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Rig Rundown: Christone "Kingfish" Ingram [2024]

Rig Rundown: Christone "Kingfish" Ingram [2024]

Kingfish doesn’t play a lot of gear, but with a signature Fender Tele Deluxe, a Chertoff Custom guitar, a pair of road-worthy amps, and a handful of effects, the Clarksdale, Mississippi, native is well on his way to becoming the blues’ newest 6-string ruler. He returns for his second Rundown with a Grammy under his belt, supporting his new Live in London album.


Christone "Kingfish" Ingram’s 2019 debut album, Kingfish, hit No. 1 on the Billboard blues album chart and remained on it for an astonishing 91 weeks. From then on, he’s been roaring around the world, bringing his mix of downhome Delta-informed blues and sophisticated turns incorporating funk licks, Hendrix fantasias, jazz runs, and inspired improvisation to club and festival audiences. Late last year, he was a guest performer at BMI’s Troubadour Awards presentation for fan Billy Gibbons. His second album, 662, named after his hometown’s area code, also topped the blues chart and won him a Grammy. For this Rig Rundown, at Nashville’s sold-out Brooklyn Bowl, he was on the run behind his third album, Live in London, which captures the fire and invention of his guitar work onstage. You’ll be hearing more from Kingfish, but right now, check out his live rig.

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Fit for a Kingfish

Christone Ingram’s signature Fender Kingfish Telecaster Deluxe comes in a finish called Mississippi night, the color, he explains, of the Delta evening sky. It’s got a roasted maple neck with a rosewood fretboard, two hot Custom Kingfish humbuckers in its alder body, a V-profile neck, a Tune-o-matic bridge, medium jumbo frets, and a 12ā€ radius. There’s also a couple cool little filigrees (next), and he uses Ernie Ball Power Slinky .011 sets.

He's Got It Covered

Check out the cool Kingfish imprint on those humbuckers.

The King's Crown

Not your average 3-way switch! Bow to the Kingfish’s good taste.

His Main Used-To-Be

Ingram brought his old main axe on this tour. The LP-style was custom-built by Michael Chertoff and given to Kingfish when he was just 16 years old. He literally played the frets off of it. Now on a second set of frets, this guitar features a set neck, maple cap with a mahogany body, and Jalen humbuckers. It also wears Ernie Ball Power Slinky .011 sets. And his picks are Dunlop Jazz IIIs.

Dynamite Duo

When you’re stringing together one-nighters like run-on sentences, it’s important to have amps that are built to be punished. He switches between these two: a Fender Twin ā€˜65 Reissue and a Peavey Classic 50—the latter in honor of his Mississippi roots. The Peavey is usually a backup in case there’s an issue with the Twin, or can be used to guests who are invited to join Christone onstage.

Pedals for Pushin'

The signal starts with a Shure Wireless BLX4, which hits a Boss TU3w Tuner. From there, the route is a Dunlop Cry Baby Mini Wah, a Marshall Shredmaster, and a Boss DD3 Delay, all powered by Strymon. The pedals live on a Pedaltrain Nano board and were assembled by Barry O’Neal at XAct Tone Solutions.

Montana’s own Evel Knievel

If artists aren’t allowed to take risks, and even fail, great art will never be made. Need proof? Check Picasso, Hendrix, Monk, and Led Zeppelin.

In sixth grade, I went to a strict Catholic school. When you have an Italian-Irish mother, that’s just part of the deal. The nuns had the look and temperament of the defensive line of the ’70s Oakland Raiders. Corporal punishment was harsh, swift, and plentiful–particularly toward boys—and we all feared them. All but one second grader. I can’t remember his first name; nobody used it, because his last name was Knievel. His uncle was Evel Knievel, the greatest and perhaps only celebrity ever to come from my home state, Montana. On the playground, we would watch in awe as this wild Knievel kid raced by us, nuns chasing in an awkward, sluggish pursuit as he knocked kids over, dust, books, and gravel flying behind his path of terror. This kid was fearless. It was truly inspiring to watch.

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