Trying to figure out how to mix up your musical life this year? Here are some ideas.
Here we are again friends, at the beginning of the human construct known as the New Year. So, as is traditional here at Esoterica, I’m compelled to lay out some goals I’d like to pass on for the months ahead. A lot of things have happened and changed in the last few years, and yet things are oddly the same. The chase for the ultimate guitar tone remains with us, even as tone changes with the winds and whims of fashion. Still, I feel compelled to daydream about our opportunities to grow as musicians and passengers on spaceship Earth in the coming year. So, enough of my yakking—here’s the setlist:
Stop calling it a fingerboard. Unless you are playing a fretless instrument, the part of your instrument that harbors the frets is known as the fretboard. It’s a board, and it holds frets. I’ve taken heat for using the wrong term, so I’m working on this, too. We need solidarity here, so I promise to help you if you help me.
Learn the names of those “wacky” chords you use. It has never been easier to decode your fretboard. (See what I did there?) There are some great apps for this sort of detective work, and you probably already have one or more on your phone. I’ve been using GuitarToolkit for years as a mobile tuner. Like many of the other offerings out there, it has a function that lets you enter the chord voicing on a virtual fretboard, and it tells you what it is. You may not improve your playing, but it’s always empowering to discover you already know how to play Esus4.
Introduce a child to guitar music. I never really thought about this sort of thing before, but somebody’s got to do it. Parents subject their kids to junk food and stick-and-ball sports, so be an evangelist for the arts and put a cranked electric in the hands of a kid—and watch the fun begin. I built a kit guitar with my granddaughter for her birthday, and now she’s playing White Stripes songs. I can’t wait to show her some Tanya O’Callaghan and Larkin Poe videos! This year I’m going to get her little brother some drums just to annoy her parents.
Tune ’em down, speed ’em up, and strain those vocals like bloody murder. Before you know it, you’ll be touring stadium gigs packed with young fans who’ve never heard country music before.
Install a Floyd Rose on your Jazzmaster. Do I really have to explain this? It’s a natural progression to defile a classic instrument in order to piss off future generations of collectors. While you’re at it, put some active pickups in that vintage Harmony Rocket III and put the OG foil pickups on Reverb.
Rework some country tunes. Nothing is as edgy as bending genres. This is exactly what put classic acts like Led Zeppelin, Steve Miller, and the Black Keys on the musical map. My bet is on turning Garth Brooks and Dwight Yoakam ballads into modern anthems. Critics have called bro’ country “classic rock with a cowboy hat,” so here’s your opportunity to turn the tables for fun and profit. Tune ’em down, speed ’em up, and strain those vocals like bloody murder. Before you know it, you’ll be touring stadium gigs packed with young fans who’ve never heard country music before.
Refinish your relic Strat to mint condition. As long as we’re zigging while others zag, you may as well define the next big trend in guitars. Factory fresh is what you’re looking for, so make sure you use gobs of polyester clear to provide the final detail. And if you’re stuck with that minty PRS, go against the grain and refinish it with nitro and put it in the freezer until it checks like crazy. This goes over great at corporate gigs.
Befriend an aging musician. This is more of a cry for help on my part than advice to you. Just like a 23-year-old Peter Green introduced older Chicago bluesmen to sideways vibrato, you can teach old dogs new tricks too. The younger generations always have the latest innovations and techniques that can give has-been guitarists a new perspective and extend their careers. Move past the boomer jokes and help us understand that tone isn’t in our arthritic hands.
Get John Bohlinger to rundown your rig. Let’s face it, Bohlinger’s Rig Rundowns are the launching pad to stardom. He’s the man behind the careers of Joe Bonamassaand Doyle Wolfgang von Frankenstein. So why build your fanbase organically? That’s so 2019. Just think, you’ll be turning this page (or scrolling) and BOOM.
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Digital control meets excellent Brit-favored analog drive and distortion tones in a smart and easy-to-master solution.
Tons of flexibility and switchability that’s easy to put to practical use. Many great overdrive sounds spanning a wide range of gain.
Takes a little work up front to get your head around the concept.
$349
RJM Music Technology Full English Overdrive
rjmmusic.com
Programmability and preset storage aren’t generally concerns for the average overdrive user. But if expansive digital control for true analog drive pedals becomes commonplace, it will be because pedals like the Full English Programmable Overdrive from RJM Music Technology make it fun and musically satisfying.
Following on from the Overture, which combined classic overdrive types and original RJM circuits, the Full English is dedicated to serving up as many British-flavored overdrive flavors as you would find on its famously over-the-top namesake breakfast dish. (Which drive is the black pudding, we have yet to decide.) The pedal’s digital capabilities make navigation easy, facilitate MIDI implementation, and enable user editing of presets via Mac/PC/iOS software. But the overdrives and signal chain are fully analog, and it sounds great as a result.
Brit Box Abounding
Any one of the six core overdrive circuits can be the foundation for a preset. From mellowest to heaviest (more or less), they include push, blues, royal, imperial, shred, and stack. Each can be adjusted WYSIWYG-style with the gain, tone, volume, bass, mid and treble knobs (the latter three are configured as post-gain EQ). They can then be saved—overdrive mode, knob settings and all—to one of eight preset slots by a long-press of the same button that cycles through the six voices. The right footswitch is a standard on/off while the left selects from four active presets. But stomping both footswitches together toggles between red and green preset banks, enabling access to the full eight. All told, it’s easy, straightforward stuff.
Even when the pedal is bypassed, the active preset is indicated by the slot and mode lights, so you don’t lose track of what lies in wait when you switch on. Doing so illuminates a red LED above the on/off footswitch, indicating an active preset. Twist a knob, though, and that on/off LED turns green, indicating you’re in a live state for that control function, or any others you manipulate. The pedal also includes a USB-C port for connecting to your computer, where it will appear in any MIDI-enabled app.
Royal Flush
I taste-tested the Full English with a Telecaster and an ES-335 through Vox and Fender tweed-style amps. No matter the combination, the RJM’s core sounds were robust and wide-ranging, with all the dizzying performance versatility the feature set implies. Players are likely to find something to love in all six modes, although for pure aural appeal, I was most drawn to the medium-drive ODs—royal and imperial. Each was rich, thick, and lusciously saturated, plus easy to shape and re-voice to right where I wanted with a twist of the very capable EQ.
Stack and shred were fun for really slamming the amps, though, and well-suited to heavy rock leads and classic metal, respectively. Though the six modes span a pretty huge range of gain, I can see plenty of players getting good use out of all six modes and moving between radically different sounds from song to song—or within one, for that matter. Even using eight variations of one or two favorite core voices offers a ton of variety for rhythm, crunchy chords, lead, and solo-boost settings. And other than the time invested in the initial user-reconfiguration, it’s easy to use in practical, real-world performance situations.
The Verdict
RJM Music Technology has done a fantastic job of taking analog overdrive into the programmable realm here. The number of really great sounds is enough to impress. But it’s the preset options, MIDI control, and the ease with which you can put them to work that take the Full English over the top—both in terms of pure usefulness and appeal to old-school players that, to date, found anything more than a 3-knob overdrive too complex.
Check out Warm Audio’s Pedal76 and WA-C1 with PG contributor Tom Butwin! See how these pedals can shape your sound and bring versatility to your rig.
The Cure return after 16 years with Songs of a Lost World, out November 1. Listen to "Alone" now.
Songs from the record were previewed during The Cure's 90-date, 33-country Shows Of A Lost World tour, for more than 1.3 million people to overwhelming fan and critical acclaim.
"Alone," the first song released from the album, opened every show on the tour and is available to stream now. The band will reveal the rest of the tracklisting for the record over the coming weeks at http://www.songsofalost.world/ and on their social channels.
Speaking about "Alone," the opening track on Songs Of A Lost World , Robert Smith says, "It's the track that unlocked the record; as soon as we had that piece of music recorded I knew it was the opening song, and I felt the whole album come into focus. I had been struggling to find the right opening line for the right opening song for a while, working with the simple idea of ‘being alone’, always in the back of my mind this nagging feeling that I already knew what the opening line should be… as soon as we finished recording I remembered the poem ‘Dregs' by the English poet Ernest Dowson… and that was the moment when I knew the song - and the album - were real."
Initially formed in 1978, The Cure has sold over 30 million albums worldwide, headlined the Glastonbury festival four times and been inducted into the Rock And Roll Hall of Fame in 2019. They are considered to be one of the most influential bands to ever come out of the UK.
Songs Of A Lost World will be released as a 1LP, a Miles Showell Abbey Road half-speed master 2LP, marble-coloured 1LP, double Cassette, CD, a deluxe CD package with a Blu-ray featuring an instrumental version of the record and a Dolby Atmos mix of the album, and digital formats.
Shred-meister and Eric Johnson expert Andy Wood joins us to talk about EJ’s best tracks, albums, and more. Whether you’re a fellow expert or don’t know where to start, Andy’s got you covered, from studio albums to live tracks. Come with questions, leave with homework!