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GALLERY: Riot Fest 2016

See what guitars and basses the punks, metalheads, and hardcore rockers used during the Windy City’s other 3-day festival.

Ween’s Dean Ween

One of the ringleaders of the offbeat alt-rock group Ween, Dean (a.k.a. Mickey Melchiondo) pays constant tribute to his Hendrix influences by primarily rocking a Strat onstage. The mashed-up Strat's cavity has a '57 route and has a dowel cut in half lengthwise glued to the outside wall to receive the extra screw hole for a '62 or later pickguard. It was refinished Dakota red in the early '90s. And its neck plate dates to 1962. The guitar has a Seymour Duncan Hot Rails pickup in the bridge and Fender Lace Sensors in the middle and neck positions.

Pristine tone and total control from Chase Bliss Clean! Enter the I Love Pedals giveaway now and don’t forget to return daily for more chances to win!

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Introducing Torpedo Reload II - Two Notes Audio Engineering's latest groundbreaking reactive load solution, featuring twin-channel operation, multi-impedance compatibility, and continuous attenuation. With a Celestion® Approved Load Response and 215W per channel power amplifier, Reload II redefines backline control.

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On That’s the Price of Loving Me, “We’re Not Finished Yet” is a love letter to Wareham’s 1968 Gibson ES-335.

Photo by Mario Heller

The singer-songwriter-guitarist, known for his time with indie rock heroes Galaxie 500, Luna, and Dean & Britta, reunites with producer Kramer on his latest song-driven solo effort, That’s the Price of Loving Me.

“You want there to be moments where something unexpected hits you,” says Dean Wareham. “They’ve done studies on this. What is it in a song that makes people cry? What is it that moves you? It’s something unexpected.”

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The Delecaster offers a passionate Mexican-culture spin on the tried-and-true Tele model.

Drawing on the appointments of the traditional acoustic instruments that have been the Delgado family’s stock-in-trade for three generations, a new take on the Tele is born.

Growing up as the son and grandson of luthiers renowned for their concert classical and flamenco guitars, I was immersed in the world of handcrafted instruments from a young age. While I learned the traditional techniques passed down through generations, my musical tastes spanned a wide spectrum, from the soulful melodies of boleros and mariachi to the raw energy of punk and folk. This diverse musical upbringing instilled in me a deep appreciation for the unique character and personality of different guitar styles.

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