Einstürzende Neubauten guitarist Jochen Arbeit joins us in dreaming up one question to ask one musician. Plus, musical obsessions!
Q: If you could ask one question to any musician, who would it be and what would you ask them?
Jochen Arbeit
A: As this is an imaginary question, I think it’s okay to ask a dead person, not expecting an answer. I once saw a documentary about Leonard Cohen. In this, they showed bits from a tour in the ’70s, probably in the U.S. He explained that the whole band or most of it were on LSD the whole tour. I found this quite astonishing because my one experience with the substance onstage was rather disturbing and not very satisfactory while playing. The coordination of my hands was very difficult for me then.
So, I would ask him: How did you do the playing in all the shows? How did you get your songs done? Why did you do it at all? And did you do it again later? I know these were different and crazy times but still I wonder about this.
Jochen Arbeit's Current Obsession:
My musical obsession since last winter is an instrument I built here at my home. In the pandemic I had to get rid of my then roommate because it just didn’t feel safe anymore at home with another person. I then had a spare metal-bed frame, and I came up with the idea of putting piano and cembalo strings on the frame to use it as an instrument. For this I got a device from the instrument maker Yuri Landman, with which I could then let the strings run over a pickup to put it straight into an amplifier.
The result was amazing, and on top of it, I could use the bed frame as a percussion instrument also, to be played by two players. So far, I have six different strings on it, different strength of wires and tunings, and I will soon add two more strings. This is an ongoing project which will keep me busy over the next winter and I’ll use the recordings for my next album. The instrument is called “Das Bett,” or, the bed.
Patrick Carroll — Reader of the Month
A: I’d ask Chris Martin if he ever thinks about pitch or technique. Or maybe how he learned to trust what he has.
Patrick Carroll's Current Obsession:
Music remains what makes me feel the most alive. I’ve gone through over 20 different jobs in the last 10 years, lost people I’ve loved, said goodbye to others who moved to different cities or started families. And despite all that, music is the one solace that never let me down. It always manages to put things in perspective and remind me that I’m breathing. We’re all breathing. The artists and bands that move me tend to be the ones that make something sturdy and true. Honest and vulnerable. And each time they write, record, or play something new, it’s a chance to be in the present with something exciting that reminds me I’m not alone. You could argue that music is just organized sound. I would say it’s the sound of emotion.
Low - Words (Official Video)
RIP Mimi Parker. If you haven’t already, please check out Low from Duluth, Minnesota, where I live. They stopped me in my tracks. I hope they do the same for you.
Ted Drozdowski — Editorial Director
A: I’d ask David Gilmour what inspired his chord sequence and soloing for “Comfortably Numb,” and why did he keep it off his debut solo album, since he demo’d it for 1978’s David Gilmour.
David Gilmour - Comfortably Numb (Live At Pompeii)
It’s hard to imagine sitting on that astonishing tune for more than a year.
Ted Drozdowski's Current Obsession:
Matt Rogers’ book Goodnight Boogie: A Tale of Guns, Wolves & the Blues of Hound Dog Taylor, ’cause I dig the Dog! Plus, prepping my mini-pedalboard for some small-room-but-awesome gigs on the docket.
Tessa Jeffers — Managing Editor
A: I would love to ask Patti Smith so many things. If I only got one moment with her, I guess it’d be: What is your idea of happiness?
Tessa Jeffers' Current Obsession:
I’m completely captivated by the Belgian musician Stromae. His music is new to me—he just returned to making albums after a nine-year break. I’m incredibly happy he did, because his art is deep, beyond songs.
Stromae - L’enfer (Official Music Video)
Current obsession: He’s a consummate storyteller who reminds me of Bowie in some ways, not in sound but in sharing emotions fearlessly. The genuine article.
Digital control meets excellent Brit-favored analog drive and distortion tones in a smart and easy-to-master solution.
Tons of flexibility and switchability that’s easy to put to practical use. Many great overdrive sounds spanning a wide range of gain.
Takes a little work up front to get your head around the concept.
$349
RJM Music Technology Full English Overdrive
rjmmusic.com
Programmability and preset storage aren’t generally concerns for the average overdrive user. But if expansive digital control for true analog drive pedals becomes commonplace, it will be because pedals like the Full English Programmable Overdrive from RJM Music Technology make it fun and musically satisfying.
Following on from the Overture, which combined classic overdrive types and original RJM circuits, the Full English is dedicated to serving up as many British-flavored overdrive flavors as you would find on its famously over-the-top namesake breakfast dish. (Which drive is the black pudding, we have yet to decide.) The pedal’s digital capabilities make navigation easy, facilitate MIDI implementation, and enable user editing of presets via Mac/PC/iOS software. But the overdrives and signal chain are fully analog, and it sounds great as a result.
Brit Box Abounding
Any one of the six core overdrive circuits can be the foundation for a preset. From mellowest to heaviest (more or less), they include push, blues, royal, imperial, shred, and stack. Each can be adjusted WYSIWYG-style with the gain, tone, volume, bass, mid and treble knobs (the latter three are configured as post-gain EQ). They can then be saved—overdrive mode, knob settings and all—to one of eight preset slots by a long-press of the same button that cycles through the six voices. The right footswitch is a standard on/off while the left selects from four active presets. But stomping both footswitches together toggles between red and green preset banks, enabling access to the full eight. All told, it’s easy, straightforward stuff.
Even when the pedal is bypassed, the active preset is indicated by the slot and mode lights, so you don’t lose track of what lies in wait when you switch on. Doing so illuminates a red LED above the on/off footswitch, indicating an active preset. Twist a knob, though, and that on/off LED turns green, indicating you’re in a live state for that control function, or any others you manipulate. The pedal also includes a USB-C port for connecting to your computer, where it will appear in any MIDI-enabled app.
Royal Flush
I taste-tested the Full English with a Telecaster and an ES-335 through Vox and Fender tweed-style amps. No matter the combination, the RJM’s core sounds were robust and wide-ranging, with all the dizzying performance versatility the feature set implies. Players are likely to find something to love in all six modes, although for pure aural appeal, I was most drawn to the medium-drive ODs—royal and imperial. Each was rich, thick, and lusciously saturated, plus easy to shape and re-voice to right where I wanted with a twist of the very capable EQ.
Stack and shred were fun for really slamming the amps, though, and well-suited to heavy rock leads and classic metal, respectively. Though the six modes span a pretty huge range of gain, I can see plenty of players getting good use out of all six modes and moving between radically different sounds from song to song—or within one, for that matter. Even using eight variations of one or two favorite core voices offers a ton of variety for rhythm, crunchy chords, lead, and solo-boost settings. And other than the time invested in the initial user-reconfiguration, it’s easy to use in practical, real-world performance situations.
The Verdict
RJM Music Technology has done a fantastic job of taking analog overdrive into the programmable realm here. The number of really great sounds is enough to impress. But it’s the preset options, MIDI control, and the ease with which you can put them to work that take the Full English over the top—both in terms of pure usefulness and appeal to old-school players that, to date, found anything more than a 3-knob overdrive too complex.
Check out Warm Audio’s Pedal76 and WA-C1 with PG contributor Tom Butwin! See how these pedals can shape your sound and bring versatility to your rig.
The Cure return after 16 years with Songs of a Lost World, out November 1. Listen to "Alone" now.
Songs from the record were previewed during The Cure's 90-date, 33-country Shows Of A Lost World tour, for more than 1.3 million people to overwhelming fan and critical acclaim.
"Alone," the first song released from the album, opened every show on the tour and is available to stream now. The band will reveal the rest of the tracklisting for the record over the coming weeks at http://www.songsofalost.world/ and on their social channels.
Speaking about "Alone," the opening track on Songs Of A Lost World , Robert Smith says, "It's the track that unlocked the record; as soon as we had that piece of music recorded I knew it was the opening song, and I felt the whole album come into focus. I had been struggling to find the right opening line for the right opening song for a while, working with the simple idea of ‘being alone’, always in the back of my mind this nagging feeling that I already knew what the opening line should be… as soon as we finished recording I remembered the poem ‘Dregs' by the English poet Ernest Dowson… and that was the moment when I knew the song - and the album - were real."
Initially formed in 1978, The Cure has sold over 30 million albums worldwide, headlined the Glastonbury festival four times and been inducted into the Rock And Roll Hall of Fame in 2019. They are considered to be one of the most influential bands to ever come out of the UK.
Songs Of A Lost World will be released as a 1LP, a Miles Showell Abbey Road half-speed master 2LP, marble-coloured 1LP, double Cassette, CD, a deluxe CD package with a Blu-ray featuring an instrumental version of the record and a Dolby Atmos mix of the album, and digital formats.
Shred-meister and Eric Johnson expert Andy Wood joins us to talk about EJ’s best tracks, albums, and more. Whether you’re a fellow expert or don’t know where to start, Andy’s got you covered, from studio albums to live tracks. Come with questions, leave with homework!