Sure, collectible gear can be important to rock stars, but for this mayhem-filled gig, Paul Wiley and Juan Alderete opt for loudness and durability.
Paul Wiley has gotten into soundtrack and soundscape work during his career, but with this gig, he goes with things that are roadworthy and easily replaceable in most cities. As you see here, he has a board with goodies stocked at most Guitar Centers including a Dunlop Dimebag Crybaby from Hell wah, EarthQuaker Devices Data Corruptor, EQD Pyramids, Boss NS-2 Noise Suppressor, Boss DD-7 Digital Delay, Boss CE-5 Chorus Ensemble, and a Boss TU-3w Waza Craft Tuner. Everything is juiced up by way of the Voodoo Lab Pedal Power 2 Plus and to help maintain good tone he implements a JHS Little Black Buffer.
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