Inside the guitar sits a DiMarzio Black Angel magnetic pickup, a Black Angel piezo, and a K&K Trinity mic and preamp, along with a Schatten Dualie soundboard transducer for his kick drum sound. All of the pickups are routed to a single 9V battery. The cabling is a bit complex. The guitar uses a custom DiMarzio-wired cable built by Eric Corpus. Inside the cable is a single mono line that carries the piezo and mic signals along with a stereo cable that mixes the kick drum and magnetic pickup. The magnetic pickup is wired to the tip of the output jack so Dawes can use the Tonewood amp when appropriate.
Dawes also employs both full and partial capos built by G7th Capos.
Dawes’ custom cable splits into the first three channels of a Bose T8S Tonematch mixer. This is where the pickups get EQ’d and blended. There’s light compression on the piezo/mic channel and a limiter on the kick drum channel is also used.
The DiMarzio magnetic pickup then feeds the Boss OC-3 Octave pedal, Joyo JF-14 American Sound, and a DigiTech Whammy Ricochet. These three pedals are looped into channels 4, 5, and 6 of the Bose mixer. The Joyo is also fed signal by a Dunlop mini volume pedal, allowing Dawes to fade in the sound of a dirty Fender-style amp.
Finally, the stereo outputs of the Bose mixer hit the Strymon Timeline which runs stereo out into a DigiTech JamMan Express looper and a TC Electronic Hall of Fame 2 reverb pedal. Those stereo outputs get panned left and right and out to FOH. A mono output of his kick drum channel also goes to FOH so they can use a more comprehensive EQ setup if necessary.
While on tour with the Moody Blues’ Justin Hayward, Dawes plays this Tom Anderson T. It was a gift from Justin Hayward. The Anderson is strung with D’Addario NYXL strings.
For most venues, Dawes runs his Tom Anderson into a Fractal Audio AX8 modeling an American-style clean amp with compression, reverb, and drive. In front of the AX8 sits a Lovepedal Kalamazoo and a TC Electronic Corona and another Strymon TimeLine are placed in the effects loop.
For larger venues, Dawes runs two reissue Fender Dual Professionals.
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“I am thrilled to announce the launch of The Collection: Kirk Hammett. I’ve worked diligently on this curated collection of vintage and modern guitars for the book. I feel the book captures the rich history and artistry behind each of these unique and rare instruments. Every picture tells a story and thanks to Ross Halfin and his exceptional photography, every picture in this book is worth a million words! This book could not be possible without the help of Gibson, so I’d like to thank them for making my passion for Greeny, and guitars a reality. I hope all of you enjoy this journey as much as I did.”
“It’s exciting the time has come to release The Collection: Kirk Hammett by Gibson,” adds Cesar Gueikian, President and CEO of Gibson. “We have been working on this project with Kirk for years now, and I had the opportunity to work closely with Kirk on the composition of the collection for the book. It was a thrill to put this together and it took a village to get it done! I hope everyone appreciates the work that went into this book and enjoys every story behind the guitars.”
The Collection: Kirk Hammett, Custom Edition is limited to just 300 numbered copies signed by KIRK HAMMETT and comes in a huge 19 x 14.5” (490 x 370mm) presentation box featuring custom artwork and an outstanding case candy package. In addition to the large-format 17 x 12” (432 x 310mm) hardcover version of the book with a stunning lenticular cover, the boxset includes a frameable 16 x 11.6” (407 x 295mm) art print of a Ross Halfin portrait of KIRK HAMMETT signed by both Halfin and the Metallica guitarist. Other case candy includes an Axe Heaven miniature replica of Hammett’s 1979 Gibson Flying V with case and stand, an exclusive pick tin complete with six Dunlop® Kirk Hammett signature Jazz III guitar picks, and a Gibson Publishing Certificate of Authenticity.
Explore The Collection: Kirk Hammett book HERE.
