What goes up, must come down, but sometimes it’s the other way around. Anthony Kaoteon and PG editors reveal the number of guitars in their personal inventory.
Q: How many guitars do you have in your stash? Is this number increasing or decreasing?
Anthony Kaoteon — Kaoteon
A: I have a Fender Vintage ’62 Reissue Strat, an Ibanez RG (in which I’m installing Seymour Duncan Custom and Jazz model humbuckers), an Ibanez Prestige (which I’m hot-rodding with Devin Townsend Signature Fishman Fluence humbuckers), a classical Yamaha (my second guitar), a Martin 00-15M acoustic with all-mahogany body and neck, and a cheap Yamaha bass that I use for composing without even plugging in. I’m looking forward to owning more axes and trying 7- and 8-string models.
Current obsession: I’m trying to read, explore, and learn more about guitar and recording gear: What are the best sound cards? Should I upgrade to a Mac or laptop? Should I get new monitors? What’s the best preamp out there? Do I need a DI? Those are just a few of the questions I’m hoping to answer.
Kurt Skrivseth — Reader of the Month
A: Not counting my mandolin or my electric upright bass, I had 17 instruments before downsizing. Some of them are autographed or can’t be parted with for sentimental reasons, but there were a few that I didn’t play very often. I’ve sold four and donated one this year, but what I bought with the proceeds—a 1998 Modulus Quantum 5—totally made up for it. I named her Nessie. I found a bass exactly like it six years ago when I was on a road trip and couldn’t afford it (hey, I was in college), and always kept an eye out for one in that color. I found Nessie on Reverb.
Current obsession: I’m celebrating three years with my band, Pale People. We recently built a studio in my basement and just started work on our fourth full-length album.
Ted Drozdowski — Senior Editor
A: I’ve got a lucky 13 (mostly) killer guitars in my stash: solids, a hollow, a semi-hollow, two resonators, and an acoustic. There’s also a cigar box guitar, which I don’t play out, and two diddley bows that I do. I’m trying to keep it at that, but I can dream! My major problem is stompboxes—roughly 50, and I still want a Ravish Sitar pedal.
Current obsession: Exploring and experimenting. I attended the Big Ears Festival in Knoxville recently and came away happy and inspired.
Andy Ellis — Senior Editor
A: My longstanding rule is never count your instruments. If you’ve heard “The Gambler,” you may recall the punchline: “There’ll be time enough for countin’ when the dealin’s done.” But I dig having lots of colors, so my crayon box includes the expected bolt-on and set-neck solidbodies and thinlines with single-coils and/or humbuckers. Also 6- and 12-string flattops, squareneck and roundneck resonators, several electric basses, single-, dual-, and triple-neck 6- and 8-string lap steels, electric and acoustic baritones, a classical, an archtop, a Gypsy jazz guitar, an electric octave 12-string, two Chapman Sticks, and a fretless Godin Glissentar. None of these are collectible—they’re all players—and I do most of the repairs, mods, and maintenance. And yes, the menagerie continues to slowly expand. The newest arrival? A second Glissentar.
Current obsession: Thomastik-Infeld Rope Core KR116 strings for classical guitar—low-tension silver-plated flatwound basses and nylon-tape trebles with finely braided metal cores. Squeak no more, ye concert guitarists!
Jason Shadrick — Associate Editor
A: Other than my very first electric guitar, an Ibanez RG270, I’ve held on to every guitar I’ve owned. Currently, that sits at 10 with the newest addition being a hip Fender Modern Player Jaguar P-90. I’m sure at some point it will increase, especially if I can find that emerald green RG270 that my parents traded away for a sunburst Strat.
Current obsession: I’m looking into making my live rig as streamlined—and lightweight—as possible. My Fender ML212 sounds great, but it comes in at a back-breaking 60 pounds. Milkman Sound’s The Amp caught my attention at NAMM, and I’m thinking that combined with a 1x12 cab, this 50-watt head-in-a-stompbox might be where I’m headed. At least for now.
Learn how Adrian Belew's BEAT Tour came together to include Tony Levin, Danny Carey, and Steve Vai—plus King Crimson, Bowie, Zappa, Talking Heads, and more.
The BEAT Tour, featuring a superband of Adrian Belew, Tony Levin, Steve Vai, and Tool’s Danny Carey, begins on September 12 in San Jose, California, and continues into December, playing repertoire from King Crimson’s highly influential ’80s albums Discipline, Beat, and Three of a Perfect Pear. PG’s editorial director Ted Drozdowski sat down with Adrian in his home studio to talk about how these four great players came together, Adrian’s decades in Crimson, and Robert Fripp, Bowie, Zappa, Talking Heads, and more. Also, stay tuned for our exclusive Rig Rundown, coming soon!
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”
Introducing the new Seymour Duncan Billy Gibbons signature offerings: The Hades Gates Humbucker set for a mid-forward punch with extra heat, and the Red Devil for Tele, capturing his hot Texas tone.
Billy Gibbons Red Devil for Tele
When Seymour Duncan first introduced the Signature Billy Gibbons Red Devil set, his fiery sound was captured in Strat-sized humbucker pickups. Now, that hot Texas tone is available as a drop-in replacement bridge pickup for any Telecaster wielding guitarist.
Approved by Reverend Willie G himself, the Red Devil for Tele is built with an Alnico 5magnet, 4 conductor cable, and a hot wind that drives amps and pedals harder than a traditional vintage humbucker. Whether you’re looking for cutting leads, tight pinch harmonics, or thick rhythm tones, it’s all at your fingertips with the Red Devil for Tele.
Billy Gibbons Hades Gates Pickup Set
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.From scorching lead guitar to his own line of hot sauces, Billy Gibbons has never been afraid of a little extra heat. The Pearly Gates pickup set from his coveted 1959 Les Paul has been a favorite among P.A.F. purists for decades. For the Reverend, some guitars in his collection benefitted from additional output to deliver his signature sound.
This demand for a hotter wind forged The Hades Gates humbucker set – a fiery take on the mid-forward, punchy sound Billy is known for. Alnico 2 magnets and this added output drive your amp into some hot, blue, and righteous territory.
Hades Gates Humbuckers are hand-built in Santa Barbara, California with 4-conductor cables and short mounting legs.
For more information, please visit seymourduncan.com.