Sophie Gault (Sophie & the Broken Things) joins Premier Guitareditors and our reader of the month to discuss favorite albums—then and now—as well as new musical obsessions!
#10YearChallenge: What was your favorite album 10 years ago? What’s your favorite album today?
Sophie Gault - Sophie & the Broken Things
A: Ten years ago, I was just discovering ’90s alt-country and I was listening to Strangers Almanac by Whiskeytown a lot.
Whiskeytown - Houses On the Hill - Austin City Limits 1998
I had joined this band called the Spectacular Average Boys, where I sang harmonies and played rhythm guitar. We used to cover “Houses on the Hill,” which I still think is one of my favorite songs ever written. Whiskeytown was a coed band, and I identified with that as the only girl in a band full of guys.
Amythyst Kiah // Wild Turkey
I recently discovered Amythyst Kiah’s album Wary + Strange, and I love it. She’s such a badass guitar player and singer. I’m always checking out different artists’ guitar styles and it’s refreshing to see people, especially women, digging in and playing with guts.
Sophie Gault's Current Obsession:
I love my new Gibson L-00 Studio. It’s adorable and fun to play with a great snappy and crisp tone. I’ve also been exploring healthy non-music-related routines lately. I’m obsessed with swimming. I like to go swim 20 laps at the YMCA and then read a chapter of a book in the sauna—right now it’s The Master and Margarita by Mikhail Bulgakov. This routine helps calm my nerves and keep me focused so I can enjoy my L-00 with a clear head.
Nedim Kirlic - Reader of the Month
A: I was really into Rush in 2012, and I really liked what turned out to be their last album, Clockwork Angels.
Rush - Clockwork Angels Tour DVD - Clockwork Angels
I can’t say for sure that it was my favorite album at the time, but I listened to it a lot.
Shiner - Schadenfreude (2020) [Full Album]
Today, I would say that my favorite album is Schadenfreude by Shiner.
Nedim Kirlic's Current Obsession:
I’ve been obsessed by Kansas City bands of the 1990s and 2000s, such as Season to Risk, Molly McGuire, Shiner, and The Life and Times. Allen Epley, the frontman of both Shiner and TLAT, taught me how to play a handful of Shiner songs on guitar, and that’s very much helped my creativity with my own music.
And that leads me into my other obsession. I moved away from digital modelers and built my first pedalboard as a 40-year-old. I just wanted fewer options, while still maintaining some versatility, because I needed to focus more on playing guitar instead of incessantly tweaking my tone. So, I spent a lot of money on pedals and a few guitars in 2021, and now I have a rig that I’m very happy with and that enables me to make the music that I really enjoy!
Ted Drozdowski - Senior Editor
A: Early each year, I’m a hangover listener. So, in 2012 it was Lulu by Metallica and Lou Reed, and now it’s the Black Keys Delta Kream.
Lou Reed & Metallica - Lulu`
The Black Keys - Delta Kream (Full Album) 2021
Ted Drozdowski's Current Obsession:
A while back I was invited onstage by legendary New England blues guitarist Neal Vitullo. Playing with Neal was a joy—gracious and brilliant. That memory reminds me daily of the many world-class musicians, like Neal, who’ve spent their careers as regional heroes instead of in the international spotlight. So, I’ve been obsessed with buying music and merch, and contributing to support local heroes everywhere. They’ve been there for us. Now, we need to be there for them.
Tessa Jeffers - Managing Editor
A: In 2012, my fave was probably Jack White’s Blunderbuss. I listened to Mark Lanegan’s Blues Funeral quite a lot, too, particularly “Harborview Hospital.” I’m forever listening to Mr. White, and he’s got two new records coming!
Mark Lanegan Band - Ode to Sad Disco
Jack White "Blunderbuss"
But right now, I’m loving on The Dream by Alt-J and Mitski’s Laurel Hell.
alt-J - Hard Drive Gold (Official Video)
Mitski - Love Me More (Official Video)
Tessa Jeffers' Current Obsession:
Making and swapping playlists with a dear friend who lives in Spain. It’s inspiring both on the sending and receiving end, and it helps us stay connected over distance. Sharing is caring! My most thrilling artist discovery of late is Tobe Nwigwe, a Houston rapper who’s expanding the conversation in all the ways—conceptually, lyrically, sonically, and even visually with his original videos.
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One of the reasons classic Queens of the Stone Age tracks leap from radio speakers like striking vipers is because Josh Homme is a true recording artist—an individual that chases and realizes the sounds in his mind by any means necessary. When you play the 10-watt, solid-state Peavey Decade Too with Homme and QOTSA in mind you understand why the original Peavey Decade became integral to that process. It’s feral, present, nasty, bursting with punky attitude, and when tracked and mixed with a booming bass, sounds positively menacing. But it’s also a lovely clean jangle machine that will lend energy to paisley psych pop or punch to a Bakersfield Telecaster solo.
Objectively speaking, if you’ve played an ’80s Peavey practice amp before, you will know many of these sounds well. (Many of my own early amplified experiences came courtesy of a borrowed Backstage 30, so they are etched deep in my marrow and consciousness.) Like any small amp with a little speaker and cabinet, it’s marked by an inherent, pronounced midrange honk—no doubt, an ingredient that Homme found appealing in his original Decade. The saturation is thick and surprisingly dimensional. But it’s the 3-band EQ, with added bass and top-end boost buttons, that really extends the versatility of the Decade Too. In many contexts, it made a cherished vintage Fender Champ sound like a one-trick pony. The Decade Too may not excel at cooking-tubes-style distortion, but in terms of punch, clarity, and versatility in the studio environment, it delivers the goods.
Peavey Josh Homme Decade Too 10-watt 1 x 8-inch Combo Amplifier
The day before they played the coveted Blue Room at Third Man Records in Nashville, the Washington, D.C.-based garage-punk duo Teen Mortgage released their debut record, Devil Ultrasonic Dream. Not a bad couple of days for a young band.
PG’s Chris Kies caught up with guitarist and vocalist James Guile at the Blue Room to find out how he builds the band’s bombastic guitar attack.
Brought to you by D’Addario.
Devilish Dunable
Guile has been known to use Telecasters and Gretsches in the past, but this time out he’s sticking with this Dunable Cyclops DE, courtesy of Gwarsenio Hall—aka Jordan Olds of metal-themed comedy talk show Two Minutes to Late Night. Guile digs the Dunable’s lightness on his shoulders, and its balance of high and low frequencies.
Storm Warning
What does Guile like about this Squier Cyclone? Simple: its color. This one is also nice and easy on the back, and Guile picked it up from Atomic Music in Beltsville, Maryland.
Crushing It
Guile also scooped this Music Man 410-HD from Atomic, which he got just for this tour for a pretty sweet deal. It runs alongside an Orange Crush Bass 100 to rumble out the low end.
James Guile’s Pedalboard
The Electro-Harmonix Micro POG and Hiwatt Filter Fuzz MkII run to the Orange, while everything else—a DigiTech Whammy, Pro Co Lil’ RAT, and Death by Audio Echo Dream 2—runs to the Music Man. A TC Helicon Mic Mechanic is on board for vocal assistance, and a TC Electronic PolyTune 3, Morley ABY, and Voodoo Labs Pedal Power 3 Plus keep the ship afloat.
