Rig Rundown: Best Coast’s Bobb Bruno and Bethany Cosentino
California surf-rockers Best Coast use tons of fun effects and interesting guitars to create their shimmers and other layered tones.
Bobb Bruno’s current main guitar is a Gibson Elliot Easton Signature “Tikibird” Firebird with ’57 Classic humbuckers. Bruno says he was in a “Cars phase” while recording Best Coast’s latest album, California Nights. His favorite feature is the far left slider switch. When engaged, the signal bypasses the bridge pickup and goes straight to the output for a boost.
This Fender American Standard Strat HSS Shawbucker recently replaced Bruno’s Gibson Joan Jett Melody Maker, which he says has become too valuable to tour with. “I love this pickup—it’s super loud,” Bruno says of the Shawbucker.
All of Bruno’s guitar parts on Best Coast’s debut album were played with a baritone guitar. His oldest guitar is an Eastwood Sidejack Baritone Deluxe, but now he’s using this Squier Baritone Jazzmaster. He tunes his baris A to A, and added a Mastery bridge and vibrato system to both. Both are strung up with Ernie Ball baritone strings.
Bruno’s Warren Ellis Signature Tenor Guitar Eastwood only has 4 strings, tuned to C–G–D–A. He plays it on the song “Sleep Will Never Come.”
Upon first hitting his board, Bruno’s signal goes into a TC Electronic PolyTune, heads to a TSVG Best Coast Signature Fluzzy (based on the old Ibanez Standard Fuzz), then goes to a custom American Loopers switcher (the white pedal with the green skull) that has an Electro-Harmonix Nano POG and a Mr. Black Eterna Gold in loop 1, and a Bigfoot FX Magnavibe and a Catalinbread Valcoder in loop 2. Bruno’s “gnarly” Forever Fuzz—the pedal covered in purple-and-black faux fur—was given to him by Nels Cline and features a built-in filter circuit. A Strymon Tap Favorite switch triggers the tape-chorus simulation in Bruno’s Strymon Deco, but he also uses the tape-delay simulation for slapback echo, and the tape-saturation section for solos and rhythm sounds. The Mid-Fi Electronics pedal next to the Tap Favorite houses two effects—a Psych Byke fuzz and Fuzz Wall—and the MXR Noise Clamp next door helps keep them manageable. An MI Audio Super Crunch Box, Bruno’s main distortion, is used for roughly 75 percent of a given set. The board is rounded out by a Catalinbread Zero Point flanger, a TSVG Hard Stuff, a Strymon El Capistan, a Catalinbread Talisman plate-reverb simulator, and a Line 6 DL4 (not pictured).
Bruno’s amp is a 1982 115-watt Mesa/Boogie Mark II he bought on Craigslist, which he says is good for capturing the low frequencies in his baritones. “I only have it at 3 and it’s plenty loud for me,” Bruno says.
Bethany Cosentino has played Fenders her entire Best Coast career. She plays her new Limited Edition American Standard Strat in Azteca Gold for about 80 percent of the band’s live set.
This Oxblood-finished Fender Troy Van Leeuwen Jazzmaster has a Mastery bridge installed by John Woodland himself. Cosentino uses the guitar to open the show with older, harder-rocking songs.
Cosentino's Mesa/Boogie Lone Star has customized gold tolex to match her Strat. Her settings are clean all the time, so she gets her distortion and reverb from her pedals.
Bobb Bruno set up Cosentino’s board with a TC Electronic PolyTune 2, an Xotic Effects EP Booster (on all the time), Mojo Hand Fx Bluebonnet, Wampler Euphoria, HardWire DigiTech Supernatural, Malekko Ekko 616 Analog Delay, and an Electro-Harmonix Holy Grail (stays on all the time).
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Sweetwater vs. Reverb
Which one do you prefer?
Rhett and Zach unpack the big news for secondhand guitar sellers and buyers: Sweetwater has launched their new Gear Exchange. How does it compare to Reverb, Craigslist, and Marketplace? To find out, Zach takes the site for a spin and buys a pedal. He calls the process both “very easy” and “normal.” They discuss the pros and cons of the various used-gear outlets and share tips for not getting got when buying gear. Plus, Zach grew a mustache, Mythos Pedals is moving, and he talks about his forthcoming line of Strat pickups inspired by Hendrix’s reverse-stagger setup.
Sweetwater vs. Reverb
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Cort Introduces the KX508 Multi-Scale II
Expanding on the innovations of Cort’s original 8-string multiscale, the KX508 Multi-Scale II features an updated okoume body and a specially designed Fishman Fluence Modern Humbucker.
The KX508 Multi-Scale II is the second iteration of the eight-string KX508, Cort’s first multi-scale 8-string guitar introduced in 2020. Like its predecessor, the KX508 Multi-Scale II has a visually stunning poplar burl top in a Mariana Blue Burst finish. Beyond its visual appeal, the poplar burl is an ideal tonal complement to Cort’s newly introduced okoume body. Okoume is known for its light weight and ability to improve tonal clarity. It has a tight low-end and highly articulate high-end, which matches the overall sonic characteristics of the KX508 Multi-Scale II. The multi-scale, measuring 26.5 to 28 inches, offers a punchy low end while maintaining a familiar feel and tension on the treble strings, which allows for speedy runs and string-bending. Players have unhindered access to the high frets thanks to the low-scooped heel.
The 5-piece maple and purple heart neck not only provides strength and stability, aided by a spoke nut hotrod truss rod, but a strong and focused sound. The Macassar ebony fingerboard (15.75-inch radius) offers smooth playability along the 24 frets with teardrop inlays. Macassar is an ideal tonewood for high-gain applications because of its ability to cut through a dense mix. At the top of the neck, the 2 7/32-inch nut width (56.5 mm) is surprisingly comfortable for an 8-string guitar and is even suitable for players with smaller hands. The individual hardtail bridge with string-thru-body design results in greatly improved sustain, superb string separation for enhanced articulation, and precise intonation. Deluxe locking machine heads offer reliable tuning as well as easier and quicker string changes.
The Cort Sessions | KX508 Multi Scale II Electric Guitar
MSRP $1699.99 USD
MAP $1199.99 USD
For more information, please visit cortguitars.com.
D’Angelico Guitars Announces the Excel Tour Collection
The Tour Collection is defined by a minimalistic, vintage-inspired aesthetic, top-of-the-line components, and a simplified electronics configuration featuring new, custom pickups by Supro.
Available in the collection is the 16-inch-wide double-cutaway DC, the 15-inch-wide single-cutaway SS, and a 14-inch-wide Mini DC. Each model comes in three finishes: Slate Blue, Solid Wine, and Solid Black.
Every detail of the Tour Collection was chosen to achieve retro minimalism. Small diamond fingerboard inlays match 1930s-style diamond f-holes, and an undersized Throwback Scroll-style headstock achieves excellent head-to-body balance. The collection also features satin nickel hardware and custom Vintage Deluxe Grover tuners with a 15:1 gear ratio. Each model also features a simplified two-knob electronics configuration with 50s-style wiring to retain top-end clarity upon rolling off the volume knob. The neck shape in the Tour Collection is similar to the slim C-shape found throughout the D’Angelico line, but with more thickness in the shoulder to allow for snug hand fit as well as extra sustain. Medium Jumbo fret wire and a 12-inch fingerboard radius allow for quick navigation of the fingerboard while also prioritizing comfort for both rhythm and lead playing.
In 2020, Supro and D’Angelico became part of the same family of brands under Bond Audio. At that time, EVP of Product Ryan Kershaw and CTO Dave Koltai began designing custom pickups under the Supro name for the Tour Collection project.
“Supro Bolt Bucker pickups were designed to offer the tone of the most sought-after vintage "PAF" pickups from the late 1950's. Scatter wound, just like the originals, Supro Bolt Buckers utilize 42-gauge enamel wire along with a mixture of Alnico II (neck) and Alnico V (bridge) magnets to provide the perfect balance of warmth and clarity with unrivaled articulation and note bloom.” - Dave Koltai, Chief Technology Officer at Bond Audio.
Introducing the Excel Series Tour Collection | D'Angelico Guitars
All models are available for pre-order and will be in stock this holiday season. US MAP $1499. For more information, please visit dangelicoguitars.com.
Ananashead Announces the Cream Amp
The Cream Amp is a handmade low-gain overdrive pedal based on the Electra Distortion circuit.
The Cream Amp was designed to deliver full dynamics amp-like dirt to your clean and crunch amp or to another pedal in the chain without altering your tone too much. To add some grit at low volume or to make your amp sound more full, use the Drive control to set the gain and the Level control to match with your amp.
- Two knobs to control Volume and Drive
- Shielded inputs/outputs to avoid RF
- Filtered and protected 9VDC input
- Daisy-chain friendly
- Current draw: 7.5mA
The Cream Amp pedal is hand-made in Barcelona with carefully selected components and has a price of 100.00€. The pedals are available and can be purchased directly from the Ananasheadonline store.
For more information, please visit ananashead.com.