So you have a killer pedal collection, but lack organizational skills. Or maybe you’re new to the wonderful world of effects and need a blank slate on which to start. Regardless, a dependable and efficient pedalboard is a must for any tone shaper, and we’ve rounded up a collection of options to help you get started in finding what’s right for you.
These aluminum pedalboards with a modified rail design are built with players in mind who use true-bypass switchers or want an extra rail to better accommodate a wide range of configurations. The heavy-duty tour case will help keep your pedals safe on the road. Inspired by skateboard decks and the desire to ditch Velcro, these pedalboards are constructed of 12-ply Baltic birch, hold six to 10 pedals and a power supply with ease, and use zip-ties to securely latch down stompboxes. The two-tiered design of this strong and lightweight aluminum pedalboard provides easy access for up to 20 effects devices, and the unique porting, power-supply bracket, and included Velcro allows for a clean, sturdy set up. The ’board comes with a padded gig bag. Constructed of durable molded plastic, this pedalboard includes a built-in AC adapter that can power up to seven pedals. It’s lightweight for easy transport and there is ample room for customized setups. These hand-assembled pedalboards feature 1/2" Eastern plywood construction that’s wrapped with a durable polyweave skin. The Gigman offers dense-foam interior padding and is finished with high-quality catches, hinges, and corner strengtheners. This rigid arched-shape polyethylene pedalboard has a pair of larger surface areas for wah- and volume-type pedals and can accommodate up to 10 stompboxes. A 9V daisy chain power supply and a heavy-duty lightweight carry case are included. This budget-friendly pedalboard with included gig bag boasts room for 10 standard-size effects, is angled for comfortable foot access, has cutouts for power distribution and cable management, and also includes hook-and-loop strips for custom organization. The patented modular design of this ’board allows players to stair-step their effects between two levels or raise the panels on the first tier to accommodate larger pedals. Dual input jacks, two output jacks, and a dual inlet/outlet AC socket are mounted externally. This no-nonsense pedalboard features a rugged textured-vinyl exterior atop a wood frame, heavy-duty metal latches and corners, back- and bottom-side feet, soft interior padding, and a thickly padded carry handle. This handcrafted zebra-wood ’board is constructed using dovetail joinery and is decked out with such options as a recessed IEC power-in socket with on/off switch, a quartet of 1/4" Switchcraft plugs, and a multi-slot “Plus” top. Other pedalboards start at $95.
For the new acoustic guitar, Gibson acoustic luthiers in Bozeman, Montana collaborated with Dave Mustaine the legendary guitarist, vocalist, songwriter, and founder of the multi-platinum selling and Grammy Award-winning band, Megadeth. The Gibson Dave Mustaine Songwriter in Ebony is available in a both a standard version and a limited edition model, signed by the artist. Part of the Dave Mustaine Collection, the new Dave Mustaine Songwriter in Ebony is the first 24-fret neck ever installed on a Gibson acoustic guitar. With a slightly thinner walnut body, the Dave Mustaine Songwriter guitar features a cutaway for easy access to the upper frets.
Megadeth has gone on to sell more than 50 million albums worldwide, earning many accolades along the way, including a Grammy Award for the title track from their most recent album Dystopia, along with 12 additional Grammy nominations, as well as five consecutive platinum/multi-platinum albums. Megadeth has headlined many of the biggest stages in the world and recently played their most successful tour ever, closing every night on the North American amphitheater “Metal Tour of the Year”. Also, a New York Times bestselling author and sought after speaker, host, and commentator, Mustaine has remained a standard bearer for metal and heavy guitar rock, combining a musical and technical standard with the punk and rock n’ roll ethos and attitude.
Icons: Dave Mustaine of Megadeth
Explore the new Dave Mustaine Songwriter in Ebony, www.gibson.com.
Q: If you could make an album with any producer, alive or dead, who would it be?
Lionel Loueke — Guest Picker
Photo by Elan Mehler
A: Quincy Jones. He’s done so much. He’s someone I’d love to work with just to get a different experience. I love his work but the main one for me is Michael Jackson’s Thriller. I know him personally: I went to Morocco with him when he was presenting the Global Gumbo All Stars, and I also worked with him in the studio when I was playing with Herbie Hancock on his new project. Quincy wasn’t producing, Terrace Martin was the producer, but it was so good to be in the studio with all those great musicians.
Photo by Sam Santos
What I really like about Quincy is how he detects talent. Producing is one thing, but he finds the right musicians who have something unique or different to say. I mean, Ray Charles … he’s produced so many greats in all genres.
Lionel Loueke's Current Obsession:
Right now, my obsession is all about the drums. I feel like I present myself as being a frustrated drummer, because I play a lot of percussion on the guitar and I started as a percussion player, so it’s always been part of what I do. I’m not looking to be a drummer, I just feel really connected to any percussion instrument, and I feel drums will help me go even deeper in my musical multitasking.
I think it was Miles Davis who said that every musician should try to play drums. And I truly believe that because with the drums you have four parts of your body to synchronize: legs, arms, feet, hands. When it comes to rhythmically thinking, drums are something every musician should try.
I just talked to my friend, drummer Ferenc Nemeth, who has been playing in my band for 20 years, about buying a drum kit because I don’t have one. Right now, I have drumsticks and I’m beating on everything [laughing].
Matt Dunn — Reader of the Month
A: I would probably pick Brian Eno/Daniel Lanois specifically because of their work on The Unforgettable Fire album with U2. While I’m mostly into punk/garage rock, I was always so blown away by early U2 records and their approach to songwriting. I would do anything to write my own versions of “Bad” or “A Sort of Homecoming” with their guidance and production.
U̲2 - The Unforgettable Fire CD2 Deluxe (Full Album)
Matt Dunn's Current Obsession:
Bad Religion. Despite being a punk fan my whole life, I was always more into English and East Coast bands. I recently tried to expand my world to include those SoCal punk bands and I cannot find anyone better than them. “Streets of America,” “American Jesus,” and “We’re Only Gonna Die” are on repeat.
Ted Drozdowski — Senior Editor
A: It’s a toss between T Bone Burnett and Daniel Lanois.
I love the low sound T Bone perfected with his own The True False Identity and Alison Krauss/Robert Plant’s Raising Sand. But I’m crazy about how Lanois brings the ambient playbook to roots music, producing great albums for Dylan, Emmylou Harris, the Nevilles, and more.
Ted Drozdowski's Current Obsession:
I’m in the early stages of working on a feature-length film incorporating songs, storytelling, psychedelic lighting, original artwork, and aerial dance. How could I not be obsessed about it?
Nick Millevoi — Associate Editor
A: The Flaming Lips and Dave Fridmann. I can’t begin to predict how my music and their vision would really come together, and that’s what I love about the idea of working with those guys. Every Lips album and side project is completely immersive and multidimensional. It would be a dream to tap into their whole technicolor vibe and see how they’d handle sounds, arrangements, and writing firsthand.
Flaming Lips - See the Leaves
Nick Millevoi's Current Obsession:
Eighties drum machines. I’m deep in the throes of an obsession: I recently bought an Alesis HR-16 and the sounds are so sick—and so ’80s! —but it has opened up a potential gear wormhole.
