Before their Nashville gig in April of 2016, Living Colour’s Vernon Reid and Doug Wimbish met with PG’s John Bohlinger to talk about their combined sorcery that makes guitar, bass and drums sounds like an army of instruments. Reid and Wimbish utilize killer chops and miles of pedals and cables—making their tech Jeff Cummings the hardest-working man in show business. During the interview, bass legend Billy Cox crashes the party for some avuncular bass commentary.
9. The Darkness
PG’s Chris Kies hung out with Dan Hawkins, Frankie Poullain, and Justin Hawkins of The Darkness before their gig at the War Memorial Auditorium in Nashville, Tennessee.
8. Children of Bodom
Alexi Laiho, frontman and guitarist for melodic death metal band Children of Bodom, took us through his sparse, but powerful, setup before the band’s Nashville show at the Exit/In. A combination of ESP guitars, Marshall amps, and a few Boss pedals help create Laiho’s lightning-fast leads and bone-rattling rhythms.
7. Steve Lukather
Premier Guitar’s John Bohlinger hung with Steve Lukather and his tech, Jon Gosnell, shortly before Toto’s show at Nashville’s Ryman Auditorium. While Gosnell covered the nuts and bolts of the pedalboard and amp, Lukather showed what his signature Music Man guitars are capable of.
6. Don Felder
Shortly before a recent show at Nashville’s City Winery, Don Felder took a few minutes to talk to Premier Guitar’s John Bohlinger about everything from his first garage band with Stephen Stills to his years with the Eagles and beyond.
5. Peter Frampton
Guitar icon Peter Frampton invites Premier Guitar’s John Bohlinger to his Nashville rehearsal studio to talk and demonstrate his sprawling live setup.
4. Andy Timmons
Andy Timmons is currently on the Ultimate Guitar Experience tour with fellow 6-stringers Jennifer Batten and Uli John Roth. Before their soundcheck in Nashville at the Basement East, Timmons demonstrated how he gets studio-quality tones onstage.
3. Zakk Wylde
PG’s John Bohlinger hung with Zakk Wylde before soundcheck during the Nashville stop of the Generation Axe tour. Wylde, an intimidating muscle-bound shred monster turned out to be perhaps the nicest guy on the planet, is a renaissance man, and a titian of industry. Zakk humbly took us through his rig full of newly-launched Wylde Audio wares.
2. Johnny Hiland
High above the Nashville skyline, guitar slinger Johnny Hiland met with PG’s John Bohlinger for a pre-show Rig Rundown. Hiland showed off a diverse cache of 6-strings, two cool amps and a larger—yet practical—board that makes for a killer setup for both the studio and live gigs.
1. AC/DC
Premier Guitar’s Chris Kies traveled south to hang with AC/DC techs Trace Foster and Greg Howard before their show at Atlanta’s Phillips Arena. As you watch this video, you’ll slowly understand why both techs claim that this is both the easiest gig (because of the light load of equipment) and the hardest gig (no pedals or effects to hide behind) they’ve ever had.
Known for his shredding ways, Paul Gilbert shows PG host John Bohlinger his robust musical vocabulary that hinges on hummable melodies and creative chord progressions. Oh, and then there's the whole thing where he wrote his latest album, WROC,around George Washington’s Rules of Civility and Decent Behaviour In Company and Conversation. Another impressive attribbute of Gilbert's is impeccable music intellect recall for songs and lyrics. He claims to have stolen most of what he knows and plays, but we think that's just humility. Enjoy the conversation, camaraderie, and jams with PG and JB!
Renowned amp builder and pickup designer (holding three patents), Dylana Nova Scott speaks with John Bohlinger about her pursuits of creating responsive systems of guitar tone that inspire music, explains that a circuit is never perfect or complete, recalls being in the hair-metal scene when the Nirvana bomb dropped, and surviving the gear industry through perseverance and innovation.
“It has to be more about the music than about myself.”
Jimmy “Scratch” James is explaining his approach to guitar from his home in Seattle. It’s one of several conversations we have over a few weeks, on FaceTime and by phone. “I play the guitar like a drum,” he adds, “and even though he was a bass player, not a guitar player, I think about [legendary Motown bassist] James Jamerson a lot.”
What an empty calendar teaches you about yourself.
Here’s what happened in my so-called professional life in the last 30 days: A lucrative TV gig fell through, my three weekly club dates expired, and the one online session I booked stiffed me after I spent five labor intensive hours on their crap track. This may sound like complaining, but it is not. These are the standard professional musician/entertainer landmines we inevitably encounter while navigating this career path that has no path.
Mirador formed out of the shared passion for good ol’ classic rock ’n’ roll held by Greta Van Fleet’s Jake Kiszka and Ida Mae’s Chris Turpin. The trans-Atlantic band took their blazing, bluesy rock out on the road, and before their show at Nashville’s Brooklyn Bowl, Kiszka, Turpin, and tech Johnny Meyer led PG’s John Bohlinger through the vintage axes and amps they’re using to keep rock alive.