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Gallery: Pro Pedalboards 2014, Pt. 1

Tasty stomp stations from top players.

Carlos Santana

Santana’s pedalboard is about as minimal as it gets. He starts with a 50' Canare GS-6 cable with Switchcraft and Neutrik connectors. This runs into a Pete Cornish LD1 line driver and then a Real McCoy Custom RMC4 Wah Pedal made by Geoffrey Teese. From there, the signal goes into a Pete Cornish AC Powered 3 Way Signal Splitter/Mute. The splitter works in conjunction with two custom 2X Amp Selector rack units made by John Suhr. Also in the rack, next to the Peterson Strobe Tuner, is a TC Electronic D-Two delay, which runs through the effects loops of the two Bludotone heads.

We rummaged through our entire backlog of Rig Rundown footage and photos to compile a guide to some of 2014’s tastiest, most elaborate stomp stations, including boards from the Cult’s Billy Duffy, Keith Urban, the Pixies, the Sword, Carlos Santana, Brent Mason, and more.

Stretching the boundaries of reverb’s realm through dynamic and pitch control.

Nice core reverb sounds. Invites cool compositional and arrangement directions. High quality.

If you lack patience, it will be hard to unlock its coolest secrets.

$329

Gamechanger Audio Auto Reverb
gamechangeraudio.com

4.5
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When the first Moog synthesizer appeared, it freaked out a lot of musicians—not least for the way it blurred the divisions between instruments and their roles. Was it percussion? A keyboard? A reed instrument? Many effects makers build from this philosophical foundation. The Latvian company Gamechanger often seems to revel in it—an attitude that’s manifest in the company’s Auto Series pedals, which includes the Auto Reverb.

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The moe. frontline from left: Chuck Garvey (guitar), Rob Derhak (bass), Al Schnier (guitar), and Nate Wilson (keyboards). In the mist behind them is Jim Loughlin (percussion) and Vinnie Amico (drums).

Photo by Paul Citone

The two guitarists are known for their sympathetic 6-string interplay. They remain as tight as ever, despite setbacks, as they deliver the buoyant, vibrant Circle of Giants, the long-running jam band’s 14th studio record.

Thirty-five years ago, a group of University of Buffalo students gathered in a basement, drank a lot of beer, and played some tunes. They had no goal other than to have fun and party. But it wasn’t long before they headed into a studio housed in an apartment above local guitar shop Top Shelf Music to record the debut moe. album, Fatboy. Slowly, the band built a devoted fan base, crisscrossing the country in a van. As they persevered, the band and their audience grew up together, and now it’s the fans’ children who are discovering the group.

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