We gathered 13 of the hottest high-gain amps on the market, brought in ace guitarists Misha Mansoor (Periphery) and Ty Dietzler (Thousand Foot Krutch), and let the cameras roll.
Whether you’re in the market for a new high-gain head or you just spend your free time searching for heavy riffage on YouTube, you’ll want to bookmark this article for reference. This month, we gathered 13 of the hottest high-gain amps on the market, brought in ace guitarists Misha Mansoor (Periphery) and Ty Dietzler (Thousand Foot Krutch), and let the cameras roll. Listen to both guitarists tearing up each channel of each amp listed below in CD-quality sound, and get a rundown of each amp’s main features. If you’re looking for a stripped-down metal machine or an amp stuffed with high-tech tools, there’s surely a monster for you.
Blackstar Series One 200
Watch:
Street $2199.99
Watts: 200
Tubes: KT88
The Series One 200 is packed with features, like Blackstar’s DPR (Dynamic Power Reduction) system, which allows users to reduce the power of the output stage from full power (200 watts) down to 10 percent (20 watts) and any power output in between.
Features
• Four footswitchable channels (Clean channel with Warm “Plexi” and Bright “Class A” type modes; Crunch channel with Crunch and Super Crunch modes)
• High and low output damping on two overdrive channels
• Two ISF (Infinite Shape Feature) equipped tone control sections, which allow the user to infinitely adjust the response of the tone control network
• Presence and Resonance controls
• Master Volume
• Series effects loop
• MIDI switching
• Speaker emulated output
Blackstaramps.co.uk
Diamond Nitrox
Watch:
Street $2199
Watts: 100
Tubes: EL34
The Nitrox claims more lows than Diamond’s other high-gain offerings, but remains tight across both channels, making it perfect for heavy rhythms and precision playing.
Features
• Two fully independent channels (Clean and Crunch)
• Volume, Gain, Bass, Middle, Treble, and Presence on each channel
• Dual Volume/Gain control on Channel 2 (switchable, allows for two gain settings with two volumes for level adjustment to match volumes)
• May be wired for 100v, 120v, 220v and 230/240v output selection
• Front panel Effects Return control, which acts as an overall master when loop is engaged for quick overall volume adjustment
Diamondamps.com
Diezel VH4
Watch:
Street $4700
Watts: 100
Tubes: EL34-BHT
The VH4 is compatible with a range of tubes (6L6, 5881, 6550, KT88), features four unique, independent preamps, and includes a number of signal routing options for the ultimate in versatility.
Features
• Four completely independent channels
• Gain, Treble, Mid, Bass, and Volume on each channel
• Bright switch on Channel 2
• Switchable insert loop on each channel, with parallel and serial returns
• Master Volume, Mix, Presence, and Deep controls
• MIDI compatible
diezelamplification.com
ENGL Powerball II
Watch:
Street $2149.99
Watts: 100
Tubes: 6L6GC
The Powerball II picks up where the first one left off, giving users four channels, ENGL’s Power Tube Monitoring (PTM) system, dual masters, and a footswitchable noise gate.
Features
• Four channels (Clean, Crunch, and two Leads), each with Volume and Gain controls
• Bottom sound switches on Lead channels; Bright and Bottom sound switches on Clean and Crunch channels
• Bass, Middle, Treble EQ controls on Clean and Crunch channels; Bass, Middle or Middle-Boosted (switchable), and Treble controls on Lead channels
• Dual Master controls
• Presence and Depth Punch controls
• Footswitchable noise gate
• Footswitchable effects loop with Balance control
• Electronic Power Tube Monitoring system (PTM) with LED indication
Engl-amps.com
Framus Cobra
Watch:
Street $3973
Watts: 100
Tubes: EL34
The Cobra sports three channels, two switchable Master Volumes, and a Deep control, which allows users to dial in the amount of low end in the power amp stage.
Features
• Three channels (Clean, Crunch, and Lead)
• Gain, Bass, Middle, Treble and Presence controls for each channel
• Notch switches for Crunch and Lead
• Parallel effects loop
• Effect Mix control
• Deep control to set the amount of low end in the power amp stage
• Switchable dual Master controls
• Integrated MIDI interface
• Switchable speaker output impedance
Framus.com
Fryette Pittbull Hundred/CLX Master Built
Watch:
Street $3799
Watts: 100
Tubes: EL34
With its fat, warm sound and touch-sensitive feel, the CLX is a highly-refined tone machine packed with highly specialized features.
Features
• Three channels (Lead, Rhythm, and Clean)
• 6-band graphic EQ
• Gain Stacking, which allows users to add an additional “flying” 4th gain stage to the Lead channel for even more gain.
• Dual-Class Mode, where the two outside power tubes are Cathode Biased, while the inside two remain in Class AB. This produces a fatter midrange and smoother top and bottom end response.
• Half Power Mode
• Power Amp Mute
• Variable Line Out
• Series/Parallel Effects Loop
• Global Presence and Depth controls
Fryette.com
Hughes & Kettner Coreblade
Watch:
Street $2499
Watts: 100 watts
Tubes: EL34
Amp tweakers and tech geeks will love the Coreblade, which features four distinct channels, digital effects, USB-backed up amp presets, and H&K’s Tube Safety Control (TSC) system.
Features
• Four channels (Clean, Drive, Ultra I, Ultra II)
• Downloads amp presets directly to USB; also allows for backup of all amp and effects settings to USB
• 128 user presets
• Three independent Digital-FX processors: Reverb, Delay, and Modulation (giving users chorus, flanger, phaser, and tremolo effects)
• Serial/parallel effects loop
• Built-in MIDI capabilities
• Adjustable noise gate
• Tube Safety Control (TSC) system, which automatically biases the amp (allowing users to also run 6L6s) and shuts down defective tubes
Hughes-and-kettner.com
Krank Nineteen80
Watch:
Street $1299
Watts: 80
Tubes: 6550
The Nineteen80 channels the classic hard rock tones of the late ’70s and ’80s, but adds a footswitchable active effects loop with individual level controls for both the send and return.
Features
• Two footswitchable channels (Kleen and Krank)
• Separate Volume and EQ sections per channel
• Footswitchable tube-driven active effects loop
• Gain and Sweep control on Krank Channel
• Global Presence Control
• Ohm Selector
Krankamps.com
Mesa/Boogie Dual Rectifier
Watch:
Street $1799
Watts: 100
Tubes: 6L6 or EL34
The latest iteration of the Dual Rec features three independent channels with eight different modes, a bold/spongy “Variac” switch, and Mesa/Boogie’s Multi-Watt technology, which allows users to assign either two or all four power tubes to each channel.
Features
• Three fully independent channels with eight modes (Channel 1 can be set to Clean or Pushed; Channels 2 and 3 can be set to Raw, Vintage High Gain or Modern High Gain)
• Each channel features Multi-Watt Power Switch (50/100 Watt), independent Gain, Treble, Mid, Bass, Presence, Master, and channel-assignable Dual Rectification with Recto Tracking
• Bias Select Switch (6L6/EL34)
• Footswitchable, fully buffered effects loop with Send Level control
• Output Level control
• Footswitchable Solo Level control (over all channels when activated)
• Bold/Spongy “Variac” Switch
• True “Hard” Bypass switch that removes effects loop, Output Level, and Solo Level controls from signal path
• Tuner Output with footswitchable mute
• Slave Out with Level control
• External switching jacks for Channels 2 and 3
Mesaboogie.com
Orange Rockerverb 100 MkII
Watch:
Street $2299
Watts: 100 watts
Tubes: EL34
This British powerhouse includes two channels and special bias switch that enables you to use 6CA7, 6L6, 5881, or KT88 tubes in the power section.
Features
• Clean and Dirty channel
• Output valve fusing system
• Bias switch, allowing users to plug in quartets of output valves of different types
• Unique “Reverse Snake 8” output transformer design
Orangeamps.com
Peavey 6534+
Watch:
Street $1159.99
Watts: 120
Tubes: EL34
The extreme gain of the 6505 Series lives on in Peavey’s 6534+, but it also incorporates a new design aimed at minimizing the noise that high-gain amps typically generate.
Features
• Footswitchable Lead/Rhythm channels
• 3-band EQ on each channel
• Resonance, Presence, Pre Gain, and Post Gain controls on each channel
• Footswitchable Crunch boost on Rhythm channel
• Bright switch on Rhythm channel
• Preamp output
• Effects loop
• Bias test point
Peavey.com
Randall RT 100
Watch:
Street $999.95
Watts: 100
Tubes: 6L6
The RT 100 offers users three channels of all-tube tone, plus a user-friendly bias section on the back, which allows users to replace and match tubes with a run-of-the-mill voltmeter.
Features
• Three footswitchable channels (Classic Clean, Classic Overdrive, Modern Overdrive), each with Bright switch
• Bass, Middle, and Treble controls
• Master Volume and Reverb controls
• Series effects loop
• User-friendly bias section on back
Randallamplifiers.com
Soldano Avenger
Watch:
Street $1820
Watts: 100
Tubes: 5881/6L6
If you want the overdrive of the legendary SLO 100, and that’s all you want, this is the amp for you. High and low gain input jacks provide the option of using the full SLO lead circuit or skipping the first gain stage for a more vintage crunch.
Features
• 3-band EQ
• Master Volume, Presence and Depth controls
• Selectable for 4-, 8-, or 16-ohm cabs
• High- and Low-gain inputs
Soldano.com
Stompboxtober is rolling on! Enter below for your chance to WIN today's featured pedal from Peterson Tuners! Come back each day during the month of October for more chances to win!
Peterson StroboStomp Mini Pedal Tuner
The StroboStomp Mini delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. We designed StroboStomp Mini around the most requested features from our customers: a mini form factor, and top mounted jacks. |
Many listeners and musicians can tell if a bass player is really a guitarist in disguise. Here’s how you can brush up on your bass chops.
Was bass your first instrument, or did you start out on guitar? Some of the world’s best bass players started off as guitar players, sometimes by chance. When Stuart Sutcliffe—originally a guitarist himself—left the Beatles in 1961, bass duties fell to rhythm guitarist Paul McCartney, who fully adopted the role and soon became one of the undeniable bass greats.
Since there are so many more guitarists than bassists—think of it as a supply and demand issue—odds are that if you’re a guitarist, you’ve at least dabbled in bass or have picked up the instrument to fill in or facilitate a home recording.
But there’s a difference between a guitarist who plays bass and one who becomes a bass player. Part of what’s different is how you approach the music, but part of it is attitude.
Many listeners and musicians can tell if a bass player is really a guitarist in disguise. They simply play differently than someone who spends most of their musical time embodying the low end. But if you’re really trying to put down some bass, you don’t want to sound like a bass tourist. Real bassists think differently about the rhythm, the groove, and the harmony happening in each moment.
And who knows … if you, as a guitarist, thoroughly adopt the bassist mindset, you might just find your true calling on the mightiest of instruments. Now, I’m not exactly recruiting, but if you have the interest, the aptitude, and—perhaps most of all—the necessity, here are some ways you can be less like a guitarist who plays bass, and more like a bona fide bass player.
Start by playing fewer notes. Yes, everybody can see that you’ve practiced your scales. But at least until you get locked in rhythmically, use your ears more than your fingers and get a sense of how your bass parts mesh with the other musical elements. You are the glue that holds everything together. Recognize that you’re at the intersection of rhythm and harmony, and you’ll realize foundation beats flash every time.“If Larry Graham, one of the baddest bassists there has ever been, could stick to the same note throughout Sly & the Family Stone’s ‘Everyday People,’ then you too can deliver a repetitive figure when it’s called for.”
Focus on that kick drum. Make sure you’re locked in with the drummer. That doesn’t mean you have to play a note with every kick, but there should be some synchronicity. You and the drummer should be working together to create the rhythmic drive. Laying down a solid bass line is no time for expressive rubato phrasing. Lock it up—and have fun with it.
Don’t sleep on the snare. What does it feel like to leave a perfect hole for the snare drum’s hits on two and four? What if you just leave space for half of them? Try locking the ends of your notes to the snare’s backbeat. This is just one of the ways to create a rhythmic feel together with the drummer, so you produce a pocket that everyone else can groove to.
Relish your newfound harmonic power. Move that major chord root down a third, and now you have a minor 7 chord. Play the fifth under a IV chord and you have a IV/V (“four over five,” which fancy folks sometimes call an 11 chord). The point is to realize that the bottom note defines the harmony. Sting put it like this: “It’s not a C chord until I play a C. You can change harmony very subtly but very effectively as a bass player. That’s one of the great privileges of our role and why I love playing bass. I enjoy the sound of it, I enjoy its harmonic power, and it’s a sort of subtle heroism.”
Embrace the ostinato. If the song calls for playing the same motif over and over, don’t think of it as boring. Think of it as hypnotic, tension-building, relentless, and an exercise in restraint. Countless James Brown songs bear this out, but my current favorite example is the bass line on the Pointer Sisters’ swampy cover of Allen Toussaint “Yes We Can Can,” which was played by Richard Greene of the Hoodoo Rhythm Devils, aka Dexter C. Plates. Think about it: If Larry Graham, one of the baddest bassists there has ever been, could stick to the same note throughout Sly & the Family Stone’s “Everyday People,” then you too can deliver a repetitive figure when it’s called for.
Be supportive. Though you may stretch out from time to time, your main job is to support the song and your fellow musicians. Consider how you can make your bandmates sound better using your phrasing, your dynamics, and note choices. For example, you could gradually raise the energy during guitar solos. Keep that supportive mindset when you’re offstage, too. Some guitarists have an attitude of competitiveness and even scrutiny when checking out other players, but bassists tend to offer mutual support and encouragement. Share those good vibes with enthusiasm.
And finally, give and take criticism with ease. This one’s for all musicians: Humility and a sense of helpfulness can go a long way. Ideally, everyone should be working toward the common goal of what’s good for the song. As the bass player, you might find yourself leading the way.Fuchs Audio introduces the ODH Hybrid amp, featuring a True High Voltage all-tube preamp and Ice Power module for high-powered tones in a compact size. With D-Style overdrive, Spin reverb, and versatile controls, the ODH offers exceptional tone shaping and flexibility at an affordable price point.
Fuchs Audio has introduced their latest amp the ODH © Hybrid. Assembled in USA.
Featuring an ODS-style all-tube preamp, operating at True High Voltage into a fan-cooled Ice power module, the ODH brings high-powered clean and overdrive tones to an extremely compact size and a truly affordable price point.
Like the Fuchs ODS amps, the ODH clean preamp features 3-position brite switch, amid-boost switch, an EQ switch, high, mid and low controls. The clean preamp drives theoverdrive section in D-Style fashion. The OD channel has an input gain and outputmaster with an overdrive tone control. This ensures perfect tuning of both the clean andoverdrive channels. A unique tube limiter circuit controls the Ice Power module input.Any signal clipping is (intentionally) non-linear so it responds just like a real tube amp.
The ODH includes a two-way footswitch for channels and gain boost. A 30-second mute timer ensures the tubes are warmed up before the power amp goes live. The ODH features our lush and warm Spin reverb. A subsonic filter eliminates out-of-band low frequencies which would normally waste amplifier power, which assures tons of clean headroom. The amp also features Accent and Depth controls, allowing contouring of the high and low response of the power amp section, to match speakers, cabinets andenvironments. The ODH features a front panel fully buffered series effects loop and aline out jack, allowing for home recording or feeding a slave amp. A three-position muteswitch mutes the amp, the line out or mute neither.
Built on the same solid steel chassis platform as the Fuchs FB series bass amps, the amps feature a steel chassis and aluminum front and rear panels, Alpha potentiometers, ceramic tube sockets, high-grade circuit boards and Neutrik jacks. The ICE power amp is 150 watts into 8 ohms and 300 watts into 4 ohms, and nearly 500 watts into 2.65 ohms (4 and8 ohms in parallel) and operates on universal AC voltage, so it’s fully globallycompatible. The chassis is fan-cooled to ensure hours of cool operation under any circumstances. The all-tube preamp uses dual-selected 12AX7 tubes and a 6AL5 limiter tube.
MAP: $ 1,299
For more information, please visit fuchsaudiotechnology.com.
Jackson Guitars announces its first female signature artist model, the Pro Series Signature Diamond Rowe guitar.
“I‘m so excited about this new venture with the Jackson family. This is a historic collaboration - as I am the first female in the history of Jackson with a signature guitar and the first female African American signature Jackson artist. I feel so honored to have now joined such an elite group of players that are a part of this club. Many who have inspired me along this journey to get here. It’s truly humbling.” says Diamond.
Diamond Rowe is the co-founder and lead guitarist for the metal/hard rock band Tetrarch. Since co-founding the band in high school, Tetrarch has become one of the most talked about up-and-coming bands in the world - with several press outlets such as Metal Hammer, Kerrang, Revolver, Guitar World and many others boldly naming Diamond Rowe the world’s next guitar hero. Tetrarch has connected with many fans while performing on some of the world's biggest stages garnering spots alongside several of the heavy music world’s biggest names such as Guns N’ Roses, Slipknot, Lamb of God, Disturbed, Avenged Sevenfold, Sevendust, Rob Zombie, Trivium, and many many others. The Jackson Pro Series Signature Diamond Rowe DR12MG EVTN6 is based on Jackson’s single-cut Monarkh platform and is a premium guitar designed for progressive metal players seeking precision and accuracy.
Crafted in partnership with Diamond, this model boasts a 25.5 “ scale, Monarkh-styled nyatoh body draped with a gorgeous poplar burl top, three-piece nyatoh set-neck with graphite reinforcement, and 12˝ radius bound ebony fingerboard with 24 jumbo frets. The black chrome-covered active EMG® 81/85 humbucking bridge and neck pickups, three-way toggle switch, single volume control, and tone control provide a range of tonal options. The Evertune® bridge ensures excellent tuning stability, while the Dark Rose finish with a new custom 3+3 color-matched Jackson headstock and black hardware looks simply stunning.
To showcase the Pro Plus Signature Diamond Rowe DR12MG EVTN6, Diamond shares her journey as a guitarist, delving into the inspiration behind her unique design specifications and the influential artists who shaped her sound within a captivating demo video. This video prominently features powerful performances of Tetrarch’s latest release, “Live Not Fantasize,” and “I’m Not Right” showcasing the DR12MG EVTN6’s unparalleled tonal versatility and performance capabilities.
MSRP $1699.99
For more information, please visit jacksonguitars.com.