Reader Guitar of the Month: Greenie

A Strat player in Finland gets hooked on scallops.

 

Name: Steve Webb

Location: Finland
Guitar: Greenie

I’m 66 and have spent 48 years behind a Strat. I’ve still got my 1963 bought in 1967 for £90, serial number L00231.

This is my new main squeeze, Greenie. l had a desire for a long time to have a scalloped fretboard. I first saw one on an ES-335 owned by John McLaughlin, which must’ve been around 1978. I have four Strats but didn’t want to take a chance, so l bought a neck and body and then started filing. The scallops are mainly on the treble side, but move deeper above the 5th fret. The first idea was to make a gold blingy stage guitar, so l sprayed the body, but the store-bought paint … well, it wasn’t gold! It was more like baby caca, so then l decided to do a two-tone and put on the green. Wow! Worse!

I was going to respray it to neutral black, but there’s a guy around here who tends to copy whatever l do to my guitars. He’s a great player but very competitive. l thought, “Hmm green … not a popular color—he’ll never copy this!” So, l finished the paint, found a scratch plate that worked, and loaded it with some Fender Custom Shop pickups l had lying around, intending to put humbuckers in later. The frets were very rough, but l took it out on a gig and, wow, it worked!

Then off she went to my go-to fret guy and he refretted it, put on a graphite nut and my favorite string savers, set her up, and l’ve been playing this guitar ever since. l do about 200 gigs a year at any old bar. The scallops make the higher fretting much more clear and accurate. This may not be for everyone, but since l got hooked, I’ve done a scallop on my Japanese 1980 Squier, my Epiphone Les Paul, and my Ibanez acoustic. I love your magazine and often pick up new ideas from your lessons and articles about musicians’ stage setups. It’s a never-ending quest regarding stage setups! Big hugs all around.

Send your guitar story to submissions@premierguitar.com.


Photo 1

We’re almost finished with the aging process on our project guitar. Let’s work on the fretboard, nut, and truss rod cover, and prepare the headstock for the last hurrah.

Hello and welcome back to Mod Garage. This month we’ll continue with our relic’ing project, taking a closer look at the front side of the neck and treating the fretboard and the headstock. We’ll work on the front side of the headstock in the next part, but first we must prepare it.

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