Exactly how does this glowing bottle affect your tone?
I'm often asked about tube rectification in guitar amplifiers. For many players, it's a subject that could stand a little deeper scrutiny from an engineering and design perspective. First, keep in mind that a tube rectifier is not an audio amplifying device. If no audio signal passes through it, how does it affect an amplifier's sound? Let's have a look.
Your amplifier's preamp and power tubes require a DC voltage to operate. The amplifier's power transformer converts the incoming AC line voltage to the levels required. The power supply rectifier, whether of the vacuum tube or silicon diode variety, converts the AC voltage to DC. That DC voltage is filtered and then sent along to the various amplifying stages to do their specific tasks.
The hard-working power supply must be able to deliver the amplifier's maximum continuous rated power for an extended period of time. Most well-engineered amplifiers can operate continuously at full power for hundreds of hours without generating sufficient heat to injure the operator or cause a component to fail. Even so, things do heat up.
A rectifier tube in a typical tube-rectified power supply: R1 and R2 represent the internal copper resistance in the transformer's primary winding, and R3 and R4 represent the same in the transformer's secondary winding. RA represents the tube's internal resistance between the anodes and the cathode. In a silicon-rectified power supply, RA is much lower and therefore produces less heat loss.
When you play at low volumes, you're not placing a great demand on your amplifier's power supply. At gig volume, however, you start drawing significant power from it. When you run the unit for several hours straight, the copper wire in the power transformer gets hot. Copper wire, being an imperfect conductor, exhibits resistance to current flow, and this inherent resistance causes the wire to heat up as the power demand increases. The resistance of a given length of wire is fixed, which means something has to give when the temperature goes up, and that something is voltage. As your power transformer heats up, the voltage it produces decreases. In a typical amp this decrease isn't large, but it's noticeable.
When we introduce a tube rectifier into the equation, the effect of heat-induced voltage loss is exaggerated. The reason is that the rectifier also has some internal resistance that contributes to a total drop of as much as 50 volts under full load. That's a lot. Silicon diodes overtook vacuum-tube rectifiers long ago because they were much less expensive and assembly was less labor intensive. But there was another reason: They're more efficient, due to low internal resistance. That difference in internal resistance means silicon and vacuum tube rectifiers are generally not directly interchangeable. Using a plug-in silicon device in place of a tube rectifier can cause excess DC to appear at the filter capacitors.
When you play at low volumes, you're not placing a great demand on your amplifier's power supply. At gig volume, however, you start drawing significant power from it.
A tube rectifier may make the cut when the goal is to produce a vintage-correct reproduction amp. Even though we can engineer a similar amount of voltage sag into the power transformer, purists may see the absence of the original part as a cop-out to save money, when, in fact, it may simply result in a more reliable, maintenance-free design. However, inducing sag into the transformer design can cause the temperature in the power transformer to increase more rapidly over time, in which case a larger, heavier, and more expensive part may be required to manage this drawback. In some cases, getting a power transformer design to conform to modern regulatory limitations can be simplified by using a tube rectifier to provide an easier path to safety compliance. We often see reissue amps that differ in performance from the originals simply because they have to clear regulatory hurdles that were non-existent at the time the originals were created. A crafty engineer can often find workarounds to such obstacles, and clever application of transformer technology and tube rectification are valuable tools in the kit.
In my experience, the most practical use of a tube rectifier is in dual-voltage power supplies, where a high- and low-power mode is required. For the high-power mode, a large, stable power transformer is necessary to meet maximum performance parameters. The downside? A high-capacity power transformer tends to yield stiffer performance when not running at or near maximum potential, such as in a low-power mode. This is where the tube rectifier really shines: It can be used to exaggerate the voltage sag in a power supply that would otherwise exhibit an unforgiving feel.
Whether the design objective is aesthetic, practical, or genuinely novel, it's good to have choices. Besides the satisfaction of seeing more glowing tubes humming away in our amplifiers, it's nice to know that players appreciate the extra effort involved in creating new designs around these familiar bottles.
[Updated 10/14/21]
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Beetronics FX Tuna Fuzz pedal offers vintage-style fuzz in a quirky tuna can enclosure.
With a single "Stinker" knob for volume control and adjustable fuzz gain from your guitar's volume knob, this pedal is both unique and versatile.
"The unique tuna can format embodies the creative spirit that has always been the heart of Beetronics, but don’t let the unusual package fool you: the Tuna Fuzz is a serious pedal with great tone. It offers a preset level of vintage-style fuzz in a super simple single-knob format. Its “Stinker” knob controls the amount of volume boost. You can control the amount of fuzz with your guitar’s volume knob, and the Tuna Fuzz cleans up amazingly well when you roll back the volume on your guitar. To top it off, Beetronics has added a cool Tunabee design on the PCB, visible through the plastic back cover."
The Tuna Fuzz draws inspiration from Beetronics founder Filipe's early days of tinkering, when limitedfunds led him to repurpose tuna cans as pedal enclosures. Filipe even shared his ingenuity by teachingclasses in Brazil, showing kids how to build pedals using these unconventional housings. Although Filipe eventually stopped making pedals with tuna cans, the early units were a hit on social media whenever photos were posted.
Tuna Fuzz features include:
- Single knob control – “Stinker” – for controlling output volume
- Preset fuzz gain, adjustable from your guitar’s volume knob
- 9-volt DC operation using standard external power supply – no battery compartment
- True bypass switching
One of the goals of this project was to offer an affordable price so that everyone could own a Beetronicspedal. For that reason, the pedal will be sold exclusively on beetronicsfx.com for a sweet $99.99.
For more information, please visit beetronicsfx.com.
EBS introduces the Solder-Free Flat Patch Cable Kit, featuring dual anchor screws for secure fastening and reliable audio signal.
EBS is proud to announce its adjustable flat patch cable kit. It's solder-free and leverages a unique design that solves common problems with connection reliability thanks to its dual anchor screws and its flat cable design. These two anchor screws are specially designed to create a secure fastening in the exterior coating of the rectangular flat cable. This helps prevent slipping and provides a reliable audio signal and a neat pedal board and also provide unparalleled grounding.
The EBS Solder-Free Flat Patch Cable is designed to be easy to assemble. Use the included Allen Key to tighten the screws and the cutter to cut the cable in desired lengths to ensure consistent quality and easy assembling.
The EBS Solder-Free Flat Patch Cable Kit comes in two sizes. Either 10 connector housings with 2,5 m (8.2 ft) cable or 6 connectors housings with 1,5 m (4.92 ft) cable. Tools included.
Use the EBS Solder-free Flat Patch Cable Kit to make cables to wire your entire pedalboard or to create custom-length cables to use in combination with any of the EBS soldered Flat Patch Cables.
Estimated Price:
MAP Solder-free Flat Patch Cable Kit 6 pcs: $ 59,99
MAP Solder-free Flat Patch Cable Kit 10 pcs: $ 79,99
MSRP Solder-free Flat Patch Cable Kit 6 pcs: 44,95 €
MSRP Solder-free Flat Patch Cable Kit 10 pcs: 64,95 €
For more information, please visit ebssweden.com.
Upgrade your Gretsch guitar with Music City Bridge's SPACE BAR for improved intonation and string spacing. Compatible with Bigsby vibrato systems and featuring a compensated lightning bolt design, this top-quality replacement part is a must-have for any Gretsch player.
Music City Bridge has introduced the newest item in the company’s line of top-quality replacement parts for guitars. The SPACE BAR is a direct replacement for the original Gretsch Space-Control Bridge and corrects the problems of this iconic design.
As a fixture on many Gretsch models over the decades, the Space-Control bridge provides each string with a transversing (side to side) adjustment, making it possible to set string spacing manually. However, the original vintage design makes it difficult to achieve proper intonation.
Music City Bridge’s SPACE BAR adds a lightning bolt intonation line to the original Space-Control design while retaining the imperative horizontal single-string adjustment capability.
Space Bar features include:
- Compensated lightning bolt design for improved intonation
- Individually adjustable string spacing
- Compatible with Bigsby vibrato systems
- Traditional vintage styling
- Made for 12-inch radius fretboards
The SPACE BAR will fit on any Gretsch with a Space Control bridge, including USA-made and imported guitars.
Music City Bridge’s SPACE BAR is priced at $78 and can be purchased at musiccitybridge.com.
For more information, please visit musiccitybridge.com.
Floyd Rose introduces new USA-made Original saddle sets in various configurations, crafted from premium hardened tool steel with precision CNC machining. Available in chrome and black finishes now.
The new facility offers immediate availability of the legendary Floyd Rose Original saddles in multiple radius configurations for the first time. Engineered to perfectly match specific fretboard curvatures, these saddle sets provide a range of radius options without the need for individual saddle shims. Alongside the classic 12” radius, Floyd Rose has unveiled 8”, 10”, 14”, 16”, and 17” radii saddle sets. Crafted from premium hardened tool steel with precision CNC machining and finished with durable, smooth plating, these saddles are built to withstand the demands of intense performances. Chrome and black sets of USA-made Floyd Rose Original Saddles in various radii are available now at the company’s website, followed by gold and black nickel finishes in the 4th quarter of 2024.
The new Floyd Rose manufacturing center in North Carolina was designed to meet growing demand while ensuring the highest quality available using modern high-tech processes. Bringing production in-house enhances control over every aspect of the process including engineering, material selection, quality control, and scheduling. The facility features four Haas VF-seriesCNC machines, delivering precision machining fine-tuned for high efficiency and clean surface finishes. Alongside machining, the company has established a state-of-the-art metal finishing department and acquired stamping equipment with new capabilities added monthly.
At the heart of the Floyd Rose USA manufacturing center is a dedicated team of engineers and technicians who excel in their craft and are deeply passionate about the legendary product line. With decades of collective experience, the company’s experts meticulously craft each component to exacting standards.
“We are ecstatic to be making these new Original saddles in the USA, giving us better control over quality and production times while offering more robust options like these new radii,” said Andrew Papiccio, longtime president of AP International Music Supply / Floyd Rose and an original owner of Kramer Guitars. "With this new state-of-the-art facility, we are poised todeliver unparalleled quality and performance to musicians worldwide. As we integrate newproducts into this facility, we are expanding our commitment to ‘Made in America’ craftsmanship.”
The company plans to ramp up production of parts and innovations at their USA factory forFloyd Rose and their new AxLabs Hardware division.
For more information, please visit floydrose.com.