get the best seats.
Meet and Greets for both artists will be available. For John 5 please go to: https://john5store.com/collections/vip.
Today, John 5 also announces more details of his anticipated new album. Called The Ghost, it will be released October 10 and is led by the new track āFiend,ā featuring Kenny Aronoff.
John 5 continues running public tours this month for his Knights In Satanās Service Museum of KISS Memorabilia in Los Angeles, California. Guided tours are open to the public for one month only (with a possible expansion). Current dates available are May 12-16, May 19-23 and May 27-30. Each will be led by John 5 himself who will provide tons of rich detail and answer any questions. Secure your place HERE.
JOHN 5 continues to tour with Mötley Crüe including an upcoming residency in Las Vegas in 2025.RICHIE KOTZEN &
JOHN 5 FALL 2025 TOUR
October 16 El Cajon, CA @ Magnolia
October 17 Riverside, CA @ Fox Performing Arts
October 18 Roseville, CA @ Goldfield Trading Post
October 19 San Jose, CA @ The Ritz
October 21 Phoenix, AZ @ Celebrity Theatre
October 22 Albuquerque, NM @ KiMo Theatre
October 24 Dallas, TX @ Granada Theater
October 25 Leander, TX @ The Haute Spot
October 27 New Orleans, LA @ House of Blues
October 28 Memphis, TN @ Minglewood Hall
October 29 Nashville, TN @ Fogg Street Lawn Club
October 30 Atlanta, GA @ Variety Playhouse
October 31 Orlando, FL @ House of Blues
November 1 Fort Lauderdale, FL @ Culture Room
November 2 Clearwater, FL @ Capitol Theatre
November 4 Richmond, VA @ The National
November 5 Leesburg, VA @ Tally Ho Theater
November 6 Patchogue, NY @ Patchogue Theatre
November 11 Glenside, PA @ Keswick Theatre
November 12 Derry, NH @ Tupelo Music Hall
November 13 Foxborough, MA @ Six String Grill & Stage
November 14 Stroudsburg, PA @ Sherman Theater
November 15 Lorain, OH @ Lorain Palace Theatre
November 16 Columbus, OH @ The King Of Clubs
November 17 Warrendale, PA @ Jergels
November 19 Wyandotte, MI @ District 142
November 20 Flint, MI @ The Machine Shop
November 21 Fort Wayne, IN @ Piereās
November 22 St. Charles, IL @ Arcada Theatre
November 23 Belvidere, IL @ Apollo Theatre
November 25 Denver, CO @ Oriental Theater
November 29 Pioneertown, CA @ Pappy & Harriet's*
*John 5 only
AEROSMITH guitarist and songwriter JOE PERRY is set to return to the road for a series of August performances with THE JOE PERRY PROJECT. The 8-date run kicks off August 13 in Tampa, FL and wraps August 23 in Port Chester, New York, with an August 19 performance in PERRYās Boston hometown (see the itinerary below). For the North American trekāwhich marks the first solo shows for PERRY this yearāthe legendary guitarist will be joined by his Aerosmith bandmates Brad Whitford (guitar) and Buck Johnson (keys), along with The Black Crowesā Chris Robinson (vocals), and Stone Temple Pilotsā Robert DeLeo (bass), and Eric Kretz (drums).
āWellā¦itās time to let the music do the talkin again,ā PERRY says. āIām really excited about the JPP line up this year!!!! Most of these guys played with me at The Roxy in L.A. at the debut event for my latest solo album [Sweetzerland Manifesto] in January 2018. Theyāre all busy as hell but thankfully theyāre able to carve out some time for this run. And Iām not only lucky enough to have Brad Whitford onstage with me but Chris Robinson of The Black Crowes! [who sang āFortunate Oneā on Sweetzerland Manifesto MKII], Robert DeLeo and Eric Kretz from STP!!! and Buck Johnson who plays keys and sings with Aerosmith, the Hollywood Vampires, and is also a solo artist in his own right.ā
For the shows, the Rock and Roll Hall of Fame inductee says āthe set list is gonna include my fav JPP cuts, STP, Black Crowes, and with Brad weāll be hitting the Aero hits and some deep cuts and then ya never know!!!! Gonna be a BLAST, and if youāve ever been to one of my shows you know the words GARAGE BAND on STEROIDS come to mind! See you there!!!!ā
DATE | LOCATION | VENUE |
Wednesday, August 13 | Tampa, FL | Seminole Hard Rock - Tampa |
Thursday, August 14 | Hollywood, FL | Seminole Hard Rock - Hollywood |
Saturday, August 16 | Toronto, ON | HISTORY |
Sunday, August 17 | Muskoka, ON | Kee to Bala |
Tuesday, August 19 | Boston, MA | Wang Theatre |
Wednesday, August 20 | Hampton Beach, NH | Hampton Beach Casino Ballroom |
Friday, August 22 | Mashantucket, CT | The Premier Theater at Foxwoods Resort Casino |
Saturday, August 23 | Port Chester, NY | Capitol Theatre |
A sample page from the authorās analog log.
Seasonal changes are tough on your acoustic. Hereās how you can take better care of your prized instrument.
As you read this, spring is in bloom in most of the US, or maybe it has been for some time. Iām timing this column specifically to ask acoustic guitarists, in this season of increasing humidity and comfortable conditions, to prepare for whatās coming. Itās never too soon, and time flies. Before you know it, weāll be back to the maintenance phase and you might be blowing up the phones of your local guitar shops, luthiers, and techs. Iām here to encourage a decidedly old-school approach to preventative guitar maintenance, and yes, it starts now.
Why, you ask? Well, as the lead luthier at Acoustic Music Works, I can tell you that in my nearly 15 years in this position, this was the worst winter ever for preventable repairs on acoustic guitars. Fret sprout, bridge lifts, top sink, soundboard cracks, back cracks, loose binding, general malaise⦠These hit us very hard in the winter that spanned 2024 and 2025. Am I complaining? On the one hand, no. This is part of how we make our money. On the other hand, yes! Repair schedules related to dryness and humidity issues can stretch into weeks and even months, and nobody wants to be without their favorite instruments for that amount of time. With a little thoughtfulness, however, you might get through next winter (and every one thereafter) without hefty repair bills or time apart from your musical companion.
Our preparation is going to start with an unlikely but very important guitar accessory: the humble notebook. Plain, lined, grid, day planner⦠it doesnāt matter. We all need to actively participate in our instrument maintenance, and in my experience, fancy apps that track humidity via Bluetooth breed a kind of laziness, a feeling of safety that might prevent us from actually physically looking in on conditions. Better we keep an analog, well, log, so that we know where things stand, and I suggest checking in daily.
āThis was the worst winter ever for preventable repairs on acoustic guitars.ā
Track your relative humidity, both in the case and in the room where your instruments mostly reside, but also take notes on your action height, top deflection (StewMac has some great tips for measuring this) and anything related to playability that you believe you can observe empirically.
Dryness is the root cause of most guitar issues that manifest in the fall and winter months. Symptoms of dryness include sharp fret ends, falling action and dead frets, sunken top around the sound hole, and cracks and bridge lifts. With your trusty notebook, youāll get a feel for the sensitivity level of your instrument, and that knowledge is power!
A few other basic implements will not only assist you in your observations, but may also satisfy your need to buy guitar-related things (at least for a minute). Getting quick and comfortable with a fret rocker is a great skill to have, and is invaluable in diagnosing buzzes due to high frets or frets that have come unseated due to dryness. A well-calibrated relief gauge might seem luxurious, but it can prevent you from making unnecessary or extreme truss rod adjustments. A string action gauge, or even a simple machinistās rule or set of feeler gauges, will help you keep track of your action. Get a three-pack of hygrometers so you can average their readings, rather than depending on one.
Lest we forget: A guitar can not only be too dry, it can also be too wet. By beginning your maintenance diligence in the spring/summer, youāll also be able to tell if your instrument is the victim of a too-humid environment. The signs of over-humidification are subtle: Your action may rise from a puffed-up top, and in extreme cases, glue joints could begin to fail. In my experience, an over-humidified guitar will suffer from dulled tone, almost like a sock in the sound hole. If youāre sensing a lack of clarity in your guitar all of a sudden, start with new strings. If it persists, it might be due to over-humidification, and you may want to introduce a desiccant to the case for a time. The more lightly built your guitar is, the more sensitive it will be to seasonal changes.
By getting into these habits early, youāll be empowered by knowing your instrument more intimately. Youāll understand when and why changes in tone and playability might have occurred, and youāll hopefully save on repair bills year-round. Feel free to reach out with any questions. Who knows? I might just send you a notebook with an AMW sticker on the cover!