Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

GALLERY: Keith Urban's 2014 Touring Gear

Take an inside look at the drool-inducing gear that the country-fried rocker takes on the road.

Chris Miller, Urban’s guitar tech, uses this Liquid Foot 12+ MIDI controller to switch between patches during and in between songs since Urban prefers not to have any pedals or controllers out front onstage.

We caught up with Keith Urban’s guitar tech, Chris Miller, for a look at the country-fried rocker's setup (watch the video here) that's overspilling with mash-up Fenders and classic Gibson guitars, iconic amps, and a condensed pedalboard (see his 2011 Rig Rundown to fully understand Urban's gear geekery).

Fender introduces the Stories Collection Mike Campbell Red Dog Telecaster, paying tribute to the iconic guitarist's heavily modified instrument. Featuring two signature humbuckers, a custom single coil bridge pickup, Bigsby tremolo, and a unique "Destruct" circuit, this Telecaster allows players to channel Campbell's legendary tone and style.

Read MoreShow less

Expansive range of subtle thickening and focusing tones to fuzz. Great alternative to run-of-the-mill overdrive and fuzz. Enables surgical shaping of guitar sounds within a mix.

Interactive, sometimes sensitive controls make certain tones elusive and lend the pedal a twitchy feel.

$179

Catalinbread Airstrip

catalinbread.com

4.5
4
4
4

With the preamp from a Trident A-Range console as their target, Catalinbread conjures up a varied gain device that can massage or mangle your guitar tone.

Read MoreShow less

AI, which generated this image in seconds, can obviously do amazing things. But can it actually replace human creativity?

Technology has always disrupted the music biz, but we’ve never seen anything like this.

Read MoreShow less

Our columnist’s bass, built by Anders Mattisson.

Would your instrumental preconceptions hold up if you don a blindfold and take them for a test drive?

I used to think that stereotypes and preconceived notions about what is right and wrong when it comes to bass were things that other people dealt with—not me. I was past all that. Unfazed by opinion, immune to classification. Or so I thought, tucked away in my jazz-hermit-like existence.

Read MoreShow less