Check out the latest and greatest gear from the final day of the 2014 Winter NAMM show.
Analog Alien's new Alien Bass Station has three independent effects for bass or guitar. First in the path is the 3-knob limiter, then the amp generatorāwhich is voiced like an Ampeg B15āand then the gama fuzz. It goes for $399 street.
Demeter brought the new VTBP-M-800D head to NAMM. Based on the VTBP-201 preamp used by bass legend Lee Sklar for many, many years, the 800D uses a 280V power supply, an 800-watt, class D amp, and full-voiced preamp with input mode switch, bass and presence voicing toggles, DI and line outputs, and two Speakon speaker jacks. All in a 10.5-pound head with options starting at $1,359.
Diamond Tactical debuted their modular guitar bag system at this year's NAMM show. They utilize the MOLLE system (the same used by a number of NATO forces) for their gig bags, which allows players to customize and deck out their bags with modular pouches for everything from dedicated repair kits to cable pouches to pedal pouches to chart pouches and more.
Mayones was at the show with an array of stunning handcrafted instruments. Shown here is the Patriot Classic V-Fret with a "transparent black jeans" finish. It has an American ash body with flamed maple top, a wenge/padouk neck, and an ebony fan-fretted board. For pickups, this axe is decked out with a Bartolini xxP46C set.
Michael Anthony with one of his battered ol' Yamaha BB series basses at the company's NAMM room.
While certainly best known for his basses, Michael Tobias Designs came to NAMM with a new guitar in towāthe MTD Kingston Rubicon. Starting at $999, the Rubicon has a carved alder body with a flame maple top, an asymmetrical one-piece maple neck, choice of rosewood or maple fretboard, and custom-wound humbuckers with onboard series/parallel switches.
Fanned-fret pioneer Ralph Novak brought two 25th-anniversary Novax Guitars models to the show this year. The Sweet Annie (pictured) has a mahogany body and neck, ebony fretboard, two custom-voiced, passive Bartolini soapbar pickups, and innovative 5-way switching for a variety of warm tones. Meanwhile, the Sassy Annie has three single-coils, a 5-way selector, a contoured swamp-ash body, and an ebony-topped maple neck. Both go for an anniversary price of $2,500.
Phil Jones Bass just unveiled the 300-watt Suitcase Compact bass combo. This small yet powerful 2-channel amp houses four of Jones' 5" PJB Piranha speakers and weighs in at a back-friendly 40 pounds.
Sonuus' new Voluum features an all-analog signal path and multiple effectsāLFO, compressor, limiter, gate/expander, and volumeāthat can be extensively tweaked with the included editing software (Mac and PC). It comes with 30 factory presets and has 100 user memory slots. Street price is $319.
Yamahaās new TRBX304 4-string has a sculpted, solid mahogany body, a 5-ply maple-and-mahogany bolt-on neck with a rosewood fretboard, and M3 ceramic-magnet pickups with thumb rests. Controls include master volume, pickup balance, 2-band active EQ, and a 5-position "performance EQ" switch with preset EQ curves for on-the-fly adjustments.
TC Electronic's Ditto X2 Looper is the follow up to their uber-popular Ditto Looper. It has a dedicated stop/clear switch, a button for reverse/half-speed looping, stereo I/O, and the ability to import and export loops.
Diamond Amplification's new 100-watt F-4 has two independent channels (clean and crunch), each with a 3-band EQ, as well as volume, gain, and presence controls. A footswitch is included and the street price for this all-tube rig is just $999.
Former Nirvana tech Earnie Bailey is building absolutely beautiful guitars under the Wire Instruments name. These instruments are inspired takes on the old Gretsch Astro Jet profile called the Supercollider. The one on the left is a Korina bodied specimen with Lindy Fralin Pickups Plus P-92s. On the right, an Alder body with Railhammers.
Empress Effects reinvented its famous Tremolo pedal. The Tremolo2 has an all-analog signal path with incredibly powerful digital controls, including an innovative new multi-colored LED system for identifying up to eight presets. Also new is the control port which can be used with an external tap-tempo footswitch, an expression pedal (to control almost any function), or even with Empress' MIDI Box to recall presets or sync the pedal with time code. $249 street.
The new 100-watt Invader II from Engl features two clean channels and two overdrive channels that are all switchable between a hi/lo gain mode, and each channel has a dedicated 3-band EQ. As an add-on option for the Invader II, Engl offers the Sound Wizard Module Z16 for ultimate tone-tweaking hi-jinx.
Fano Guitars' newest, beautiful Alt De Facto RB6 mutation unites Rickenbacker, Kay, and Jazzmaster cues including Gold Foil pickups, Mastery bridge and vibrato, and checkerboard binding. Definitely one of the most fun guitars at Winter NAMM 2014.
Lehle introduced a trio of new bass pedals including the two shown here: the Basswitch Sonic Spark and the Basswitch Classic Boost. The Sonic Spark is an acoustic flavor enhancer pedal that's able to really fatten up bass tone. The Classic Boost is a booster pedal with voicing specifically developed for passive JJ, P, and P/J type basses.
Seymour Duncan's new Vapor Trail delay feature 600ms of completely analog delay with two mini pots for modulation, a transparent delay knob with an embedded rate LED, and a cool wet insert that you can use with an expression pedal to control volume of repeats or to use with a y-cable to loop in any other effect and have it only affect repeats. It goes for $149 street.
Glorious resurrection!!! Travis Bean Guitars is back! This particular all-metal marvel is Buzz Osborne's signature model, loaded with EGC humbuckers.
Universal Audio's new Apollo Twin recording interface features two high-quality XLR preamps, a 1/4" guitar input, a suite of 14 included plug-insāfrom guitar amp and effects to reverbs and models of classic UA studio unitsāas well as available plug-ins from partnerships with Boss, ENGL, and more. Most notably, all plug-in processing happens with SHARC chips built into the unit itself, which translates to low-latency tracking. The one-processor Solo goes for $699, and the Duo goes for $899.
Z.Vex Effects put their Fat Fuzz circuit into the new Fat Fuzz Probe. The theremin control governs the stab parameter, and there are also drive, comp, gate, and volume knobs, as well as a 3-position voicing toggle for standard Fuzz Factory sounds, and "deep" and "deeper" subharmonic modes. It'll be available in late summer for $369 street.
Among their numerous new offerings at NAMM, DBZ Guitars introduced a new vintage-inspired body shape to their line with the Maverick. The Maverick SM variation shown here has a mahogany body topped with spalted maple, and a mahogany neck capped with a rosewood fretboard. For electronics, the Maverick SM is packed with a Pearly Gates/'59 Seymour Duncan combo.
Brubaker Musical Instruments brought bass No. 1 of a brand new series called the JXB Standard. This J-style, handcrafted axe has an alder body, maple neck, and East Indian rosewood fretboard. Outfitted with a traditional JJ configuration, Brubaker chose Aguilar AG 4J-HC hum-canceling pups for the JXB.
Decibel Eleven's new Loop Expander is a four-relay unit that adds true-bypass loop switching to any MIDI setup. The fourth loop can function as an amp switcher, you can connect multiple units in series for large pedalboards, and it works with MIDI program or control changes. There's also a switchable class A buffer. $189 street.
Diezelās new 100-watt Lil Fokker is its simplest design to date. Powered by a quartet of KT77s, it features clean and dirty channels, a series effects loop, and a two-button footswitch for switching channels or between two different master volumes. $2,499 street.
Fargen Amplification debuted its first-ever combo to street for under two grand. At $1,699, the 6V6-powered Townhouse 20 has two circuitsātweed '50s style and '60s brownfaceāand external bias points for using 6L6 output tubes.
Majik Box new Body Blow Jake E. Lee Mod overdrive is similar to the existing Body Blow, but it's missing the two toggles because this box has more low end than the original, and Lee prefers the original's diode-clipping vintage mode. Unlike many overdrives, it accentuates low-mids to give more oomph to solos.
Walrus Audio's new Descent reverb goes from lush, dreamy soundscapes to twisted and trippy. Modes include hall, reverse, and shimmer, and -1 and +1 knobs add low and high octaves to the reverberations. There are three available presets, plus manual mode. Jacks include a mono input, stereo outs, and an expression-pedal input that lets you control reverb time or wet mix. $300 street
After 40+ years of making his instruments by hand, luthier Joe Veillette announced at NAMM that he is beginning production on an import line. The 18 1/2"-scale Avante by Veillette Gryphon short-scale 12-string is tuned D to D (above standard) and features solid-mahogany back and sides, solid maple top, piezo bridge pickup, and volume and treble-rolloff controls for $1,399 street.
Blackberry Smoke will embark on their Rattle, Ramble and Roll Tour in 2025, featuring stops at Worcesterās Palladium, Burlingtonās The Flynn, New Orleansā The Fillmore, Austinās ACL Live at the Moody Theater, among many others.
Tickets for the newly added dates will be available for pre-sale starting tomorrow, Tuesday, October 29 at 10am local time, with the general on-sale following this Friday, November 1 at 10:00am local time. Full details and ticket information can be found at blackberrysmoke.com.
Throughout their career, Blackberry Smoke has released eight studio albums including their latest, Be Right Here. Produced by Grammy Award-winning producer Dave Cobb (Chris Stapleton, Jason Isbell), the record was released to widespread critical acclaim earlier this year and debuted at #1 on the Current Country Albums chart, Americana/Folk Albums chart and Current Rock Albums chart.
Since forming in 2001, Blackberry Smoke has continued to tour relentlessly, building a strong and loyal community of fans. In addition to their work as musicians, the band is deeply committed to charitable work and formed the Brit Turner Family Fund, a non-profit supporting several national foundations committed to curing childrenās cancer. With these efforts, the band has raised over $1,000,000 to date benefitting childrenās cancer research. Most recently, Blackberry Smoke raised over $26,000 with their hometown show at Atlantaās Cadence Bank Amphitheatre at Chastain Park earlier this summer, which celebrated the life and legacy of the bandās late drummer, Brit Turner.
BLACKBERRY SMOKE CONFIRMED TOUR DATES
October 30āBakersfield, CAāFox Theater~
October 31āSan Diego, CAāHumphreys Concerts by the Bay~
November 1āLas Vegas, NVāThe Pearl Concert Theater~
November 2āRiverside, CAāFox Performing Arts Center~
November 7āSt. Augustine, FLāSt. Augustine Amphitheatre^
November 8āClearwater, FLāRuth Eckerd Hall^
November 9āFort Myers, FLāBarbara B. Mann Performing Arts Hall^
November 10āPompano Beach, FLāPompano Beach Amphitheater^
November 14āRoyal Oak, MIāRoyal Oak Music Theatre%
November 15āMarietta, OHāPeoples Bank Theatre%
November 16āShipshewana, INāBlue Gate Performing Arts Center%
November 21āCarterville, ILāEvent Center at Walkerās Bluff Casino Resort
November 22āTulsa, OKāCainās Ballroom**
November 23āShawnee, OKāFireLake Arena**
December 5āMobile, ALāSaenger Theatreā ā
December 6āAugusta, GAāBell Auditorium##
December 7ā Fayetteville, NCāCrown Theatre##
December 8āSavannah, GAāJohnny Mercer Theatre##
December 31āMacon, GAāMacon City Auditorium^^
January 30āMorristown, NJāMayo Performing Arts Center
January 31āBensalem, PAāXCite Center at Parx Casino
February 1āWorcester, MAāThe Palladium
February 2āPatchogue, NYāPatchogue Theatre for the Performing Arts
February 5āPortland, MEāState Theatre
February 6āBurlington, VTāThe Flynn
February 7āProvidence, RIāThe Strand Ballroom & Theatre
February 8āWilliamsport, PAāPenn College Community Arts Center
February 13-17āRock Legends Cruise XII
March 6āRockford, ILāCoronado Theatre
March 7āPeoria, ILāPeoria Civic Center Theater
March 8āEvansville, INāAiken Theatre
March 27āNew Orleans, LAāThe Fillmore
March 28āHouston, TXā713 Music Hall
March 29āHelotes, TXāJohn T. Flooreās Country Store
April 25āMiramar Beach, FLāMoon Crush āPink Moonā
May 8āAustin, TXāACL Live at the Moody Theater
May 9āDallas, TXāMajestic Theatre
May 15āMaryville, TNāThe Shed
May 16āMaryville, TNāThe Shed
May 17āMaryville, TNāThe Shed
~with special guest Kelsey Waldon
^with special guest Southall
%with special guest Sam Morrow
**with special guest Taylor Hunnicutt
ā ā with special guest Georgia Thunderbolts
##with special guest Tishamingo
^^with special guest Robert Jon and the Wreck
Nap Eyesā Brad Labelle joins reader Galen Brownson and PG staff in sharing about what makes themāand thereby, their tunesāso unique.
Question: What are some personal qualities of yours that set you apart from others in your writing or playing?
Brad Labelle - Nap Eyes
A: I love dance music and have an unrelenting thirst for new and fresh sounds. I donāt feel my guitar playing is particularly groundbreaking, but those influences must seep through somehow. I do believe Iām a fairly expressive player and my short attention span keeps me endlessly improvising.
Nap Eyesā latest release, The Neon Gate.
Obsession: I canāt stop listening to the recent Jane Remover track āMagic I Want U.ā The production is deeply detailed but doesnāt feel cluttered, and her melodic sensibilities are intoxicating. She gives you crunchy guitars paired with breakbeats, West Coast synth lines, a Janet Jackson-esque electro outro, scratching, a fun little guitar solo.... I could go on.
As of late, Two Star & the Dream Police by Mk.gee has been in Brad's regular listening rotation.
Galen Brownson - Reader of the Month
Metallicaās two-guitar format inspired Galen when he was learning guitar.
A: When I was learning how to play, I was listening to a lot of two-guitar bands, like Metallica and Megadeth and Iron Maiden. I tried to find ways to play both guitar parts at once, which is not always possible, but I write two parts for one guitar now.
Metallicaās second album is a fan favorite of their early, pioneering years.
Obsession: My latest obsession is finding ways to combine metal music with electronic music, particularly dubstep. My younger brother once chastised me for ignoring electronic music by saying āmetal and dubstep have a lot in common,ā and he was absolutely right. Iāve since made it a goal to weave them together.
Galen names Polis by Uppermost, a French electronic music producer, as one of his favorite records.
Ted Drozdowski - Editorial Director
Ted takes a slide solo on his well-traveled and beloved Dollycaster.
A: My interests toggle between history and mystery, so my technique is based in archaic/anarchic blues playing styles and an expansive sonic palette that relies on blending fingerpicking, slide, and an array of pedals to create tones and sheets of sound. I think of it as cosmic roots music, and donāt hear a lot of other people doing what I do the way I do it.
The marquee image for Ted and Coyote Motelās new movie, The River: A Songwriterās Stories of the South.
Obsession: For a few years now, much of my creative energy has been invested in a feature film I created with my band Coyote Motelāscripting, recording narration, performing as part of the band, editing, and learning many painfully new and hard lessons about movie-making. And then getting the film to festivals, where weāve won laurels, and onto a few select screens. Now, Iām working on distribution, in a field where there aināt no Bandcamp or DistroKid. It aināt easy, but Iām obsessed with getting The River: A Songwriterās Stories of the South into the world.
The current state of Tedās pedalboard. (Heās aware he could do a better job with the wiring.)
Kate Koenig - Managing Editor
Kateās newest album, which contains some of their rawest and most vulnerable lyrics to date.
A: I wear my heart on my sleeveāto the point where Iāve always struggled to have a verbal filterāso I tend to write very raw, vulnerable lyrics. A taste for cerebral art during my formative years has also informed my approach to coming up with challenging and intricate fingerpicking guitar parts.
When PGās worldly gear editor Charles recommended Black Flagās record Damaged, Kate got on that posthaste.
Obsession: Iāve been revisiting, digging into, and expanding my knowledge of classic ā80s and ā90s punk in preparation for my next artist interview for Premier Guitar(some foreshadowing, eh?). I have always been intrigued by punk cultureās outspoken rebelliousness and commitment to anarchic ideals, which strike me as free and authentic.
Kate has a distinct memory of a classmate playing āYouāre Gonna Go Far, Kidā on loop in their senior-year studio-art class. (They still wonder why their teacher didnāt intervene.)
This guitar, with its hand-painted label, was built to be hung on display at a record store. While it has a bit more to be desired, its pickups are surprisingly forceful.
Last weekend, our family was visiting local college campuses for my daughter, and I have to tell you all that I am truly entering a strange new chapter of my life. I can vividly remember my wife and I taking birthing classes and feeling my daughterās little feet kicking from inside the womb. And now, here I am on the precipice of my girl possibly leaving homeāwow. It occurred to me while I was pondering life that Iām going to miss her so much! Sheās like the female version of me and we have a blast together.
While we were touring campuses, we had to check out the record store scene of each town. In fact, that became the litmus test for how cool each college seemed. We did visit my alma mater, which has a legendary record store thatās been around since the early ā90s. Even though the store has changed locations a few times, it remains an epic source for vinyl, CDs, and all sorts of various ephemera. Itās easy to drop $100 there, and since I canāt say no to my girl, we ended up with some cool treasures. She found some Ty Segall stuff and I copped a rare Wu-Tang record! Love the Wu!
As I was paying for our things, I noticed a few guitars hanging behind the counter. In the true tradition of a good record store, there were an assortment of guitar strings, drumsticks, and picks. I started to remember the early connection of guitars and record stores from way back in the day. Brands like Decca and RCA were hallmarks of the time, as is this monthās guitar.
This Nivico Balladeer is a rare example of a guitar styled specifically for display. Made in 1965, this model was the little brother to the RCA Victor SG-18, which I wrote about a while back. Normally, this model was called an RCA SG-12, commonly featuring the words āMusic Messengerā written across the front of the body. My example doesnāt have those words, but it does have a hand-painted āBalladeerā label that is super rare. I think Iāve seen two or three of these in my years of searching.
āI think Iāve seen two or three of these in my years of searching.ā
These hand-painted examples were meant for record-store display, and I guess the āBalladeerā term was probably chosen through some album or artist connection. This guitar has āNIVICOā stamped on the vibrato plate, a word thatās a mashup of the first letters of the name āNippon Victor Company.ā Nivico was also a brand name used for electronics equipment sold back then.
The wooden parts of this guitar were made at the legendary Matsumoku factory, and RCA Victor harnessed its wizardry to produce the electronics. Folks, these pickups are just incredible and sound like nothing else Iāve ever heard. They are loud, clear, and powerful. This guitar was intended to be high-end and the company used very good quality parts. The huge chrome pickguard could certainly glare out an audience, although this would be a tough guitar to play live since the bridge isnāt adjustable and the tremolo puts this guitar into tuning nightmares. But wow, do they sound good. Kind of a shame really, but then again, when a guitar fights with you, it can make you into a better player by sheer willpower. Not quite the willpower it takes to see your daughter off to college, but close!
So yes, past and future dads out there: Be sure to steel yourself for the impending departure of your kids. Spoil them with love and records and whatever else you enjoy doing together, and remember to choose colleges based on record stores!
Learn the key elements to jumpstart your fingerpicking journey and improve your overall fingerpicking technique.
Learn the key elements to jumpstart your fingerpicking journey and improve your overall technique. Caitlin covers classical-style technique and uses it in a modern setting to enhance your fingerstyle technique for all styles/genres.