
A pedal builder collaborates with his pal, guitar tech John Taggart, on a chambered guitar with a built-in overdrive.
Name: Greg Droman
Hometown: Healdsburg, California
Guitar: Karmatar
My friend, John Taggart, is an A-list guitar tech to the stars: Waddy Wachtel, John McVie, Carlos Rios, Paul Gilbert, Bruce Conte, and many others. His true passion is building guitars, literally from scratch, including the necks. Several months ago, he told me he wanted to build us each a guitar incorporating an overdrive pedal I make and sellāthe Karma MTN-10, a clone of the Ibanez Mostortion from the early '90s. I've seen and admired John's work, and I was thrilled to help with the design of the circuit for them.
The design John had in mind is a chambered body, loosely based on a T-style body shape. The front and back are pine from a dresser he grew up with back in the 1960s, and the hollowed center core is from old waterbed frame rails. John fashioned the 4-bolt necks from slabs of curly maple, with medium-jumbo frets and Kluson tuners.
Greg Droman
He told me to choose whatever pickups I wanted. After talking it over, we both ended up with Seymour Duncan Antiquity II Humbuckers. He's a big fan of the Pigtail wraparound bridges, so those are what we used. A sprayed-on lacquer finish completed it.
I modified the Karma MTN-10 circuit boards to make it easier for John to mount them inside the guitar. The overdrive is true-bypassed with a push-pull pot on the tone control. John cast the bigger volume and tone knobs (inlaid with white arrow pointers) from his own mold of some vintage 1960s Atwater Kent knobs he found in an electronics store back in the late '70s. A battery bag holds the 9V battery, which activates when a cable is inserted into the output jack.
This guitar surprised us both! It's a total joy to play, weighing in at a back-friendly 6 pounds. It has a cool, hollow, woody tone without the feedback. The pickups sound amazing, with plenty of bite in the bridge and lots of warmth in the neck.
The neck itself feels like silkāfast and comfortable. I wasn't sure how I would bond with an overdrive built inside a guitar, as it's not usually the first in my chain, but it seems to take on a whole character of its own inside this guitar. And it's just plain fun!
We'd been calling it the "Tagg/Karma," but we've now changed that to "Karmatar." It's a beautiful, unique work of art. Definitely a keeper!
Send your guitar story to submissions@premierguitar.com
- Mod Scientist: BilT Guitars' Tim Thelen - Premier Guitar āŗ
- DIY: How to Install Onboard Effects - Premier Guitar āŗ
- Guitar Shop 101: How to Install an Onboard Buffer System in a Strat ... āŗ
- Reader Guitar of the Month: Skully - Premier Guitar āŗ
A satin finish with serious style. Join PG contributor Tom Butwin as he dives into the PRS Standard 24 Satināa guitar that blends classic PRS craftsmanship with modern versatility. From its D-MO pickups to its fast-playing neck, this oneās a must-see.
PRS Standard 24 Satin Electric Guitar - Satin Red Apple Metallic
Standard 24 Satin, Red App MetIntroducing the new Firebird Platypus, a tribute to the rare transitional models of 1965.
In early 1965, the original Firebird design transitioned through several different iterations. One of the significant transitions that occurred flipped the headstock to the Non-Reverse shape. Unlike the original Reverse Firebird headstock design, which featured a two-layered headstock with a holly veneer, the new headstock was flat, like the bill of a platypus.
Mahogany body and glued-in mahogany neck
The Firebird Platypus has a mahogany body with the appearance of a traditional neck-through Reverse Firebird body for that classic Reverse Firebird appearance, while the neck of the Firebird Platypus uses glued-in, set neck construction like the Les Paul and SG and delivers outstanding sustain and resonance.
Platypus transitional headstock design
The headstock features the flat, transitional style āplatypusā design that was found only on rare models from the 1965 transitional period when the Firebird was gradually switching over from the features found on the original models that were released in 1963 to the features that were used for the later Non-Reverse Firebird models.
Firebird humbucker pickups
Itās outfitted with two Firebird humbucker pickups. These pickups are equipped with Alnico 5 magnets and have a unique sound that is not quite like any other humbucking pickup, with unmatched clarity, chime, and bite. They sound great for both clean and overdriven tones.
Exclusive Cherry Sunburst finish
This exclusive Cherry Sunburst finish is available only on Gibson.com and at the Gibson Garage.
For more information, please visit gibson.com.
The exquisite BilT Brothers collaborative guitar: a Frank Brothers Ultra Light in BilT eggplant sparkleburst with Arcane 3x3 Gold Foil Humbuckers and loaded with a Caroline Custom Cannonball Distortion.
This forward-thinking custom guitar commissioned by our columnist makes a special case for partnership in the guitar building community.
Owning a guitar shop, your brain is full of to-do lists, questions, and plenty of compulsive thoughts over details. And when you run a shop that specializes in custom builds that you spec out from boutique companies, the ideas for these guitars often come at the most random times of day (and night). While I donāt subscribe to the notion of fate, the following makes a case for its existence.
It was like any other random day at work: We had customers coming in, items shipping out, services on the bench. I was simultaneously working on a pedalboard for a customer and making plans with some vendors. I was on the phone with Brandon Darner of BilT Guitars when DHL dropped off our latest Frank Brothers guitar. Now, Iām never shy about talking up builds from any of our vendors. Specāing guitars for our shop, seeing their execution exceed my expectations, and then getting it into the hands of its new owner is one of my absolute favorite parts of my job. So, naturally I mentioned that we just got a new Frank Brothers in. Brandon told me how much he loved their stuffāsort of a āgame recognizing gameā kind of thing.
After we unboxed the guitar, I called Tim Frank to let him know how we continue to be impressed with their work and how much we loved the new arrival. I also mentioned Brandon had some very nice things to say about their work. Timās response was something like, āOh wow! Thatās really cool. Their stuff is amazing and we have a lot of respect for those guys.ā At first, I thought he was just being polite, but Iāve gotten to know him pretty well. I knew that the compliment and sentiment was genuine and past the point of his wonderful Canadian pleasantness. One thing led to another, and I started a group text. Very quickly, they became friends. In fact, Brandon even ordered a Frank Brothers shortly after the introduction.
The Frank Brothers and BilT team, left to right: Tim Frank, Tim Thelen (BilT), Nick Frank, and Brandon Darner (BilT).
My last call of the day was to Philippe Herndon from Caroline Guitar Company. As we talked, he was glowing about the pedal building community and how friendly and collaborative it is, and obvious questions popped into my head: āWhy arenāt guitar companies like that?ā āWhy canāt we do a collab guitar?ā
Long story extremely short, with tons of excitement, I got Brandon and Tim on the phone and proposed the idea of doing a guitar together. Without hesitation, the response from both was āHell yeah, letās do it!ā and it was time for us to spec it. We decided on a Frank Brothers Ultra Light. BilT would apply their world-class fit/finish as well as their signature effects treatment. I picked my favorite finish in the BilT repertoire called eggplant sparkleburst, selected Arcane 3x3 Gold Foil Humbuckers, and tapped Philippe on the shoulder to ask if he had any Custom Cannonball Distortionsāthe first pedal I bought from Caroline in 2013āthat he could provide for the build, to which he happily obliged.
A year or so later, the BilT Brothers was born. Of course, it is exceptional beyond words and is a true testament to the results of these incredible companies working together to produce something truly remarkable. We decided, with custom shirts and all, to proudly debut our creation at Fretboard Summit in Chicago. The reaction from everyone exceeded our expectations and showed me that the level of mutual respect and admiration in this business can lead to phenomenal results.
This project has opened a lot of doors that Iām not sure anyone knew existed. For me, the most exciting part of all of this is the fact that, like the smaller pedal companies, there is an actual community here filled with like-minded, pure enthusiasts who also happen to be master craftsmenāand who truly geek out over each otherās work.
Never was this more evident than at the Wood Wire Volts show this January, where not only did the BilT and Frank Brothers crews travel and stay together, they were also often in deep chats with fellow luminaries Sacha Dunable (Dunable Guitars) and Carlos Lopez (Castedosa Guitars), discussing the trade, the work, and ideas for the future. If the vibe is any indicator, we can safely assume that while the BilT Brothers was, by all accounts, the first ever collab guitar of its kind, it will not be the last.
This entire experience is reminiscent of the DIY community ethos that Iāve clung to and has inspired me for most of my life. There is a clichĆ© about the journey being greater than the destination, and while the destination in this case is one of the finest guitars Iāve ever laid my hands on, Iād have to say it holds true
Introducing the new Gibson Acoustic Special models, handcrafted in Bozeman, Montana, featuring solid wood construction, satin nitrocellulose lacquer finishes, and L.R. Baggs electronics.
Solid Wood Construction
Each of the three Acoustic Special models from Gibson are crafted using solid mahogany for the back and sides, solid Sitka spruce for the tops, utile for the necks, and rosewood for the fretboards for a sound that will only get better and better as they age.
Satin Nitrocellulose Lacquer Finishes
All three Gibson Acoustic Special models are finished in satin nitrocellulose lacquer for a finish that breathes, ages gracefully, and lets the natural beautyāboth in sound and appearanceāof the quality tonewoods come through.
L.R. Baggs Electronics
The Gibson Acoustic Special guitars come with L.R. Baggs Element Bronze under-saddle piezo pickups and active preamps pre-installed, making them stage and studio-ready from the moment you pick them up.
For more information, please visit gibson.com.