This dynamic art-rock duo uses a classy combo of vintage Hofners, Gretsches, Selmers, and a few secret weapons to create a mesmerizing original sound.
Guitarist Jamie Hince, one half of the Kills, details the gear he and foil Alison Mosshart are touring with for their upcoming album, Ash & Ice. Hince changed his rig a bit since the last album (more amps and Bigsbys on everything), both for practical reasons—a hand injury which affected his playing style—and also because he was going for a cleaner tone.
Hince has a large collection of Hofner 176 and Galaxie guitars, but this sunburst 176 is his No. 1. He swapped out the stock pickups and put in three single-coil “sharkfin” or “blade” pickups from a similar Galaxie model. “They’re just the greatest pickups I’ve ever heard,” says Hince. “I like a really clear, clean sound that’s just loud—kind of distorting because it’s so loud.” Hince now puts Bigsbys on all of his guitars to help with hand dexterity after an accident impaired the middle finger of his fretting hand. Hince uses the bridge and neck pickups mostly, as well as the Treble-O-Bass, which is a tremolo bass knob for overall tone and adding low end. He keeps several Hofner 176 axes on hand in different tunings, including standard, drop D, and C#.
Hince’s Gretsch Silver Duke is dated 1966, the only year of production for this model. About 100 of these guitars were made. It has TV Jones Duo-Tron pickups and Hince believes this model was heavily influenced by Grestch’s Corvette model released in 1961 out of Brooklyn. “I like my guitars beaten up like this,” he adds.
“I have so many Hofners,” says Hince. “They’re not made that well, but they sound fantastic, if you can battle away with them.” He added his secret weapon, the Hofner “sharkfin” pickups, to this T-Style. He uses .010–.052 gauge strings with high action to complement his percussive attack.
This Supro Ozark 1560S is the same model as Jimi Hendrix’s first guitar. Hince wrote the track “Siberian Nights” from Ash & Ice based on the sound of this guitar.
Hince has increased his previous two-amp setup to four amp combinations, all on, for a blended tone. He uses a Divided by 13 FTR 37 for a bright reverby sound, a Selmer Zodiac for cleans, a Selmer head with Divided by 13 cab for a wooly low end, and a 1950s Magnatone 280. “I can’t get the sound I want out of one amp, that’s why I use all these,” explains Hince. “It’s not for volume.”
Hince has been collecting Selmers since 1995, when he found three heads for 90 quids, or about $120. He now has about 10 Selmer heads. “They’ve got really beautiful British tone, loads of low end, and you can blend all that in.”
For dynamics, Hince’s pedalboard employs two first-generation Electro-Harmonix POGs for boost and octave shift. “I’m kind of over the POG now, it served me good for a couple records but I always like changing the sound. This album was about using different tone amps. The one I can’t live without is the Boss DD-3.” He uses two DD-3s for slapback delay sounds and a Fulltone Supa-Trem ST-1 for a nice variation in tremolo. Rounding out the board are a Radial BigShot ABY True Bypass Switcher, Boss TU-3 Chromatic Tuner, and several effects by The GigRig: a HumDinger, EvenFlo adapter, and a Distributor.
Alison Mosshart plays a Gretsch Corvette. Her main ride is outfitted with stars she applied when she dressed up for Halloween as the night sky and wanted her guitar to match.
Mosshart plays a Divided by 13 RSA 31 through a vintage Vox cab that came with one of bandmate Hince’s first-ever amps: a super rare Vox AC50 head.
Mosshart’s pedalboard is small and straightforward: a Boss VE-20 Vocal Performer to loop vocals live on a few songs, a first-generation Electro-Harmonix POG, and a Boss TU-3 Chromatic Tuner.
- All About Amps Vol. 1 – shop.premierguitar.com ›
- PG Editors' Best Music of 2016 - Premier Guitar ›
- The Kills: The Beautiful Chaos of Jamie Hince and Alison Mosshart ... ›
Looking for more great gear for the guitar player in your life (yourself included!)? Check out this year's Holiday Gear Finds!
D'Addario XPND Pedalboard
DR-05X Stereo Handheld Recorder
Wampler Pedals Ratsbane
Outlaw Effects introduces their next generation of NOMAD rechargeable battery-powered pedal boards.
Available in two sizes, NOMAD ISO is a compact, versatile tool that offers the convenience of a fully powered board plus the additional freedom of not having to plug into an outlet. NOMAD ISO is ideal for stages with limited outlet availability, quick changeovers, busking outdoors, temporary rehearsal locations, and more!
NOMAD ISO builds upon the legacy of the ultra-convenient and reliable NOMAD rechargeable pedalboard line originally launched in 2018. The brand new NOMAD ISO editions feature eight isolated outputs (1 x 9V DC, and 1 switchable 9V/12V DC) for even more versatility and clean, quiet power. With an integrated lithium-ion battery pack boasting 12800mAh capacity, NOMAD ISO can fuel a wide array of pedals, and will last over 10 hours* on a single charge.
Each NOMAD ISO pedal board includes adhesive hook & loop pedal-mounting tape, eight (8) standard DC connector cables, and one (1) reverse polarity DC cable, giving you everything you need to build your ultimate "off-the-grid" rig. A rugged, road-ready padded gig bag with shoulder strap is also included, to safely protect your gear while you're on the move.
NOMAD ISO S: MSRP $309 / MAP: $249
Dimensions: 19 ¼" x 5 ¼"
NOMAD ISO M: MSRP $349 / MAP $279
Dimensions: 19 ¼" x 11"
More info: https://www.outlawguitareffects.com.
Dunable announce new Minotaur model featuring Grover Rotomatic Keystone tuners.
The Minotaur's DNA is rooted in their classic Moonflower model, which Dunable discontinued in 2017. However, they have long since wanted to create a fresh take on a carved top guitar design, and various attempts to rework the Moonflower led them to a brand new concept with the Minotuar.
Dunable's goal is to give the player a guitar that plays fast and smooth, sounds amazing, and gives maximum physical ergonomic comfort. The Minotaur's soft and meticulous contours, simple and effective control layout, and 25.5" scale length are designed to easily meet this criteria.
- 25.5" scale length
- Dual Humbucker
- one volume, one tone, push pull for coil splitting
- Grover Rotomatic Keystone tuners
- Grover Tune O Matic bridge with brass Kluson top-mount tailpiece
- jumbo nickel frets
- 12" fretboard radius
This full-amp-stack-in-a-box pedal brings a new flavor to the Guitar Legend Tone Series of pedals, Missing Link Audio’s flagship product line.
Adding to the company’s line of premium-quality effects pedals, Missing Link Audio has unleashed the new AC/Overdrive pedal. This full-amp-stack-in-a-box pedal – the only Angus & Malcom all-in-one stompbox on the market – brings a new flavor to the Guitar Legend Tone Series of pedals, Missing Link Audio’s flagship product line.
The AC/OD layout has three knobs to control Volume, Gain and Tone. That user-friendly format is perfect for quickly getting your ideal tone, and it also offers a ton of versatility. MLA’s new AC/OD absolutely nails the Angus tone from the days of “High Voltage” to "Back in Black”. You can also easily dial inMalcom with the turn of a knob. The pedal covers a broad range of sonic terrain, from boost to hot overdrive to complete tube-like saturation. The pedal is designed to leave on all the time and is very touch responsive. You can get everything from fat rhythm tones to a perfect lead tone just by using your guitar’s volume knob and your right-hand attack.
- Three knobs to control Volume, Gain and Tone
- Die-cast aluminum cases for gig-worthy durability
- Limited lifetime warranty
- True bypass on/off switch
- 9-volt DC input
- Made in the USA