Guitarist Tommy Thayer talks Les Pauls and philanthropy while Gene and Paul’s techs give us a peek behind the curtain and show us the gear behind the hottest band in the world.
Not many bands can claim as much influence on today's hard rock and metal scene as the makeup-wearing, blood-spitting, pyro-shooting foursome. PG caught up with current guitarist Tommy Thayer, along with techs Francis and Michael Berger, to dig into all the axes (in some cases, literally), effects, and amps that the band brought out on their 2014 tour with Def Leppard.
Tommy Thayer's Gear
Tommy Thayer is a longtime Les Paul man and brings several on the road with him. A Custom Shop '59 Standard with Seymour Duncan JB pickups sees most of the action.
Gibson had just delivered a new white Les Paul Custom that could see some considerable onstage time.
Thayer's black Les Paul Classic houses the classic Kiss pyro behind the headstock.
When he needs some midrange honk, he reaches for a Custom Shop Gibson Explorer decked out in silver sparkle.
For the past eight years, Thayer has been touring exclusively with a pair of his signature 100-watt Hughes & Kettner DuoTone heads (Thayer donates all the royalties from this amp to The Children's Hospital of Los Angeles). After an experiment where he switched cabinets with Paul Stanley, he discovered the Engl E412SG and has been using a pair of them ever since.
Thayer doesn't use any effects at all, except when "Christine Sixteen" shows up on the setlist. For that song he uses an Electro-Harmonix Micro POG. His rack houses a Furman power supply, four Shure U4D-UHF wireless units, a Tour Supply Multi Selector, and a Peterson VS-R StroboRack tuner.
Paul Stanley's Gear
Stanley's tech Fran Stueber posing with his action figure.
Paul Stanley tours with several of his signature Washburn PS12 Starfires.
Each one is outfitted with a Seymour Duncan Custom 5 in the bridge and Duncan '59 in the neck.
Stanley's contract with Washburn expires this year, so he's returning to his famous Ibanez PS10, which is planned to be released at next year's Winter NAMM show. Currently, Stanley is rocking the PS10 that he first used on the '95 reunion tour.
Stanley plugs into custom Engl heads that are loosely based on the R. Blackmore model, but powered with EL84s instead of the stock 5881s. He runs that into a pair of Marshall 4x12 cabs loaded with Celestion Vintage 30 speakers.
Stanley doesn't use any effects, but his rack features a quartet of Shure U4D-UHF wireless receivers and a Radial JD-7 where the signal is split to the various amps and then is routed through a Tech 21 SansAmp PSA-1. A Furman Power Conditioner supplies the juice.
Gene Simmons' Gear
Gene Simmons plays his signature line of basses exclusively. His iconic Axe bass features a mahogany body, maple neck, Indian rosewood fingerboard and EMG PJ active pickups.
Simmons' Punisher bass features neck-thru construction, mahogany body, maple neck, rosewood fingerboard, and EMG PJ active pickups. The controls have been simplified to a single volume knob with the input jack routed through the front of the bass to accommodate Simmons' costume. Super fans can even buy the actual basses played on tour after the Demon himself bleeds, sweats, and spits on them. Maybe gross, maybe cool, but definitely profitable to Mr. Simmons with a starting price of $12,000 per bass.
The thunder starts with a Shure U4D-UHF into a Radial JD-7 Injector. From there it goes out to an Empress Compressor and one of two Tech 21 VT-Bass 1969 amps. A Strymon el Capistan is inserted in one of the loops of the JD-7 and is used during Simmons' blood-spitting solo.
The signal then hits one of two Tech 21 SansAmp PSA 1.1 preamps and is blended with the 1969 for Gene's in-ear mix. The amps run into one of two Ampeg SVT 810 E cabs.
A Furman PL-Plus C keeps the amps powered up while a Voodoo Lab Pedal Power Digital handles the pedals. A Peterson VS-R StroboRack tuner lives in the rack as well and keeps everything in tune.
[Updated 10/11/21]
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Stompboxtober is rolling on! Enter below for your chance to WIN today's featured pedal from Peterson Tuners! Come back each day during the month of October for more chances to win!
Peterson StroboStomp Mini Pedal Tuner
The StroboStomp Mini delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. We designed StroboStomp Mini around the most requested features from our customers: a mini form factor, and top mounted jacks. |
This four-in-one effects box is a one-stop shop for Frusciante fans, but it’s also loaded with classic-rock swagger.
Great, lively preamp sounds. Combines two modulation flavors with big personalities. One-stop shop for classic-rock tones. Good value.
Big. Preamp can’t be disengaged. At some settings, flanger effect leaves a little to be desired.
$440
JFX Deluxe Modulation Ensemble
jfxpedals.com
When I think of guitarists with iconic, difficult-to-replicate guitar tones, I don’t think of John Frusciante. I always figured it was easy to get close enough to his clean tones with a Strat and any garden-variety tube amp, and in some ways, it is. (To me, anyway.) But to really nail his tone is a trickier thing.
That’s a task that Jordan Fresque—the namesake builder behind Sault Ste. Marie, Ontario’s JFX Pedals—has committed significant time and energy into tackling. His Empyrean is a five-in-one box dedicated to Frusciante’s drive and dirt tones, encompassing fuzz, boost, and preamp effects. And his four-in-one, all-analog Deluxe Modulation Ensemble reviewed here is another instant Frusciante machine.
The Frusciante Formula
Half of the pedal is based off of the Boss CE-1, the first chorus pedal created. The CE-1 is renowned as much for its modulation as for its preamp circuit, which Boss recently treated to its own pedal in the BP-1W. The other half—and the pedal’s obvious aesthetic inspiration—is the Electro-Harmonix Deluxe Electric Mistress, an analog flanger introduced in the late ’70s. Frusciante fans have clamored over the guitarist’s use of the CE-1 for decades. The Chili Peppers 6-stringer reportedly began using one in the early ’90s for his chorus and vibrato tones, and the preamp naturally warmed his Strat’s profile. Various forum heads claim John dug into the Electric Mistress on tracks like “This Is the Place” off of 2002’s By the Way. The Deluxe Modulation Ensemble aims to give you the keys to these sounds in one stomp.
JFX describes the DME as “compact,” which is a bit of a stretch. Compared to the sizes of the original pedals its based on? Sure, it’s smaller. But it’s wider and deeper than two standard-sized pedals on a board, even accounting for cabling. But quibbles around space aside, the DME is a nice-looking box that’s instantly recognizable as an Electric Mistress homage. (Though I wish it kept that pedal’s brushed-aluminum finish). The knobs for the Mistress-style as well as the authentic Boss and EHX graphics are great touches.
The flanger side features a footswitch, knobs for range, rate, and color, and a toggle to flip between normal function and EHX’s filter matrix mode, which freezes the flange effect in one spot along its sweep. The CE-1-inspired side sports two footswitches—one to engage the effect, and one to flip between chorus and vibrato—plus an intensity knob for the chorus, depth and rate knobs for the vibrato, and gain knob for the always-on preamp section. The DME can be set to high- or low-input mode by a small toggle switch, and high boosts the gain and volume significantly. A suite of three LED lights tell you what’s on and what’s not, and Fresque even added the CE-1’s red peak level LED to let you know when you’re getting into drive territory.
The effects are wired in series, but they’re independent circuits, and Fresque built an effects loop between them. The DME can run in stereo, too, if you really want to blast off.
I Like Dirt
The DME’s preamp is faithful to the original in that it requires a buffered unit before it in the chain to maintain its treble and clarity. With that need satisfied, the DME’s preamp boots into action without any engaging—it’s a literal always-on effect. To be honest, after I set it to low input and cranked it, I forgot all about Frusciante and went to town on classic-rock riffs. It souped up my Vox AC10 with groove and breadth, smoothing out tinny overtones and thickening lead lines, though higher-gain settings lost some low-end character and overall mojo.
The chorus nails the wonky Frusciante wobble on “Aquatic Moth Dance” and the watery outro on “Under the Bridge,” and the vibrato mode took me right through his chording on 2022’s “Black Summer.” On the flanger side, I had the most fun in the filter matrix mode, tweaking the color knob for slightly different metallic, clanging tones, each with lots of character.
The Verdict
If you’re a Frusciante freak, the Deluxe Modulation Ensemble will get you within spitting distance of many of his most revered tonal combinations. If you’re not, it’s still a wickedly versatile modulation multitool with a sweet preamp that’ll give your rig instant charisma. It ain’t cheap, and it ain’t small, but JFX has squeezed an impressive amount of value into this stomp
MayFly’s Le Habanero Boost and Fuzz pedal, designed with input from Trevor May and Lucas Haneman, offers a wide range of tonal options from clean to scream. Responsive to player touch and guitar volume, stack the Boost and Fuzz for endless sustain and harmonics. Perfect for exploring your inner David Gilmour.
MayFly’s Trevor May and LH Express’ Lucas Haneman have been cooking upsomething real good. Le Habanero is a dual boost and fuzz pedal specifically designed to be very responsive tothe player’s picking hand and the guitar’s volume control. With Lucas’ input, the pedal was specifically tweakedto give a ton of tonal options, from clean to scream, by just using your fingers. It heats up your tone with a tastyboost, scorching lead tones with the fuzz, tantalizing tastes of extreme heat when boost and fuzz are combined.
The boost side is designed to ride the edge between clean and grit. Keep the drive below 12 o’clock for cleanboost but with active treble and bass controls, or push the gain for clear/clean sustain with great note definition.
The fuzz side is tuned to match the tonality of the boost side and offers a load of sustain and harmonics. The fuzz features a unique two-pole filter circuit and deep switch to help match it with single coils or humbuckers.
Stacking the Boost and Fuzz gives you even more. Want to explore your inner David Gilmour? Switch both onand turn up the volume! Want to switch to Little Wing? Turn the volume back down.
- Combination Boost and Fuzz pedal, designed to work well together.
- Very responsive to guitar volume and player’s touch.
- Use Boost and Fuzz independently, or stack them.
- Boost features Treble, Bass, Volume, and Drive controls.
- Fuzz features a two pole Tone filter, Deep switch, Fuzz and Volume controls.
- Stack them to create endless sustain and plenty of harmonics.
- Wide form factor for better footswitch control live.
- Full bypass using relays, with Mayfly’s Failsafe circuitry.
- Suggested Pairing: add a dash of Le Habanaro to spice up a MayFly Sunrise guitar amp simulator!
MAP price: $185
For more information, please visit mayflyaudio.com.
Introducing: the Mayfly Le Habanero!! - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Darkglass introduces the Luminal Booster Ultra for bass guitar, combining the Harmonic Booster with adjustable frequency range parallel compression, 6-band EQ, gain reduction meter, and 7 custom Impulse Responses. With versatile controls, including a +/- 20dB BOOST and CHARACTER selection, this pedal offers precision and unmatched tonal control for bass players.
Darkglass introduces the Luminal Booster Ultra for bass guitar. The Luminal Booster Ultra combines the rich tone of Darkglass’ Harmonic Booster with the unmatched control of an adjustable frequency range parallel compression, 6-band EQ, gain reduction meter, and the choice to load seven custom Impulse Responses via USB.
The layout of the pedal is straight forward. Across the top, from left to right, is an adjustable lowpass FILTER knob for the compressed signal, a COMP knob to adjust the amount of compression applied, a BLEND knob to blend between the clean and compressed signal, and LEVEL knob to adjust the level of the compressor after the blend control. Added controls include a +/- 20dB BOOST, a CHARACTER control to allow selection between seven Impulse Responses, a MID GAIN +/- 20dB, and MID FREQUENCY from 250Hz to 2.5kHz.
The 6-band EQ uses faders for precision control. The bass Low shelf is +/- 13dB at 80Hz, the mid bands are +/- 13dB at 250Hz, 500Hz, 1.5kHz, and 3kHz. The treble is a high shelf of +/- 13dB at 5 kHz. The EQ is flanked by a MASTER fader of +/- 12dB to set the overall volume of the unit.
Input and outputs provide a player with maximum versatility. Traditional ¼” input and outputs are complimented by and 3.5mm AUX IN for practicing with backing tracks via a smartphone or laptop, a stereo headphone out, a balanced XLR direct out, USB C to connect to PC/Mac to utilizing the desktop version of the Darkglass Suite of available Impulses Responses or custom / third party impulses, and a 9V DC adapter input. A ground lift and Cab Sim round out the feature of the unit.
"This marks our entry into new sonic territories, in our search to connect with jazz and clean-tone bass players on a deeper level,” says Marcos Barilatti, Managing Director of Darkglass Electronics. “With the Luminal Booster Ultra, we've created the ultimate tool for bass players across all genres, delivering precision, versatility, and unmatched tonal control.”
Street Price is $499
For more information, please visit darkglass.com.