Vintage Vault: Late-’70s Mesa/Boogie Mark I and Mark II Combos

These four Mesa/Boogie combos were made around 1978. The pair on the left are Mark I models,
while those on the right are early Mark IIs.
Travel back in time to celebrate the birth of high-gain guitar amplification.
Randall Smith became fascinated with electronics at an early age. Then as a teenager, he was captivated by cars and would repair them for his friends. By 1966 he was playing drums in a rock 'n' roll band, putting his technical skills to use by repairing band members' amps. This led to his opening Prune Music in Berkeley, California, with his bandmate David Kessner.
While Smith did repairs in the back, Kessner manned the counter. Eventually many popular West Coast bands, including the Grateful Dead and Jefferson Airplane, had their amps serviced at Prune Music.
While most companies gave the Stones amps for free, Smith charged the band for his handmade Boogies.
Around 1969 the roadies for Country Joe & The Fish decided to play a prank on lead guitarist Barry "The Fish" Melton. They had Smith modify Melton's 12-watt Fender Princeton to "do something really wild." Smith installed the classic Fender Bassman circuit and squeezed in a 12" JBL speaker, and the result was a 60-watt amp shoehorned into the small Princeton box. After trying Smith's creation, Carlos Santana declared, "This little amp really boogies." Thus the amp's name became "Boogie."
By the early '70s, Smith had started his own company, Mesa Engineering. Using more gain stages and a master volume control, he came up with a "cascading preamp" concept that could generate sustaining overdrive at any volume level. Santana received one of these amps (eventually known as a Mark I) and used it both onstage and on the epic Abraxas album.
Right at home: A 1995 PRS Santana Prototype rests against the vintage Boogies.
Hearing Santana's sound, other top guitarists wanted Boogies too. Because Smith personally assembled and inspected every amp, the wait time in the late '70s could be up to seven months. Keith Richards contacted Smith in 1977 and eventually purchased several Boogies over the years. (While most companies gave the Stones amps for free, Smith charged the band for his handmade Boogies due to the small size of his company at the time.) Boogies can be first heard with the Stones on side three of Love You Live taped at Toronto's storied El Mocambo Tavern. Boogies remained the Stones' go-to amps through 1993.
The four Mesa/Boogie amps pictured this month date to about 1978. The two on the left are Mark I models, while the two on the right are early Mark IIs. Featuring a hardwood cabinet and wicker grille, each amp has Mesa's classic '70s look. The price for each of these amps was about $1,200. Their current value is $1,500.
Early Boogies sported funky-cool Dymo labels. Now that's boutique!
Because Santana played such a pivotal role in early Mesa/Boogie history, we posed a 1995 PRS Santana Prototype (from the first Limited Run) next to the amps. The current value for this guitar is $7,500.
Sources for this article include Amps! The Other Half of Rock 'n' Roll by Ritchie Fliegler, Rolling Stones Gear: All the Stones' Instruments from Stage to Studio by Andy Babiuk and Greg Prevost, and an interview with Randall Smith by Trent Salter archived on Mesa/Boogie's website.
[Updated 10/12/21]
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If you see a curl on your capo, you know it was made by Kyser in Texas. They did a unique thing by bringing production to NAMM and showed how they make their acoustic guitar capos. There's only a few parts on their capos, but they're all high-grade components that make a secure, snug, dependable hug on your guitar's neck.
Available in 10- and 20-foot lengths, these cables combine reliable signal transmission with a distinctive braided design that adds a unique visual element to any setup.
The Backline Series braided instrument cables feature classic 1/4-inch straight to right-angle connectors for a secure connection and a durable 6.5-millimeter braided jacket that delivers a retro aesthetic. Players can choose between three color combinations – black and black, black and grey, or brown and yellow(tweed).
Each cable has a 23-gauge, 99.99% oxygen-free copper conductor and copper spiral shielding to provide a clear signal and eliminate interference. The low capacitance minimizes signal loss and supports wider audible frequencies, providing a richer, uncolored tone. Reusable ties ensure cables remain organized during transport.
Gator Cableworks offers a comprehensive selection of audio cables, including XLR, instrument, and speaker cables. Whether selecting from the Backline, Composer, or premiumHeadliner Series, consumers can trust Cableworks to deliver reliability, durability, and top-tier performance in any setting. For more information on Cableworks, visit www.gatorco.com.
Juniper II Baritone
Orangewood unveils an upgraded version of their popular Juniper Rubber Bridge guitar.
The company has made noticeable upgrades to the instrument, developing a more versatile and professional instrument for those who are looking for the unique rubber bridge sound. The Juniper II Rubber Bridge model is available in all Mahogany and Satin Black. It is also available in a baritone scale in Satin Black.
Even after the initial success of the first Juniper model, the Orangewood team continued to explore different ways to improve the instrument. Shortly after launching the first Juniper model, the team started testing a number of pickups to find the right pickup that could add more clarity to the muted tone so that the rubber bridge sound could mix even better in a live or recording environment. The team landed on the Seymour Duncan Hot Rails® pickup, and also added a coil split function and a tone control knob – making it a versatile and exceptional rubber bridge instrument. Additionally, the highly requested baritone scale version was added to the collection.
In order to accentuate the vintage-inspired aesthetics, the Juniper II models now feature oversized dot inlays and a diamond trapeze tailpiece. Strung with premium flatwound strings, Juniper II also features Grover open-gear tuners for excellent tuning stability and vintage-style cupcake knobs for volume and tone controls.
STANDARD SCALE KEY FEATURES
Body Shape: Parlor
Top: Solid Spruce or Mahogany Top
Back/Sides: Layered Sapele Mahogany Back & Sides
Scale: 24.75''
Pickup: Seymour Duncan Hot Rails® Pickup with Volume and Tone Controls
Electronics: Coil Split
Tuners: Grover Open Gear Tuners
Nut / Saddle: Bone Nut / Rubber Wrapped Saddle
Bracing: Reinforced Non-Scalloped X Bracing
Neck Joint: Vintage Style 12th Fret Neck Joint
Strings: Ernie Ball Light Stainless Steel Flatwound Guitar Strings 11–50
Truss Rod: Headstock Access
Gig Bag: Included
Price: $645
BARITONE SCALE KEY FEATURES
Body Shape: Grand Concert
Top: Solid Spruce or Mahogany Top
Back/Sides: Layered Sapele Mahogany Back & Sides
Scale: 27”
Pickup: Seymour Duncan Hot Rails® Pickup with Volume and Tone Controls
Electronics: Coil Split
Tuners: Grover Open Gear Tuners
Nut / Saddle: Bone Nut / Rubber Wrapped Saddle
Bracing: Reinforced Non-Scalloped X Bracing
Neck Joint: Vintage Style 12th Fret Neck Joint
Strings: D'Addario Chromes Flatwound Electric Guitar Strings 15-65
Truss Rod: Headstock Access
Gig Bag: Included
Price: $645
Every Juniper II is professionally set up by Orangewood’s in-house guitar technicians before shipment and includes a gig bag. The guitar retails at $645 and will be available directly online at orangewoodguitars.com/collections/rubber-bridge in February. Customers can now head over to the Orangewood website to sign up to be notified when the Juniper II models are available to purchase in February. Juniper II models will also be available through select retailer partners. For more information about Orangewood, please visit orangewoodguitars.com.
Two things that go together like peanut butter & jelly are Spector and Living Colour bassist Doug Wimbish. Making new waves with their longtime partnership they collaborated on a fresh trio of 4-strings under the Doug Wimbish Euro 4 banner that is built with a quilted maple top paired with maple body wings, Doug's preferred slim neck profile, and custom-wound EMG pickups. The bad news, it doesn't come with Doug's flashy, funky, musical chops!