The bluesy psych-rock trio shows off its souped-up import axes, pricier amps, and carefully planned pedal playgrounds.
Hailing from the land of ice and snow, aka Rochester, New York, guitarist Sean McVay, bassist Dan Reynolds, and drummer Scott Donaldson dropped their mammoth-sounding debut, Orion, in 2016. The opening title track best exudes King Buffalo’s MO: darker Pink Floyd “Echoes” vibes with the eventual punishment of tectonic-shifting power of fellow power trio Sleep. KB may never go full doom, often subbing in hazier psychedelic strokes for monotonous monotone riffs, but they can still rumble with heaviest bands. “Goliath Pt. 1” and “Goliath Pt. 2” strongly showcase their Jekyll-and-Hyde stoner-rock tendencies that teeter between Floyd’s Live at Pompei and Black Sabbath’s Master of Reality.
With leftover Orion material, the band released an EP Repeater in early 2018. The 3-song collection would be a perfect soundtrack to a time-lapsed, mountain-climbing video. The expansive 13-minute opener starts calmly like any ascent, but as it continues, things begin to speed up, intensify, grow darker, before a crescendoing crash of celebration on the successful summit.
Later in 2018, the trio released their sophomore album, Longing to be the Mountain. The pace on LTBTM is much like the smooth cadence and perpetual hypnotic groove of hip-hop star NAS—it’s deliberate, powerful, and always bobbing forward. Space is much more prevalent than on Orion. Bookend bloomers “Morning Song” and “Eye of the Storm” exude the group’s blossoming confidence (and patience) providing air for suspense, tension, and timely, forceful apexes. With the added breathing room, the explosive parts build and powerfully bust through like a blues-tinged, psychedelic, kraut-rock-powered tsunami best felt in the doubled solos of “Quickening” and the thunder-cracking climax of the title track. (Full disclosure: I picked Longing to be the Mountain as one of my favorite albums of 2018. And time has only further solidified this vote.)
Before their headlining show at Nashville’s High Watt, guitarist/singer Sean McVay and his bass counterpart Dan Reynolds explain and demo how a couple of cheap, afterthought instruments paired with scaled-down boards create breakneck dynamics from Ms. Priss to monstrous.
Strapped with a single guitar on this run, King Buffalo’s lone axeman Sean McVay hits the stage with this gold-sparkle Hagstrom D2F that’s been given a complete overhaul. It has new tuning machines, pots, knobs, and a set of Seymour Duncan SH-1 Vintage Blues 59 humbuckers. It gets strung up with a D’Addario NYXL Light Top/Heavy Bottom (.010–.052) set.
Sean McVay’s longtime partner in crime is this 1973 Fender Twin Reverb that required some TLC. For a wider-spectrum sound (plus the ability to mic two different speakers and have it panned hard left/right), he took out the stock 12" speakers and put in an Eminence Texas Heat and a Warehouse Guitar Speakers British Invasion ET65.
Admitting that on previous tours he had a pedal problem stretching over two boards, Sean McVay has downsized this manageable setup. He has a Vox V847 Wah, Moog EP-3 Expression Pedal, Build Your Own Clone E.S.V. Fuzz Silicon (BC109 chip transistors), Lightning Boy Audio Soul Drive, Analog Man Buffer, Whirlwind “Orange Box” Phaser, Strymon TimeLine, and TC Electronic Hall of Fame. A TC Electronic PolyTune keeps his Hagstrom in check.
Like his 6-string bandmate, bassist Dan Reynolds travels with one, budget-friendly instrument, but his is the way it left the factory. His lone road dog is a 2003 Sterling by Music Man StingRay Ray34. It gets DR Strings PB-45 Pure Blues .045–.105.
Originally an all-tube Ampeg dude, Dan Reynolds’ back enjoys the slight-but-mighty Bergantino Forté that shockingly puts out 800 watts.
Here is Dan Reynolds reduced pedal playground that only has the essentials, starting with the always-on Lightning Boy Audio NuVision that “makes up for the flat, digital-ness of the Forté.” The rest of his colors include Way Huge Electronics Green Rhino, smallsound/bigsound Team Awesome Fuzz Machine, TC Electronic Helix (unplugged), MXR Phase 90, and a Dunlop MC404 CAE Wah. A TC Electronic PolyTune 2 Mini keeps all four strings in the sweet spot.
Kick off the holiday season by shopping for the guitar player in your life at Guitar Center! Now through December 24th 2022, save on exclusive instruments, accessories, apparel, and more with hundreds of items at their lowest prices of the year.
We’ve compiled this year’s best deals in the 2022 Holiday Gift Guide presented by Guitar Center.
DiMarzio, Inc. announces the Relentless P (DP299), the Relentless J Bridge (DP301), Relentless J Neck (DP300), and the Relentless J Pair (DP302) for 4 string basses.
DiMarzio, Inc. announces the release of the Relentless P (DP299), the Relentless J Bridge (DP301), Relentless J Neck (DP300), and the Relentless J Pair (DP302) for 4 string basses. The new Relentless P and Relentless J series pickups feature the Relentless cover designed in collaboration with Billy Sheehan.
As with the Relentless pickups, we removed all the hard edges from the standard P Bass and standard J Basspickups, and added an arch to the top of the pickups to bring the sensing coils and pole pieces closer to the strings. These improvements increase the dynamic range and make active circuitry unnecessary.
The Relentless P and Relentless J pickups incorporate Neodymium magnets and produce 70 percent more output than traditional passive pickups, and they’re dead quiet due to the incorporation of metal covers and foil-shielded cables. To dial in (or fine-tune) the individual string output, the Relentless P and Relentless J include eight adjustable pole pieces. These pickups also have a broad magnetic field so you can even bend notes without volume dropout.
DiMarzio’s extra shielding makes the Relentless P and Relentless J better for both recording and stage performances. We’ve mounted them onto robust .09375” thick circuit board base plates to eliminate the annoying protruding mounting screws — ultimately creating a more comfortable and consistent foundation to rest your fingers on.
The new Relentless P steps beyond the traditional P-Bass sound and can only be described as massive. It has more of everything: more volume, beefier lows, a growling midrange, and crispy highs with better individual string definition.
The Relentless J incorporates a new invention, (patent pending) parallelogram-shaped coils, offering an expanded mid-range punch, snappy highs, precise lows, and a new dimension to the sound of the Relentless series pickups.
Relentless P and Relentless J pickups will breathe new life into any bass, increase playability, and work well for any style of music from Motown to metal.
DiMarzio’s Relentless P, Relentless J Bridge, Relentless J Neck, and Relentless J pair are made in the U.S.A. and may now be ordered for immediate delivery.
Suggested List Price for the Relentless P is $169.00 (MAP $119.99).
Suggested List Price for the Relentless J Bridge and Relentless J neck is $155.00 (MAP $109.99).
Suggested List Price for the Relentless J Pair is $296.00 (MAP 209.99).
For more information, please visit our website at dimarzio.com.
Mystery Stocking is coming soon! Sign up for PG Perks below so you don't miss it.
Sign up for PG Perks on the form below to make sure you don't miss the launch announcement!
About Mystery Stocking
Each year, Premier Guitar likes to put out these mystery boxes as a part of bringing some fun to the holiday season. Remember, this is supposed to be a fun holiday treat! If the contents of this box will ruin your holiday, deplete the last of your bank account, or end your ability to see the good in humanity, it may not be for you.
- This year's Mystery Stocking will cost $44.95. ($39.95 + $5 Flat shipping)
- Each box will be guaranteed to contain $40 or more in value.
- US only. (Sorry World.)
- Make sure your shipping address is correct.
- Have your credit card ready to go before you refresh the page. Paypal is not available. Autofill may not fill in your information.
- There will be NO REFUNDS given.
- There has been a huge demand for these in the past. We really did sell out in less than 4 minutes last year. When they are gone, they are gone.
- One per household, one per person.
Q: What's in the Mystery Stocking?
A: It wouldn't be much of a surprise if we told you, now would it?
Q: Will I definitely get my money worth?
Q: Can I return it if I don't like it?
A: Nope. All sales final.
Q: What if I live outside the US?
A: Sorry, US only.
Q. How much is it?
A. $39.95 Plus $5 shipping
Q. When will it ship?
A. On or before December 10, 2022.
Q. What form of payment do you accept?
A. Credit cards only. Sorry, no Paypal for this.
Q. Can I ship to a different location than my billing address?
Q. I tried last year and didn't get one. Will I get one this year?
A. There is an overwhelming demand for Mystery Stocking. Be sure you have a fast internet connection and be ready when they go on sale. Last year we sold out in 3 min 33 seconds.
Q. I want to buy 5. How can I buy 5?
A. You can't. This year, we're limiting to one per household, so more people can get in on the fun!
Featuring the Adaptive Circuitry recently introduced on their Halcyon Green Overdrive, Origin Effects have brought us a pedal with a character all of its own and a new flavor of drive.
Origin Effects introduce the new M-EQ DRIVER mid booster & drive pedal. Based on a vintage Pultec studio EQ, this unique pedal offers a range of mid-focused tones, from a subtle mid boost to thick, resonant overdrive. Featuring the Adaptive Circuitry recently introduced on their Halcyon Green Overdrive, Origin Effects have brought us a pedal with a character all of its own and a new flavor of drive.
A choice of three mid-range frequencies ensures that you can boost just the right part of your guitar signal and, when pushed harder, can elicit a range of saturation from a classic “mid-hump” overdrive to fierce “cocked wah” distortion. Thanks to the Adaptive Circuitry, the high-end roll-off of the Cut control is reduced as the pedal cleans up. This allows for a smooth transition from warm overdrive to bright clean tones in response to playing dynamics or guitar volume knob changes.
Introducing... M-EQ DRIVER || Mid Booster & Drive
Built-in the UK to the highest standards, the M-EQ DRIVER continues the Origin Effects tradition of vintage, studio-inspired tones in modern guitar pedals. The Origin Effects M-EQ DRIVER is available now from Origin Effects dealers worldwide.
RRP: 259 GBP (Inc VAT) / 319 USD (Ex TAX)
For more information, please visit origineffects.com.